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Sweating with labored breath, I push my fully loaded bicycle over Kyrgyzstan’s 12,400-foot Koi Dzolu Pass. The 23,000-foot peaks of the Pamir Mountains loom above while storms dance on either side, pelting me with occasional hail. In moments like this, I deeply appreciate every ounce shaved from my setup to stay mobile.

Lime Bike Jousting was conceived by Cameron Carnegie-Brown (AKA Camtholomew the First) and Jack Carden, two London creatives who turned a joke about jousting on rental e-bikes into a viral performance art event.

It’s about time that the diminutive king of instant film got some Film Friday love, so we are giving this week’s spotlight over to Fujifilm’s Instax Mini color instant film and sharing why we love these small prints (and why you should as well).

I ’ve photographed campaigns in some pretty unusual places over the years, from the highlands of Ethiopia to the plains of Iraq, and I've been fortunate to be part of projects that were both challenging and incredibly rewarding. Somewhere along the way, I got used to the idea that the complicated jobs would probably involve an airplane, a passport, unpredictable weather or some combination of all four. So when an 12-day studio project for Tempur-Pedic and Tempur-Sealy came across my desk, I …

PetaPixel is proud to partner with WhiteWall for the launch of the PetaPixel Print Shop, a series of 10 limited-edition print drops featuring photos from the PetaPixel team and partner artists.

This Film Friday brings you a whole family of fun films with Psychedelic Blues. A great tagline for these experimental films could certainly be “expect the unexpected.” It could also be, “loosen up and have some fun!”

Four cameras, seven lenses, and one Commonwealth Games. That was the equipment I brought to Glasgow 2026. Most days, however, only three cameras came with me to the competition venues. The fourth stayed at the hotel as a backup, unless I planned to use it as a remote camera.

We are all familiar with the social mandate of smiling for photographs. Every time someone points a lens at our mug, we are expected to give a wide, toothy smile. If you don’t comply, the photographer will quickly remind you with a religious “say cheese!”. Many years ago, it occurred to me that this practice was not only shallow but silly. Granted, a candid smile captured in photography can be telling and beautiful. On the other hand, a contrived smile for a photograph, not so much. Here …

Today’s Film Friday takes a look at a blast from the past: Kodak ColorPlus 200. This all-purpose film is one of the most affordable color negative films available for loading into your favorite 35mm film camera. It is very much a jack-of-all-trades type of film (and a master of none) that will do everything you want it to decently well and save your camera budget in the process. So let’s get started.

It’s been a big week for execution: in Tennessee, they botched one. In Texas, they’re making plans to televise another.

We stated in our Film Friday review of Kodak Portra 400 (and again in our Portra 800 write up) that it is pretty much a perfect color film, so you’ll hopefully understand and forgive us if we start off this Film Friday by insisting that Portra 160 is a more perfect film.

Jim Wehtje is an American photographer and radiographic artist known for using X-rays to reveal the hidden internal structures of natural objects, particularly plants, flowers, and seashells.

Amazingly enough, not only is instant film not dead, it is actually thriving. That is in large part due to the popularity of the Fujifilm Instax films, so it is time for us to give one of those films the Film Friday treatment.

The “Hidden Mother” is a genre of photography that has been practiced since the infancy of the photographic process. Many examples date back to 1839 and the daguerreotype. A shroud or sheet would be thrown over the adult in the composition, or the mother hid behind a cloaked chair. They used varied methods and had varying degrees of success, depending on what worked for the photographer and the sitter. Sometimes an adult stabilizing the child would be just out of frame, and the photographer …

One of our staff members used to joke that combining a Holga with a red filter and a roll of Ilford SFX was like shooting fish in a barrel: you couldn't miss. While that sentiment is perhaps a little hyperbolic, it is not too far off the mark.

There’s a paradox at the heart of great photography: what you choose not to show your audience is often more powerful and provocative than what you reveal. In an age of oversharing and instant gratification, mystery has become the photographer’s secret weapon and perhaps the most undervalued tool of all. The unseen, the suggested, and the ambiguous can transform a literal photograph into an expressive one that haunts us long after we’ve looked away.

There is a certain clique of photographic films, let’s call it the “Sub-100 Club.” This is a group of films who flaunt ultra low ISO ratings below 100.

By some strange turn of fate, I found myself sitting on a camera case, face-to-face with a 500-pound tiger from less than a foot away. I could feel his breath on my skin, and more than once, that same breath fogged the front element of my lens as I photographed him.

Welcome back to Film Friday. We’re featuring one of our heavy hitters this week with Kodak’s Ektar 100. Alongside the Portra films, Ektar is one of the most popular films on the market and definitely one of the most used color films out there. The film is well-known for its fine grain, vivid color saturation and poppy contrast.

With this week’s Film Friday we are hitting the highest point on the Cinestill triangle so to speak. Today we are taking a look at Cinestill 800T, arguably their flagship film and definitely the most popular of their film offerings.

Welcome to another Film Friday spotlight! This time we’re turning our attention to a film that is simultaneously quite popular but still somehow underappreciated: Kodak Gold 200.

Welcome to another Film Friday review, where we like to dig into a particular film emulsion, lay out a bit of its history, share our personal experiences with it and provide some inspiration for why you should try it out. This episode features Rollei Retro 400S, the high speed member of the Rollei Retro family that also includes 80S and Superpan 200.

“It was just breathtaking,” Wayne says, the awe unmistakable in his voice. “It was the most epic thing I’ve ever photographed in my life.” …

This week we are taking a look at Kodak TMax 100 black and white film (also now known as Kodak Ektapan 100). TMax 100 is part of a family of films that includes both TMax 400 and TMax P3200 films.

For this Film Friday review, we are featuring one of the sneakiest best and least expensive color films available to 35mm photographers: Kodak Ultramax 400.

Toward the end of the summer of 2024, Lomography struck again, bringing a new (sort of) addition to its Lomochrome line of experimental films. The company introduced Lomochrome Color ‘92 Sun-Kissed, a color negative film meant for experimentation and indulging in nostalgia.

Rollei Superpan 200 is a curious sort of film, making it all the better reason to feature it today. The first impression we would give you of Superpan 200 is that on the surface it can be easily unimpressive, but dig a bit deeper and Superpan quickly reveals that it has quite a bag of tricks at its disposal.