Dave Pardue over at Imaging Resource has just finished filming a crop-sensor IBIS shootout that you definitely want to check out. Using a specially-built four-camera "rig", he shot the Panasonic GH5, Fuji X-T4, Olympus E-M1 III, and Sony a6600 side-by-side (by-side-by-side) so you can see exactly how the stabilization in each camera compares.
The non-photographers might want to skip this article as it is a fairly detailed Tamron 70-180mm f/2.8 Di III VXD vs Canon EF 70-200mm f/2.8L IS II USM lens review for Sony E-mount cameras.
Ask any retoucher what one item they couldn't live without, and they will probably point to their photo editing tablet. Swapping your mouse for a pen tablet can make a huge difference for your workflow, but is it really worth spending $380 on the Wacom Intuos Pro that everyone seems to be using? Are there any affordable alternatives? I'm glad you asked!
The guys over at DPReview TV recently set out to test the new Canon RF 85mm f/1.2L lens. But instead of simply shooting some samples and talking about sharpness, they decided to pit it against the classic EF-mount version of this same lens so they could see "how far this lens has come."
LA wedding photographer and educator Michael Anthony has released a detailed side-by-side comparison of the recently announced Godox AD300 Pro (Flashpoint XPLOR 300 Pro) and the much more expensive Profoto B10. The two lights share similar power output and a similar footprint, but vastly different price points. Is the Profoto simply overpriced, or does the Godox fall short?
Andrew of the YouTube Channel Andrew & Denae is back with another helpful "blind taste test" for camera lovers. This time, he's not comparing color science—he's comparing the results from Fuji's X-Trans sensors agains images captured through a standard Bayer Filter.
The third of this month marked two years since I took my first foray into the Sony Alpha Ecosystem. I thought it would be a good idea to look back to see how I’m liking the system and if my views have changed since my 12 month a7 III review.
JP Morgan and Kenneth Merrill over at The Slanted Lens have put together an in-depth sensor size comparison that will definitely spark some conversation. They've compared medium format, full-frame, APS-C and Micro Four Thirds, in a side-by-side shootout—taking identical photos and making large prints to see how the image quality and dynamic range compares across formats.
If you're a Fuji user looking for an equivalent to the "nifty fifty" lenses available for Nikon and Canon DSLRs, you've probably considered picking up Fuji's old XF 35mm f/1.4 or the XF 35mm f/2. But what if there was a more affordable, faster option out there? The Viltrox 33mm f/1.4 wants to be that lens.
Photographer Dan Watson of Learning Cameras recently put together a little photo editing shootout. Using one of his own images, he wanted to see who would edit the photo best: strangers hired through Fiverr, a professional photographer, or some of the latest AI-powered photo editing tools.
If you're a total bokeh maniac, two of the lenses you've probably looked at with yearning are the Leica Noctilux 50mm f/0.95 and the Nikon Noct 58mm f/0.95. But how do these actually very different lenses compare to one another when you shoot them side-by-side?
Photographer Christopher Frost has put together one of the most comprehensive and detailed macro lens shootouts we've ever seen. In this video he tests the latest 100mm (ish) f/2.8 macro lenses from Canon, Nikon, Sony, Sigma, Tamron, and Laowa to see how they compare in terms of build, usability and performance.
Tamron raised a lot of eyebrows last week when it revealed its shockingly affordable new 70-180mm f/2.8 lens for Sony E-mount. At just $1,200, the lens is less than half the price of Sony's 70-200mm G Master... but can it compete in terms of performance?
Photographer and YouTuber Matt Granger has released an informative side-by-side comparison of all five of Fuji's X100 cameras—from the original X100 to the brand new X100V. If you're wondering which of the five cameras is the best value, this is a great place to start.
How does Lens IS compare to using IBIS? And how do either of these compare to stabilization in post? These are the questions that Eric Stemen wanted to answer in his latest side-by-side comparison, which highlights the benefits and limitations of each stabilization method when shooting video handheld.
20 months after the launch of Nikon’s first foray into the full-frame mirrorless world, it’s now time to take stock of what’s to love about the Z, or D.
Over 8 years ago, we over at On Landscape performed a mammoth “Big Camera Comparison.” We compared medium format and large format film against various digital cameras including the then cutting edge Phase One IQ280, an 80MP CCD sensor which we used on a Linhof Techno, an Alpa, and a Cambo technical camera (we also tested a D800 and a 5D Mark II).
Most unfair camera comparisons these days pit smartphones against APS-C or full-frame digital cameras. But for their latest video, Sonder Creative took it a big step further: they're comparing an 8x10 large format film camera against three digital cameras that, let's be honest, never stood a chance.
The recent release of the Fujifilm XPro3 camera coincided with me getting some recently re-released Fujifilm ACROS 100II film. Given my love of Fujifilm digital cameras, film photography, and ACROS film, I desperately wanted to shoot and compare the new XPro3 alongside a rangefinder film camera.
Portrait photographer and YouTuber Alex Barrera recently went out and shot a full side-by-side comparison of the Canon RF 85mm f/1.2L and the RF 85mm f/1.2L DS lenses. His sample photos can help you decide if Canon's "Defocus Smoothing" is worth the loss of light and the extra $300 it'll cost you.
Photographer and YouTuber Matt Granger has put together a lens shootout that'll be really valuable for anybody who is new to Canon's full-frame mirrorless cameras. In this video, he compares the image quality of the four main RF-mount zoom lenses: the 28-70mm f/2, the 24-70mm f/2.8, the 24-105mm f/4, and the 24-240mm f/4-6.3.
Want to hear how the shutter sounds of Fujifilm's X Series mirrorless cameras have changed over the years? Fuji employee nycphotog2006 made this short 5-minute video that compares the sounds of the X-T1, X-T2, X-T3, X-T4, and X-H1.
YouTuber Max Yuryev recently went out on the streets of New York with the Sony a7 III, Nikon Z6, and the brand new Fuji X-T4 to compare the video quality and—of particular interest to stills shooters—the IBIS performance of all three cameras side-by-side.
Last year, Usman Dawood of Sonder Creative decided to switch systems from Sony to Fujifilm for both his stills and video work, but he didn't end up doing it. In this video, he shares the three main reasons why the switch never happened—in other words: the three "major" advantages of Sony cameras over Fuji.
The Hasselblad XPan is a legendary one-of-a-kind 35mm panoramic rangefinder worthy of its cult camera status, but at over $3,000, is it worthy of your money?
“Comparisonitis” is the phenomenon of comparing yourself negatively to others; feeling that your life, love, work, holidays, house, or just the tidyness of your undersink cupboard, just aren’t as good as someone else’s.
Some cameras on the market these days leave out the traditional optical low pass filter (OLPF), also known as the anti-aliasing filter, to increase sharpness at the expense of increase moiré patterns. If you're not sure what exactly this trade-off is, check out this 10-minute comparison video by New Zealand-based wedding photographer Richard Wong.
So you’re about to shoot someone’s wedding. That’s amazing -- it’s an incredible opportunity to be part of one of the most intimate and beautiful experiences in human love. But between photography and videography, which medium gets the job done?
On my last shift at the film lab in Bondi, I picked up one of the last rolls of Fujifilm ACROS film. It seemed poignant -- as my job at the shop was finishing, so too was the production of this film stock.
Astrophotographer Ian Norman of Lonely Speck recently got his hands on a Google Pixel 4 XL for testing, so he took it out to Joshua Tree National Park to see how well the "Astrophotography Mode" on this smartphone compares to shooting with a "real" camera.