concert

There's a revolution brewing in the world of concert photography. After photographer Jason Sheldon penned a viral open letter to speak out against Taylor Swift's concert photo contract, a major Irish newspaper decided to boycott photos at Swift's recent concert. Now a Washington newspaper has followed suit with another major player in the music industry: the Foo Fighters.

The Washington City Paper says it won't be sending a photographer to this weekend's Foo Fighter concert due to the fact that the band's contract "sucks." Instead, the paper hopes to buy photos directly from fans who attend the show.

At least one major newspaper is taking a stand against Taylor Swift's concert photography contract, which has generated quite a bit of discussion in recent days over its 'restrictive' and 'unfair' terms. The Irish Times, Ireland's second most popular newspaper, explained today that it chose to leave out photos entirely rather than sign Swift's contract.

After my public response to Taylor Swift’s open letter to Apple, I didn’t quite expect the phenomenal reaction it received. I knew it was provocative. I knew it was going to be risky and could possibly harm my chances of getting access to other concerts in future, but it needed to be said -- out loud. When I thought hard about the possible consequences, and restrictions on my access to future work, I asked myself “What point is there in going to work if I can’t be paid for it, yet everyone else gets to benefit from my labor?”. The answer?

There was nothing left to lose. When you’re faced with a choice of working for free to save a millionaire having to pay a reasonable fee, or not working at all, what would you do?

Yesterday, photographer Jason Sheldon published an open letter to Taylor Swift, accusing the singer of being a hypocrite by accusing Apple of treating artists unfairly while herself handing out heavy-handed contracts for concert photographers to sign.

It turns out Sheldon's contract was a bit outdated: the latest version goes a step further by stating that photographers who violate the contract can have their gear destroyed on the spot.

Vintage Trouble recently played their biggest gig in front of 115,000 people as the support act of AC/DCs “Rock or Bust” Tour 2015 at the Red Bull Ring in Zeltweg, Austria.

I had the once in a lifetime opportunity to join the band and work with them directly on stage. It was life changing for me and this experience once again showed me that being a concert photographer is the best job in the world!

Here’s a tongue-in-cheek sketch in which Ramones drummer Marky Ramone shows off a …

I was a month and a half into the photography program at the Art Institute of Colorado in Denver when I decided to skip school for a day for a concert. I had a ticket to see Mumford & Sons playing in Laramie, Wyoming, before they hit Red Rocks in Colorado.

At the time, I was already contemplating dropping out of school, due to feeling that I would never be good enough to make it in the photography world, and would just be wasting time and money.

Every year the barrier of entry for music photography seems to get lower. This isn't a bad thing, in fact I think it's awesome. But what it means is that the number of people working toward becoming music photographers is much higher. It's not an uncommon thing to be a music photographer these days, and there are thousands upon thousands of us.

Here's a strange incident that's causing a stir online and in music communities: at a recent concert by the metal band Every Time I Die, a fan named Micah Barnes decided to climb onto the stage to try and snag a selfie with the lead singer. Guitarist Jordan Buckley would have none of it, and decided to put an end to the photo shoot with a swift kick that sent the smartphone flying into the air.

Editor's note: This video contains NSFW language

It's easy to assume that the whole 'no flash photography' rule at concerts is ignorable, but as the clip above shows, not only can it distract the performer, in some rare cases it might actually be a health hazard.

We've heard of musicians prohibiting photography and video at their shows, we've even seen video of musicians publicly shaming fans who refused to experience the show through anything other than a 4-inch screen, but iconic guitarist Peter Frampton took smartphone photography intolerance to an epic new level this past weekend.

A couple of days ago, we received an email from a concerned concert photographer who had apparently earned the right to photograph an upcoming Motely Crüe concert.

The photographer, who preferred not to identify him or herself, shared with us what they claimed to be the Red White & Crüe Inc. photography licensing agreement, bringing our attention to wording that seems to indicate photographers can't even license their own images without the company's express consent.

Choosing the right camera settings for concert photography can be a daunting task, even for experienced music photographers. Here’s a breakdown of every major camera setting that I recommend for shooting live music.

A few months back I got to see the mighty, ever-reigning dinosaur kings of rock, the Rolling Stones. I had a general admission ticket and a small pocket camera, and arrived many hours early so as to worm my way clear up to the front.

After all the videos and examples posted online of everything from RED EPICs to 5D Mark IIs being fried by lasers, you'd think just about everybody in the photo community would know to keep their cameras safely stowed during a show where lasers are at play.

The above video, titled "How not to be a photographer at a gig," has gotten a ton of attention over the past few days as it has made the rounds online. It shows concert photographer Aelle Lucà at a small gig really going at it with the flash and bothering (at the very least) the person who recorded and posted the video.

As you might imagine, the comments section for this video on YouTube quickly turned into a troll-fest of insults and negativity directed at Lucà. But as it turns out, this is exactly what the band wanted and asked for... and his photos turned out pretty darn well.

