Genre-Defining Robert Capa Photo Book Gets Reissue

Two women run across a cobblestone street toward the camera, while a vintage car and other pedestrians move in the background.
Civilians running in the street during an air raid siren, Bilbao, Spain, May, 1937. | Robert Capa – © International Center of Photography/Magnum Photos

Death in the Making by Robert Capa, first published in 1938, was a pivotal publication in photojournalism, taking a much closer and partisan look at the combatants of war.

Director of the Robert Capa and Cornell Capa Archive at the International Center of Photography Cynthia Young tells PetaPixel that the ICP is reissuing the book with Damiani to make the iconic book available to the public.

“The original 1938 edition is quite rare, expensive, and hard to find, and copies with a dust jacket even more so,” says Young. “It also seemed like the Spanish Republican fight against fascism in the 1930s has relevance to today’s political climate.”

Five soldiers in helmets lie prone in a line on a dirt hillside, aiming their rifles toward the valley below.
Republican soldiers lying on the ground aiming rifles, Aragón front, Spain, August 1936. | Robert Capa – © International Center of Photography/Magnum Photos
A group of men in dark uniforms and caps lean out of the windows of a wooden train carriage, raising their fists in solidarity.
Republican troops waving from train departing for the Aragón front, Barcelona, August 1936. The writing on the train reads, “UHP [Union of Proletarian Brothers] swear on these letters before you die brothers rather than consent to tyrants.” | Robert Capa – © International Center of Photography/Magnum Photos
Three women work at a long table, assembling ammunition belts by hand in a dimly lit room.
Women assembling cartridge belts for Republican soldiers in munitions factory, Madrid, November–December 1936. | Robert Capa – © International Center of Photography/Magnum Photos
A woman holds a baby while sitting in a room with posters on the wall, as another person sleeps on the floor nearby.
Civilians taking shelter in the subway during the bombing, Madrid, November–December 1936. | Robert Capa – © International Center of Photography/Magnum Photos

Death in the Making, which features Capa’s famous Falling Soldier on the front cover, was a turning point because it took a fresh approach to photojournalism: the photographs move between soldiers, civilians, refugees, destruction, and everyday life.

It’s not neutral reporting either: the book is explicitly sympathetic to the Republican cause fighting Franco’s fascist forces and was partly intended to generate international sympathy and support for Republican Spain.

“The images in the book honor the Spaniards who committed themselves to the fight against Franco’s attack against the democratically elected government,” says Young.

“They are soldiers who carry guns, talk to priests and continue the harvest; women who inventory art and work in factories; stoic women of all ages; families on the roads fleeing indiscriminate bombings and walking toward an unknown future. It is a story of a country surviving a brutal civil war.”

Republican militiaman kissing a girl goodbye before the departure of a troop train for the front, Barcelona, August 1936. | Robert Capa – © International Center of Photography/Magnum Photos
A priest conducts an outdoor religious service for a large group of men in military-style clothing, with a flag visible in the background.
Outdoor mass for Basque soldiers, Berriatua, Basque Country, Spain, January 1937. | Robert Capa – © International Center of Photography/Magnum Photos
A high-angle view of a crowded industrial workshop filled with men working at individual wooden benches equipped with vises and hand tools.
Workers in a munitions factory, Madrid, June 1937. | Robert Capa – © International Center of Photography/Magnum Photos
Three soldiers in helmets look upward while holding rifles and a fabric banner.
Enemy flag captured at the Battle of Brunete presented to Second International Congress of Writers for the Defense of Culture, Madrid, July 6, 1937. | Robert Capa – © International Center of Photography/Magnum Photos

The 1938 version of Death in the Making didn’t carry captions or specific photographer credits when, in fact, three photographers contributed to it: Robert Capa, Gerda Taro, and David Seymour. Seymour, a Polish photographer who met Capa in Paris, has 13 images in the book.

“We started with a checklist of all the images and researched the attribution, location, and date to all of them,” explains Young. “Much of this work came out of the research done previously on the Mexican Suitcase negatives.”

“As the original book does not have captions to any of the images and the text is not always related to the image, the back of the new book has thumbnails of all the images with the caption information,” she adds.

Death in the Making is copublished by Damiani and the ICP.

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