If you’re going to get serious about shooting all the time, the best camera you can buy yourself is a quality compact. High-end DSLRs and interchangeable lens mirrorless cameras can be intimidating to shoot with for the everyday photos, not to mention an unnecessarily heavy load to carry. A compact is a camera you can take everywhere that will distinguish you from other "phonetographers" in both improved control and image quality.
When Sony announced the 61MP a7R IV this week, both presenters were quick to say that the camera's full-frame sensor "rivaled medium format" thanks to its combination of resolution and dynamic range. But was that engineering truth, or marketing speak? Photographer Matt Granger decided to find out.
How much of a difference can an extra 19MP and a newly-designed really make? Apparently, quite a bit, as you can see in this quick side-by-side comparison of JPEGs shot on the 42MP Sony a7R III and the newly released 61MP Sony a7R IV.
Roger Cicala at LensRentals is on a quest. A quest to MTF everything that moves... or in this case zooms. After putting off zoom lens comparisons as long as possible, Roger finally bit the bullet and published his 70-200mm f/2.8 MTF chart comparison.
Given how much more it costs to buy an f/1.4 prime compared to an f/1.8, beginners in particular often ask if the upgrade is worth it. Build quality and optical quality being equal, is the difference in light gathering capability and depth of field noticeable? Can you really tell?
Much has been made of the tiny new Sigma fp, officially the world's smallest full-frame mirrorless camera as of this writing. But just how small is this thing compared to the competition from Sony, Nikon, Canon and fellow L-Mount Alliance member Panasonic?
In this video, I’m going to put to rest this question once and for all: does sensor size affect depth of field? I’ll be physically taking pictures with a full-frame camera and a Micro 4/3 camera, and showing you the visual difference in a range of aperture settings. There are lots of theories and opinions on this but here is the definitive answer.
Ever since Canon and Nikon debuted their latest lens mounts, there's been a lot of talk about the "optical advantages" of the shallower, wider Z and RF-mounts. Canon even released a video more-or-less shaming their own EF lenses by comparison. But does this translate into meaningful real-world results?
Photographer Julia Trotti made this 7-minute video that shows how your choice of focal length affects your results in portrait photography.
Fujifilm made a splash in the camera industry today by unveiling the GFX100, the world's first 102-megapixel mirrorless camera. And here's what's crazy: Fujifilm managed to stuff a medium format sensor into a camera body that's the same size as Canon's and Nikon's flagship DSLRs.
Adobe recently announced that it would both discontinue downloads of older versions of Creative Cloud apps (which includes Lightroom and Photoshop), and revoke the license for older software. Further, Adobe tweeted that consumers “may face potential claims of infringement by third parties.”
The Godox V1 round-head flash is coming to market despite the loud protests and legal threats of Profoto, which claims its A1 design was stolen (something Godox denies). If you're wondering how the $259 V1 compares to the $995 A1, photographer Robert Hall has a sneak peek for you.
In this article and the 8-minute video above, we are comparing the $2,200 Sony FE 24-70mm f/2.8 GM lens with the $880 Tamron 28-75mm f/2.8 Di III RXD lens in sharpness, image quality, focal length, autofocus, and video.
Photographer Terrance Lam's friend recently purchased Sony's entire line of pro G Master lenses. Curious about how the cost stacks up against other ecosystems, Lam decided to do some research and find out how much equivalent camera and lens kits cost for other brands.
I recently I canceled my PhotoShelter account after being with the service for 8 years, and I wanted to provide a better understanding of the pros and cons of PhotoShelter and Squarespace. I currently use Squarespace and while I wouldn’t say the service is without its faults, I do believe that it is a better service for my needs.
Film is very rarely used in music photography anymore. The reason for this is primarily because of social media and instant news. There’s no time to go home and start pouring chemicals onto film to develop it or wait until the morning until a lab opens to do it for you.
Have you ever had a moment in your life where a friend, co-worker or client comes to you and ask you for a specific image and you just can’t find the original? If you’re like me with a few Lightroom catalogs containing ten thousands of photographs, then this situation will likely happen.
Back in May of last year, I finally made the move and got myself an a7 III. I had wanted a Sony body for quite some time but was hesitant to switch. Before getting into my long-term review, I’ll first explain what made me make the switch.
I recently did a comparison between old and new Kodak Ektachrome E100 film. But first an amusing story about how these two rolls met.
Sony's a7 and a9 series of mirrorless cameras have a bad reputation for their grip ergonomics, and rightly so. I love my Sony a7 III and it's still the best camera on the market for my particular needs, but the grip just isn't anywhere near as good as what you find on a pro DSLR.
