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A box of Kodak Professional Portra 160 120 film floats against a background of vertical blue and purple string curtains.

Kodak Portra 160 Might Be the Best Fine-Grain Color Negative Film

We stated in our Film Friday review of Kodak Portra 400 (and again in our Portra 800 write up) that it is pretty much a perfect color film, so you’ll hopefully understand and forgive us if we start off this Film Friday by insisting that Portra 160 is a more perfect film.

A split-screen image showing an older man with white hair in a white martial arts uniform on the left, and a large, abstract white sculpture in a workshop on the right.

The Fujifilm X half Makes Composition Harder to Avoid

For several months, the most interesting thing about the Fujifilm X half to me was not its image quality, its Type 1 sensor or its resemblance to an old half-frame camera. It was the number of times it made me stop before taking a photograph.

Two vintage photographs side-by-side, each showing a baby held by a person completely obscured by a dark, draped cloth.

The Historic Practice of the Hidden Mother in Photography

The “Hidden Mother” is a genre of photography that has been practiced since the infancy of the photographic process. Many examples date back to 1839 and the daguerreotype. A shroud or sheet would be thrown over the adult in the composition, or the mother hid behind a cloaked chair. They used varied methods and had varying degrees of success, depending on what worked for the photographer and the sitter. Sometimes an adult stabilizing the child would be just out of frame, and the photographer …

A split-screen image showing a dark silhouette of an elephant against a golden sunset on the left and a white bighorn sheep framed by birch trees on the right.

The Magic of Mystery: Why Great Images of Nature Ask More Questions Than They Answer

There’s a paradox at the heart of great photography: what you choose not to show your audience is often more powerful and provocative than what you reveal. In an age of oversharing and instant gratification, mystery has become the photographer’s secret weapon and perhaps the most undervalued tool of all. The unseen, the suggested, and the ambiguous can transform a literal photograph into an expressive one that haunts us long after we’ve looked away.

A close-up view of a medium format camera body with a lens cap labeled "X SYSTEM" and a wooden handgrip attached to the side.

8 Ways Hasselblad Can Make the 907x CFV 100C Way Better

Hasselblad cameras' excellence comes from decades of engineering, and that results in a polished product built with the best of the best in mind. Everything is good: the grip and body are built to last, the optical quality is better than Leica.

A split-screen image showing a white tiger yawning on the left and a close-up portrait of an orange tiger on the right.

Photographing Tigers: Portraits of Big Cats Unlike Any Before

By some strange turn of fate, I found myself sitting on a camera case, face-to-face with a 500-pound tiger from less than a foot away. I could feel his breath on my skin, and more than once, that same breath fogged the front element of my lens as I photographed him.

A Minolta SRT 101 camera with a red textured grip sits above four boxes of Kodak Ektar 100 film arranged on a dark surface with a red painted shape.

Kodak Ektar 100 Brings Fine Grain and Vivid Color Saturation

Welcome back to Film Friday. We’re featuring one of our heavy hitters this week with Kodak’s Ektar 100. Alongside the Portra films, Ektar is one of the most popular films on the market and definitely one of the most used color films out there. The film is well-known for its fine grain, vivid color saturation and poppy contrast.

A roasted half chicken topped with chimichurri in a brown sauce, served alongside a side salad, fries, and a glass of white wine on a wooden table.

Apparently ‘Photography Is All Fake Anyway’

A short while ago I was reading the comments on a restaurant's Facebook group post. The post was a set of dodgy AI-generated food images, and they had that giveaway look. Too glossy, sauce behaving strangely, and bread that somehow looked like a sponge.

A box of Rollei Retro 400S 135-36 film sits centered on a decorative amber-colored glass plate.

Rollei Retro 400S Is a Film for Making Loud, Brash, Dramatic Statements

Welcome to another Film Friday review, where we like to dig into a particular film emulsion, lay out a bit of its history, share our personal experiences with it and provide some inspiration for why you should try it out. This episode features Rollei Retro 400S, the high speed member of the Rollei Retro family that also includes 80S and Superpan 200.

A person wearing blue gloves and a striped sweater operates industrial machinery processing a bright pink material.

A Close Look at a $100M Piece of Photographic History: Machine E

In a town close to the French/German language split in Switzerland lies a piece of photographic history that is worth taking a look at. In Marly, Switzerland, lies Machine E, a multilayer photographic coating machine that has been used to bring many world-beating photographic products to the market.

A split-screen view showing a large, towering cumulus cloud against a blue sky on the left and a roof with a sign reading "THE WINDLASS" under a cloudy sky on the right.

What Shooting 6×6 Taught Me About Formats and Rules

I recently added a camera that shoots 6x6 to my shelf. Square negatives, twelve per roll. I expected to enjoy the lens, the build, the ritual of loading film backs. What I didn’t expect was how much the shape of the frame would mess with the rest of my photography vision.

A Nikon camera sits in the center of a circular graphic surrounded by several boxes of Rollei Superpan 200 film.

While At First Unimpressive, Rollei Superpan 200 Is a Bag of Tricks

Rollei Superpan 200 is a curious sort of film, making it all the better reason to feature it today. The first impression we would give you of Superpan 200 is that on the surface it can be easily unimpressive, but dig a bit deeper and Superpan quickly reveals that it has quite a bag of tricks at its disposal.

Several CineStill 50D film boxes are arranged on a blue surface with various cameras, including wooden and black plastic models, in the background. The scene is set outdoors in bright sunlight.

CineStill 50D Is a Perfect Slow Speed Film for Bright Summer Days

Cinestill 50D is the less popular sibling to Cinestill’s 800T and 400D emulsions. Because 50D often gets passed over in favor of those other two, we figured it would be a great film to feature on Film Friday. It is a different and lovely film in its own right and deserves a bit more attention than it receives.

A serene mountain lake reflects vibrant pink, purple, and orange hues from a dramatic sunset sky, nestled between two forested mountain slopes.

How Intention Changes Your Photography

I was four years old when my parents took me on my first mountain climb, to the summit of Fairview Peak. By six, I'd climbed my first fourteener, Mount Sherman. Climbing became my proving ground for most of my childhood, and it set a foundation I wouldn't fully understand the value of for another forty years.

Dark storm clouds fill the sky with “THE WALL STREET JOURNAL.” written in large, bold white letters across the center of the image.

Freelance Photographers Balk at New Wall Street Journal Contract

The Wall Street Journal says it is keeping pace with technology and protecting its photography archive. But hundreds of freelancers -- anxious about intellectual property ownership -- object to the Journal’s new contract and are withholding their services.

A bearded man wearing sunglasses stands outdoors among trees with sunlight streaming through leaves. Bold yellow text reads: "Linear Camera Profile MADE CINEMATIC.

How to Leverage Linear Camera Profiles in Your Editing Workflow

Linear Camera Profiles are one of those things that have been floating around the Lightroom community forever, but only a few people seem to use them. And while there are a lot of video tutorials on how to make a linear camera profile for your camera, there is almost nothing on how to use them in your editing workflow.