Equipment

It's easy to think that the Canon EOS R1 is the main attraction of Canon's announcements this week. The company made a development announcement for it and it's been heavily teased. However, while relegated a bit to the shadows, the Canon EOS R5 Mark II is the more interesting and exciting of the two new Canon cameras.

3D printers open up entire new vistas of creativity for photographers. Whether you’re into cosplay and creating costumes and props for your portraits or looking to achieve original shots using intricate rigging and mounting setups that are entirely bespoke to your use case, the ability to take a spool of plastic fiber and turn it into a complex and durable part using an appliance that can fit on a benchtop is, in my opinion, one of the most exciting advancements in the at-home maker movement …

"Smart telescopes" are all the rage, thanks to the ease with which novice stargazers can use them to capture beautiful photos of the cosmos. However, they're often expensive. That's where Dwarflab's Dwarf 3 Smart Telescope comes in, priced at under $500.

My history with the Canon mirrorless series started in late 2018 with the launch of the EOS R. Since then, I have switched from the EF to the RF mount, and for the past four years, I have worked intensively with two EOS R5 cameras. They have been loyal companions during my projects, and I have completed hundreds of photo and video shoots with them. When I became aware that Canon was launching a successor, I couldn't wait to get my hands on a sample.

The Canon EOS R5 Mark II is coming soon, and PetaPixel has tried it. It represents a significant upgrade over its predecessor, 2020's R5. However, a lot has changed in the industry since then, and the competition is stiff. So, how does the new R5 II compare to its peers?

The Canon EOS R1 has finally arrived. After much anticipation and years of waiting, the Canon EOS R System finally has its true flagship EOS 1-series camera. Does Canon's new mirrorless camera take a spot on the podium, or does it come up short?

Although Canon fans knew that the EOS R1 flagship camera was coming, the company also dropped a pleasant surprise by revealing the EOS R5 II, the long-awaited successor to Canon's popular high-res R5 mirrorless camera.

After a long wait, a development announcement, and an extensive teaser campaign, Canon has fully unveiled its new flagship EOS R System mirrorless camera, the Canon EOS R1.

In the photography world, we're always looking for something that will help us get our work done just a little bit faster, a little bit easier, and a little bit better. It might be a lighter but sturdier tripod, a bigger and more useful backpack, or even filters to help get that tricky shot without having to spend hours in Photoshop after the fact. There's really no shortage of increasing quality and innovation in the products available for a photographer's kit, which is why K&F CONCEPT gear is …

NBC announced that it selected Sony as its broadcast equipment partner for the production of the 2024 Olympic and Paralympic games in Paris. This includes cameras, monitors, lenses, and accessories across the entire NBC broadcast operation.

The Leica SL3, released this spring, is a great high-resolution L-Mount camera. Unfortunately, some users are facing a significant problem: the camera can erase existing photos.

The United States Senate Armed Services Committee has completed its revised version of the 2025 National Defense Authorization Act (NDAA) and unlike the version of the bill passed by the House of Representatives last month, it doesn't contain any language that would ban DJI drones.

Expert testing shows that the Panasonic Lumix GH7 camera delivers significantly improved dynamic range performance at low ISOs compared to its predecessor, which is excellent news for Micro Four Thirds enthusiasts.

Last week, Canon Europe teased a new EOS R series announcement and now Canon USA has followed suit with a YouTube premiere for a launch scheduled for 6 AM EDT, 3 AM PDT on Wednesday July 17.

Canon's RF 24-105mm f/2.8 L IS USM Z is an extremely impressive lens. It's also distinct, as it's the only 24-105mm f/2.8 lens on the market. Per a recent interview in Japan, Canon executives suggest Canon isn't done breaking the mold with its RF lenses.

TTArtisan released a 100mm f/2.8 2x macro lens last year with tilt and shift functionality. The company has announced a new version of that same lens that ditches the tilt and shift controls -- sticking to being just a typical, albeit affordable, 2:1 macro lens.

Japanese lens maker Cosina has announced the Voigtlander APO-Lanthar 50mm f/3.5 Type I and Type II lenses in VM mount, suitable for use on Voigtlander and Leica rangefinder cameras, plus a wide array of modern full-frame mirrorless cameras through the use of an adapter.

While Gordon Laing of Cameralabs typically looks at vintage cameras as part of his incredible Retro Review series, old glass deserves love, too. Cameralabs has just published its review of the Nikkor 50mm f/1.4 AI-s, a lens that launched 43 years ago and is still amazing today.

Pen Display Tablets have typically been a professional's tool. While incredibly useful and precise, they have usually been quite large, sometimes even mounted to a workstation. In the last few years, portable options, like the $749 Wacom Movink 13, have become increasingly more viable for both hobbyists and professionals alike.