Photographer and filmmaker Max Yuryev just did a shootout to see how top mirrorless cameras compare in shooting 4K footage in low light with high ISO. In the 10-minute video above, Yuryev compares the Sony a7 III, Canon EOS R, and Nikon Z7 full-frame mirrorless cameras as well as the APS-C Fuji X-T3 and the 4/3 Blackmagic Pocket 4K.
After years of shooting portraits with Canon cameras, photographer Sean Tucker recently switched over to Sony gear. After many people warned him that his portraits would suffer from Sony's "terrible" skin tones, Tucker decided to put the cameras to the test himself in the 20-minute video above.
The original Canon EOS 5D DSLR was announced in August 2005, and the latest Canon EOS 5D Mark IV was announced 11 years later in August 2016. Through the four generations, maximum ISO has increased from 3200 to 32000. But how do the two cameras compare in low-light performance? In this 10.5-minute video, photographer Pablo Strong conducted a shootout to find out.
Photographer and YouTube star Peter McKinnon decided to do an experiment on whether you can create top-quality content using entry-level camera gear. He had a pro photographer see if he could distinguish between photos from a $400 camera and those of a $4,000 camera.
I'm photographer Jay P. Morgan, and in this video and article, we are going to be taking a look at four different sensor sizes and see how they compare with one another.
Camera manufacturers have been utilizing different types of autofocus systems in modern digital cameras. If you'd like a primer on how each one works, here's a fantastic 18-minute video by tech tester Gerald Undone that will bring you up to speed.
A university student named Amish recently learned one of the basic truths of photography (and life): you generally get what you pay for.
Here's a 5-minute video showing a portrait lens shootout I recently did at 85mm f/1.4, 105mm f/1.4, 135mm f/1.8, and 200mm f/2.8. If you are looking for a portrait lens, you can't go wrong with any of these focal lengths. Each focal length serves a specific purpose and will give you a slightly different look/perspective.
The Sony a7 III, Nikon Z7, and Canon EOS R are three of the main cameras battling it out in the full-frame mirrorless camera wars. In case you're wondering how the three cameras compare in size with one another, the Dutch camera store Foto Hans Keuzekamp has shot a set of photos showing them side-by-side.
As a filmmaker, I come across many different types of cameras, lenses, and of course all the peripherals that come with movie making. For commercial shoots I am currently shooting on a Canon C200 cinema camera using the Canon RAW lite codec. The results are incredible.
One of the biggest complaints I hear quite regularly about Sony mirrorless cameras is that their color science is horrible. Many photographers don’t seem to like how Sony interprets colors from any given scene. This it seems, to be especially true for portrait photographers. In stark contrast, color science is one of the major positive points for Canon cameras.
It’s photographer Jay P. Morgan here. Here's a new 11-minute video in which I compare the pros and cons of strobes vs. continuous light and conduct some indoor and outdoor lighting tests between the two for you to decide which one to use when you are shooting.
Fujifilm made a splash in the photo industry this week by announcing the GFX 50R, a camera that squeezes a 51.4-megapixel medium-format sensor into a rangefinder-style body with a price tag of just $4,499. Here's a look at how the "compact" body compares in size to other popular cameras on the market.
My name is Sebastiaan de With, and I'm the co-founder and designer of the iPhone camera app Halide. Some reviewers with advance access to the iPhone XS have been kind enough to share technical readouts of the new phones with our team, detailing several camera hardware specs. After some analysis, we can now give you an overview of what’s new in the iPhone XS camera hardware and its technical capabilities beyond what Apple stated at their keynote.
A few years ago, I was embarrassingly very vocal about how disappointed I was about some of the Nikon lenses. I've been using Nikon cameras and lenses for decades and although I was very pleased with the image quality and color rendition their cameras produced, I strongly considered jumping the Nikon ship in search of crisper, cleaner looking lenses.
Want to see how much Sony has improved the autofocus abilities in its cameras? Photographer Dave Dugdale made this 6.5-minute video comparing the AF on his Sony a7S from 2014 and his new Sony a7R III.
Photographer Pablo Strong recently did a shootout to see how the original Canon 5D from 2005 stacks up against the latest Canon 5D Mark IV from 2016. The 7.5-minute video above is a report of his findings.
Film is on the resurgence as of late. Transparency film is another option from your regular negative film, but what is it exactly? When would you use transparency instead? How does it compare to C-41 or print film? And what is the dynamic range of transparency film? In this article, we'll answer those questions and more.
I’m an avid night sky photographer that cut my teeth capturing the stars using the original Canon 6D. I shot with that camera for years until purchasing the Sony a7S (Mark I) after reading about how it could essentially “see in the dark.”
In digital photography, larger sensors generally equate to better image quality across a variety of measurables. If you're curious about the advantages medium format cameras have over 35mm ones, Hasselblad has a new set of videos just for you.