Have you ever heard of the "4 Seconds" myth in concert photography? Well, probably not, because I made this phenomenon up as a play on words with the 4 Leaf Clover "Myth." The 4 Seconds Myth talks about the fact that there’s a maximum period of time at just a few concerts when you can in fact shoot at crisp, noiseless ISO 100.

Let me start by stating that I’ve been a fan of Montreal’s Slaves on Dope since the mid to late 1990s. Does that make a difference in the relevance of the rest of this blog entry? Nope. Just felt like saying that.

I’ve had the chance to shoot them a few times live and they are always fun to see…. and ever better to shoot! They were playing at the Heavy MTL festival this past August, early on the second day, and I made my way to the small stage to grab a few shots.

In some cases, it seems like the stars align, the sea parts and the universe itself conspires to help you get the perfect shot. That's sort of what happened to photographer Richard Crawley when he attended a Rolling Stones concert in the 1970s and wound up with the most famous shot he would ever take.

There have been several stories lately of musicians banning photography and asking fans to keep their cell phones in their pockets and enjoy the show. Most recently, Prince's "purple rules" had security guards at The City Winery in NYC snatching phones in mid-air and kicking people out.

The Unsound music festival taking a larger scale (though less aggressive) approach: festival organizers have banned photography and filming festival-wide, and are asking that festival attendees be the ones to do the enforcing.

It's become a pattern with musicians lately. In an attempt to force people to actually experience the concert they're attending, many musicians are banning photography at their shows outright. In the past, we shared messages put up by the bands She & Him, The Yeah Yeah Yeahs and The Savages, all of whom are kindly asking concert goers to put away their darn cell phones.

The crowd surfing blow up ball at a concert isn't a new idea, but late last year HP and Almap BBDO took it in a new direction. As part of HPs "Making Memories Last" campaign, the company fit one of the massive concert beach balls with a high-definition camera and WiFi antenna.

I got a chance to photograph for Warped Tour this year, and wanted to share about my experiences and takeaways with you. I was actually quite lucky to get the job. It started off with an email to the media director of Warped Tour, followed by having to fill out this media request form. From there, I just had to wait a few days for them to verify everything, check out my portfolio, and get a confirmation email literally 12 hours before the show started.

Musician Beyoncé has a love/hate relationship with the camera; or maybe it's a hate/hate relationship. Regardless, her views on the subject came out at a recent show in Atlanta where the singer -- who has gone so far as to ban pro photography entirely -- told a fan to "Put that D**n Camera Down."

Zooey Deschanel is the latest performer to weigh in on concert etiquette, with signs posted at concerts by the actress/singer's indie pop act She & Him asking fans to ditch their cameraphones and refrain from snapping photos.

Mystery solved: Beyonce is so riled up about restricting photographer access because she's hell-bent on projecting an image somewhere between "Photoshopped" and "impossible."

That's the impression from the the pop star's latest ad campaign, in which she sports body proportions that make her look like she stepped straight from a U.N. refugee camp into a Paris couture salon.

Want to experience what it's like to shoot a live concert? Montreal, Canada-based concert photographer Pierre Bourgault wants to show you. When he recently had the opportunity to photograph a performance by the band Dead To Me, Bourgault decided to strap a Gopro camera to the top of his DSLR. The video above is what resulted.

How do you solve the problem of professional concert photographers snapping unflattering photos of you during your live shows? One way is to ban them completely, and that's exactly what Beyonce is doing with her latest concert tour. Policies like hers may be growing in popularity among artists who want to control their image, but the policy is still causing quite a hoopla.

In 1965, amateur photographer Marc Weinstein used a fake press pass to get police to escort him stage-side at the historic Beatles concert in Shea Stadium. Now, almost 50 years later, he has sold all 61 of the images he captured there for a whopping £30,000 (or about $45,500). The story involves a little bit of bravery, a little bit of trickery, and a lot of luck.

It's an unfortunate truth in the world of concert photography that some bands refuse to issue press passes to "small time" local music photographers. The Killers are one such band.

Redditor bottleface was watching the live stream of Jay-Z's first annual "Budweiser Made in America" festival this past weekend, when something caught his eye. One of the concert goers standing in the front rows had made a pretty unique camera choice: a Macbook Air. While the fans around him held up smartphones to snap photos and record videos, the Macbookographer was proudly holding up his laptop with the FaceTime camera pointed at the performance.

Early in 2011, there was a brouhaha after newspaper photographer Jay Westcott …

Renowned rock photographer Baron Wolman, the first photo editor at Rolling Stone magazine, …

Here’s an inspiring and educational video in which Marc Silber sits down to …

Here’s yet another painful-to-watch example of what the powerful lasers used at concerts can do to your …

Television network TBD recently sent photographer Jay Westcott to cover a Lady Gaga concert in Washington D.C. Upon arriving at the Verizon Center, Westcott was given a release form, on which the fourth paragraph read,

Photographer hereby acknowledges and agrees that all right, title and interest (including copyright) in and to the Photograph(s) shall be owned by Lady Gaga and Photographer hereby transfers and assigns any such rights to Lady Gaga.

After making a call to his editor, Westcott was told to not sign the release and to not shoot the concert.