Walkthroughs

5 Projects to Push Your iPhone Camera to its Limits

For the past few years, I have been really enjoying pushing the iPhone camera as far as it can go, to do photography projects that many people might not have realized you can do with an iPhone. I also use other cameras, but there’s something fun about the always-in-your-pocket aspect of iPhone photography.

Telling Stories Through Photos: A Visual Journey into Argentina’s Food Politics

In May of 2016, I had the opportunity to travel to Argentina through my university for the purpose of researching food politics with our anthropology department. I jumped on the opportunity when it was offered, and had the experience of a lifetime learning about conducting anthropological work.

You Don’t Need to Spend a Fortune to Have a Great Photo Studio

I have a studio. For those of you that know me -- the author of the Studio Anywhere books, which focus on shooting anywhere but a studio -- this statement may sound oxymoronic or even blasphemous. Nonetheless, after years of shooting in my cramped basement, I finally outgrew my space and needed a slightly larger, dedicated space to have for working with clients.

Tips for Photographing an MMA Fighter Smashing Food to Bits

In September I shot a campaign for Nikon using its new D500 camera, in which the brief was to demonstrate how fast, powerful and robust it was. We set about capturing split-second moments of impact, photographing scenes that would otherwise be impossible to see with the naked eye.

A DIY Camera Rig for Snowflake Photos

Looking for a great winter photography project? How about snowflakes? If you live in the Northern tier of states I promise you will have plenty of subjects to shoot.

The Power of the Internet: My Journey from Vimeo to Planet Earth II

Five years ago I was somewhere in the wilds of central Vietnam, about to click upload on my first ever video project. If you had told me then that, in just a handful of years, I would be contributing to one of the entertainment world’s most prestigious and popular wildlife documentaries — BBC’s Planet Earth II — I think I’d have had trouble keeping a straight face. But that was before I witnessed firsthand the power of the Internet and a good idea.

Photographing a Double Mastectomy: My Friend’s Fight with Breast Cancer

Every photographer should photograph a cancer patient at some point in his/her life. It teaches you how little of a person you are and how you’re but one character in the story of life. That’s what I learned at least when I had the privilege of photographing the double mastectomy of my friend, Diana Sheldon, 38, last fall.

I Photographed My Own Wedding Day

As photographers, whether consciously or not, I think we’re all trying to capture moments in the way that we would like our own moments to be captured. What then are we supposed to do when it’s our turn to be the subject? This question troubled me as my wedding day drew closer. Who does the wedding photographer choose to photograph his own wedding?

How to Speed Up Your Lightroom Editing By Using Anchor Photos

One of the ongoing pain points of being a photographer is the time we spend editing. Don’t get me wrong, I love turning a flat image into something breathtaking, but it does take a while to get through a batch of 1000+ photos from a wedding or concert.

The Reality Behind Photos of National Park Landmarks

After our first visit to Yosemite National Park, my girlfriend and I have made it our goal to try to visit as many National Parks as possible. It's partly because of how beautiful and varied the parks are from one another, and partly because of the escape from the everyday noises that we find while out there.

Select and Mask vs Refine Edge, or: Why Select and Mask Kind of Sucks

Adobe is dedicated to updating Photoshop consistently, but those updates don't always go so well. A lot of people have rolled back their healing brush tool, and ever since Select and Mask replaced Refine Edge this summer, people have been complaining. Meanwhile, Nate Dodson over at Tutvid has been desperately trying to make this new tool work.

Creating a Color Street Photo Using Only Black-and-White Film

My name is Marius Hanzak, and I'm an experimental photography student currently studying at the Cleveland College of Art and Design in the UK. For one of my recent projects, titled RGB Church Street, I experimented with making color photos using black and white film.

How I Set Up a Remote Camera for NHL Hockey

One of the things you learn in sports photography is that with so many photographers on the sidelines, you’re bound to get the same photo as someone else. Obviously the one way to prevent that is to find a different angle, but sometimes you’re limited on space.

How to Make a DIY ‘Theft Proof’ Camera Strap

If you're going to be shooting in an area where you're genuinely concerned you might have your camera stolen, it's probably wise to prepare. And if you prefer the DIY "on-the-cheap" approach, then this simple 'theft-proof' camera strap may be exactly what you're looking for.

Photographing a Archerfish Hunting with an Indoors Setup

This is the archerfish from Asia. These amazing fish have the unusual habit of feeding on land-based insects. Even more unique is their method of hunting their chosen prey: they spit a powerful jet of water at their dinner knocking it from overhanging foliage into the water, where the fish quickly gobbles them up!

Digitizing 9×9 Film with an Automated X-Y Table and a 50MP Canon 5DS R

One of the challenges (and rewards) of managing a digital production lab for a university research library is working with the wide assortment of analog formats that are collected within its archives, special collections, and map library holdings. For instance, we've recently begun conversion work on a 2002 aerial survey of Connecticut that was originally shot on 9"x9" positive black and white film.

Simple Trick Helps You Find Hyperfocal Distance Without Charts or Apps

Hyperfocal distance—commonly defined as "the closest distance at which a lens can be focused while keeping objects at infinity acceptably sharp"—is critical for landscape photographers who want their whole frame in focus. Here's a trick for nailing hyperfocal distance without resorting to charts or smartphone apps.