Earlier this year, Chinese lens maker Meike announced a 50mm f/1.8 AF lens for full-frame E and Z-mount cameras. The affordable $170 prime lens is now coming to L-Mount cameras, including those made by Panasonic, Leica, and Sigma.

Nikon has launched Nikon Imaging Cloud, a free cloud service that offers camera-to-cloud (C2C) transfer and image storage, plus over-the-air camera firmware updates.

Just over a year after filmmakers and photographers founded Lit Systems in Sweden and announced the development of the feature-packed Lit Duo 1 light meter, the team has launched a Kickstarter campaign and revealed that the light meter is arriving early next year.

At a jam-packed Samsung Galaxy Unpacked event this morning, Samsung unveiled the Galaxy Z Fold 6 and Z Flip 6 smartphones, each offering improved camera systems and even more artificial intelligence (AI).

In a world where smartphone photography is dominating the visual spectrum, Moonside, a cutting-edge lighting technology company, has announced its newest innovation – Moonside MagLight. The MagLight is the world's first 6-in-1 MagSafe smart camera light designed for phone cameras, bridging the gap between professional photography lighting and mobile photography creators.

Alongside its new ZV-E10 II vlogging camera, Sony has unveiled a new APS-C kit zoom lens for content creators, the E PZ 16-50mm f/3.5-5.6 OSS II.

Canon Europe has launched a new teaser on YouTube, alerting photographers that there will be a Canon EOS R System announcement next Wednesday, July 17.

As cameras and lenses have improved, some photographers and filmmakers have begun looking back at objectively "worse" vintage lenses with envy. There is a certain charm to softer lenses, and Sandmarc hopes to capitalize on the nostalgia craze with its new Retro Filter for iPhone.

Shoten, known for its diverse range of lens adapters, has announced the XTZ electronic adapter that allows photographers to use Fujifilm X-Mount lenses on their Nikon Z mirrorless cameras.

After a series of teasers on Chinese social media, Venus Optics has officially revealed its new Laowa CF 12-24mm f/5.6 Zoom Shift lens designed primarily for APS-C mirrorless cameras.

Insta360's new Flow Pro is a small smartphone stabilizer that is the first to be Apple DockKit-enabled, meaning that it can use Apple's new subject-tracking technology.

Leica is such a prestigious and recognizable name in the photography industry thanks in large part to the lasting appeal of the company's vintage cameras and lenses. The market for pre-owned Leica gear is as active as it is vast.

Lomography has unveiled the next step in its film production journey, announcing another new limited edition film: LomoChrome Color '92 Sun-kissed.

In December, PetaPixel published a deep-dive on the wild west of CFexpress cards, highlighting how many were outright ignoring vital portions of the specification that allowed the cards to work properly with Sony cameras. Today, the story is very different.

When Panasonic announced the S9, some were quick to ask why it needed to have a full-frame sensor, especially given the recording limitations that had to be placed on it as a result. In an interview with a Japanese retailer, Panasonic explains that full-frame is just easier for beginners to understand.

Since Nikon announced the Nikkor Z 35mm f/1.4 lens last week, I have been asking myself -- and Nikon -- a lot of questions about it. What about the 35mm S-Line lens on the roadmap? Is this new lens a sign of affordable f/1.4 lenses to come? What's Nikon's overall strategy?

Of all the low-resolution digital cameras from the 1990s, none has had the lasting cultural impact of the monochromatic, 0.014-megapixel Nintendo Game Boy Camera. Romanian video game technology company, Epilogue, has turned the Game Boy Camera into a webcam, offering nostalgia-infused fun for teleconferences.

The Nikon Z6 III's peak dynamic range can't keep pace with its predecessor, the Z6 II. The gap isn't minor, either. But how much does it matter, and does it mean photographers should opt for the older model?

In the wake of the a9 III's launch at the end of last year, Sony appears to have discontinued its predecessor, the a9 II.

The launch of the Pentax 17, a brand-new half-frame film camera, has been hugely successful for Ricoh. So much so that the company has been forced to stop accepting orders for it as it scrambles to catch up to demand.

Chinese lens manufacturer Zhong Yi Optics (ZY Optics) announced a new medium format 80mm f/1.6 prime lens. The manual focus optic is meant to pair affordability with exceptional performance and is available for Fujifilm GFX and Hasselblad XCD mirrorless mounts.

According to patent documents filed in Japan, Tamron is working on a fast lens with a huge zoom range. The proposed 50-200mm f/2.8 would be the first of its kind, offering a massive range with no cost to light gathering capability pro-level 70-200mm lenses provide.