Do you want a compact lens with a constant f/2.8 aperture? Does it have to be as sharp as a G-Master lens without the high price? Sony may have just given you what you asked for, provided that you don't need an extensive zoom range.
An OM System 150-600mm f/5-6.3 has been sitting in the office for months and I haven't touched it since I tested the OM-1 Mark II. Finally, the cold weather had given way and I had no excuse to ignore it anymore. A trip to the Calgary Zoo would let me test out not only the wildlife capabilities of this lens but also the excellent macro versatility that the lens offers.
It’s not often that I get to review a lens that the world has never seen before. I’ve reviewed plenty of f/1.4 lenses and I’ve reviewed the occasional 15mm fisheye, but a 15mm diagonal fisheye with an f/1.4 maximum aperture is a first for me.
OM System may have only announced one lens last year, but it's starting 2024 much stronger with two new Micro Four Thirds offerings: a 9-18mm f/4-5.6 II and the 150-600mm f/5-6.3 IS.
A common challenge for photographers using wide-angle lenses is creating depth in their images. The shots may seem flat and dull if they do not have a distinct point of interest and a clear visual path that draws the viewer’s eye into the scene.
7Artisans announced a new 9mm f/5.6 full-frame ultra-wide prime lens for the most popular mirrorless mounts that promises a relatively close focusing distance and a 132-degree viewing angle.
The classic professional photographer's kit has for decades consisted of the holy trinity of f/2.8 zoom lenses: a 16-35mm, 24-70mm, and 70-200mm. Armed with these, a photographer can cover almost any shooting situation. When Sony first started its full-frame mirrorless camera line, it quickly made these professional zoom lenses under the G Master moniker. Unfortunately, these lenses were not able to deliver the high-grade results that many of the other brands could.
Sony has announced the 16-35mm f/2.8 G Master II which joins the 24-70mm and 70-200mm G Master f/2.8 zooms that have also been recently updated to bring their performance in line with modern expectations.
If there was ever a focal length that the manufacturers tend to put by the wayside, it's the trusty 28mm prime lens. You see, ultra-wide lenses are dynamic and 24mm lenses are admittedly more versatile. However, the 28mm range is probably my preferred focal length for walking the streets with only one prime lens.
How do you make the excellent Tamron 11-20 f/2.8 DI III RXD for Sony E-Mount even better? You release it for Fujifilm X-Mount as well.
Sigma has announced the "world's widest" f/1.4 prime lens: the 14mm f/1.4 DG DN Art. The company says this new optic was born from our engineers' passion for capturing the widest, brightest, highest-resolution, and most captivating starry sky images possible.
7Artisans has announced a new 24mm f/1.4 wide-angle prime lens for six APS-C camera mounts that is extremely cheap, but it doesn't have autofocus.
Wide-angle zoom lenses with fast apertures are few and far between when it comes to Sony APS-C cameras. The Tokina 11-18mm f/2.8 ATX-M takes its shot in this overlooked class.
Last September, Nikon released the Z mount 17-28mm f/2.8 lens. Immediately, two specifications piqued my interest when it came to how this lens would perform with astrophotography and nightscapes: it was a wide-angle lens and also fast at f/2.8.
Nikon's new 26mm f/2.8 is a super-thin wide-angle prime for its Z-mount mirrorless cameras and is its slimmest and lightest full-frame autofocus lens ever.
DZOFilm's new Catta Ace 18-35mm T2.9 cine lens is a versatile wide-angle parfocal optic that promises controlled focus breathing and excellent image rendering for the price that's comparable to pro-level photography-centric lenses.
Venus Optics has announced the Laowa 6mm f/2 Zero-D MFT rectilinear lens, the "Photo Version" of the previously released 6mm T2.1 Cine Lens that offers the same image quality as the cine version but finally adds electronic components for in-camera controls and proper EXIF information recording.
TTArtisan has announced a new 11mm f/2.8 Fisheye lens for Canon EF and Nikon F-mount cameras. The lens brings DSLRs access to the same lens that has already been available for multiple mirrorless mounts.
Nikon's first-party lens support for its Z-mount mirrorless cameras has been growing rapidly over the last few years to nearly 30 optics. But to support that rapid growth, the company appears to be purchasing Tamron designs and rehousing them to appear as Nikon originals.
Nikon has announced a new 17-28mm f/2.8 lens for its Z-mount mirrorless cameras. The full-frame wide-angle optic is the latest addition to the company's selection of f/2.8 zoom lenses.
Panasonic has announced a new large-aperture ultra-wide prime lens to its L-mount lineup: the Lumix S 18mm f/1.8. This new lens brings its total f/1.8 prime lens support for its S-series cameras to five optics.
Venus Optics has continued to expand on an already extensive list of ultra-wide-angle lenses with the addition of the Laowa 12-24mm f/5.6 C-Dreamer for full-frame mirrorless systems. Where many ultra-wide lenses can be big, bulky, and incredibly pricey, this new "slow" lens becomes even more impressive with its relatively small $649 price.
Canon has announced two new lenses for the RF mount: the RF24mm f/1.8 Macro IS STM and RF15-30mm f/4.5-6.3 IS STM. Both pieces of glass are compact, lightweight, and wide-angle.
Most photographers I know have lens preferences and tend to utilize a favorite lens for their photography. Maybe it’s the way the lens captures the sun flare or the way the lens sees what they picture in their mind. But what if you could only shoot one?
Apple has revealed a handful of extremely useful features that further pair the iPad and iPhone with macOS devices, including the ability to turn an iPhone into a webcam for a Mac computer.
The year is 2022 and it’s apparently APS-C’s time to shine. With Canon showing off what they’ve cooked up and Fujifilm making a big announcement of their own, today Sony is bringing out three more wide-angle APS-C lens options: 10-20mm f/4 PZ, 15mm f/1.4, and 11mm f/1.8.
Panasonic has announced the large-aperture ultra-wide Lumix G Leica DG Summilux 9mm f/1.7 ASPH for Micro Four Thirds (MFT). The lens is manufactured under Leica's standards which the company says makes it suitable for both pros and high-end amateurs.
The updated mirrorless version of the legendary ultra-wide 14-24mm f/2.8 lens lives up to its F-mount predecessor and then some. It offers incredible performance, a sturdy and stylish build, impressive image quality, and it comes with its own screw-in filter attachment lens hood.
The development in metalens technology continues, and researchers have designed a new compact camera that takes high-quality wide-angle photos and eliminates the typical bulk of optics.
Venus Optics has announced a new "red ring" version of its Laowa 15mm lens. Called the 15mm f/4.5R Zero-D Shift lens, it more than doubles the number of aperture blades of the "blue ring" version but doesn't raise the price.