Posts Tagged ‘VR’

Nikon Fills Gap, Announces the New 70-200mm f/4G ED VR Telephoto Lens

Nikon Fills Gap, Announces the New 70 200mm f/4G ED VR Telephoto Lens 70200mmf4

Nikon has officially announced the new 70-200mm f/4G ED VR, a lens that we first reported on last week. The specs that leaked a day ago were spot on: the lens features a fancy schmancy new Vibration Reduction (VR) system that offers up to 5 stops of image stabilization, raising the bar from 4.
Read more…

Upcoming Nikon 70-200mm f/4 Said to Feature 5-Stop Vibration Reduction

Upcoming Nikon 70 200mm f/4 Said to Feature 5 Stop Vibration Reduction nikno70200

We reported last week the Nikon is set to fill a gap in its lens lineup by introducing a new Nikkor AF-S 70-200mm f/4G ED VR lens — a lens that should be smaller and cheaper than its f/2.8 counterpart. As we move closer to the lens’ announcement (rumored to be sometime this week), new details about it are starting to emerge.
Read more…

Nikon to Unveil a 70-200mm f/4 Lens Next Week With Fancy Next-Gen VR

Nikon to Unveil a 70 200mm f/4 Lens Next Week With Fancy Next Gen VR nikon70200

Since it was announced back in 2006, Canon’s 70-200mm f/4L IS lens has been an attractive option for photographers who want a lighter and cheaper alternative to the 70-200mm f/2.8 IS. For the price of one stop, one could get a lens that’s nearly half as heavy (1.7lb vs 3.3lb) and significantly less expensive. Nikon shooters may soon have a similar choice as well: Nikon is planning to fill in this gap in its lens lineup by announcing its own 70-200mm f/4 a week from now.
Read more…

Nikon’s Reasons for Lens Stabilization Over Sensor-Shift Stabilization

Nikons Reasons for Lens Stabilization Over Sensor Shift Stabilization iscomparison

Nikon has a support page for people who wonder why the company hasn’t added sensor-shift image stabilization to its DSLRs. The first point is that stabilizing the image before it enters the camera allows the user to see exactly what the sensor “sees” through the viewfinder, and allows the autofocus and metering sensors to take advantage of this stabilized image as well. Secondly, they state that they can optimize the system for each lens to achieve finely tuned stabilization that gains extra stops of light over sensor-based systems.

Why is ‘in-lens’ VR superior to ‘in-camera’ VR? (via Nikon Rumors)

Nikon Sues Sigma for $150 Million Over Vibration Reduction Technology

Nikon Sues Sigma for $150 Million Over Vibration Reduction Technology nikonsigma

Things aren’t going very well for Sigma these days — just days after the world balked at the $9,700 price tag it’s attaching to the upcoming SD1 DSLR, Nikon is announcing that it’s suing Sigma for $150 million over the vibration reduction technology found in Sigma DSLR lenses. Furthermore, it’s demanding that Sigma put a halt to the manufacturing and sale of lenses that infringe on the VR patents, which might be a large number of OS (Optical Stabilization) lenses.

(via Nikon Rumors)


Image credit: Fighting Topis by Stuart Barr

Nikon and Tamron Patent Teleconverters with Built-In Image Stabilization

Nikon and Tamron Patent Teleconverters with Built In Image Stabilization 20110221 tc tamron
Nikon and Tamron Patent Teleconverters with Built In Image Stabilization 20110221 tc nikon 63652
 

Canon might be rolling out a new Image Stabilized lens with a built-in teleconverter, but Tamron and Nikon seem to have image-stabilization/vibration-reduction tricks up their sleeve as well. Apparently in the early 2000s both Nikon and Tamron filed patents for teleconverters with image stabilization baked right in. Tamron’s was for a standard unit that sits between the lens and the camera body, while Nikon’s was for a unit that sits in front of the lens.
Read more…

Nikon Announces Two New Lenses

Nikon Announces Two New Lenses new nikon1Nikonians rejoice! Nikon has just announced two new lenses: the AF-S NIKKOR 24mm f/1.4G ED and the AF-S NIKKOR 16-35mm f/4G ED VR.

The new 16-35mm is huge news for full frame Nikon users, as it is the widest FX-format focal range with VR at 16mm. 16mm without a crop factor is pretty darn wide — that’s a wide angle view of 107°!

Nikon’s 24mm is also nothing to overlook for FX and DX users. It joins Nikons array of prime lenses, but boasts the widest aperture in a wide angle lens.

Photographer Bob Krist had one of the first hands-on shooting with both lenses, and he’s got some photos with the 24mm f/1.4G ED on his site.

Both of the new lenses utilize Nikon’s Silent Wave Motor (so none of that angry-robot whirring like the f/1.8 nifty 50), a Nano Crystal Coat to reduce internal “ghosting” and flaring, and ED glass. (Confused by all the numbers and letters? Here’s a helpful article: Lens names explained.)

But of course, all this fantastic gear comes at a pretty price. Nikon will release the 16-35mm f/4 later this month, with an estimated price of $1259.95. The 24mm f/1.4 will be available late March 2010 for around $2199.95.

Even if you’re not planning on dropping bills on the new lenses, keep an eye out for quality lens resells. The 24mm f/1.4 will likely effectively replace the comparatively cheap but trusty Nikon 24mm f/2.8, and it’s likely that there will be more DX lenses available on the resell market.