Viltrox EVO 26mm f/2.8 Review: My Kind of Pancake

Who said full-frame lenses have to be big? Pancake lenses are always popular because of their compact nature, and you can have the image quality of a full-frame sensor in a package that’s easy to travel with.

This lens is incredibly light and while it isn't perfect, anyone will immediately notice the ease with which you can carry it, and that's a worthwhile tradeoff.

Pros

  • Good sharpness
  • Ultra compact and lightweight
  • 26mm is a versatile and unique focal length
  • Nice, tactile aperture ring

Cons

  • Lens will flare and has poor sun stars
  • Focusing is slow
  • Manual focusing is a frustrating experience
The major compromise is a relatively slow aperture, but I honestly don’t find that to be an issue anymore, especially with how good modern sensors are at higher ISO settings.

Panasonic made the S9 camera a thousand times more enjoyable for me by creating the 20mm and 40mm pancake lenses. Together, the small body and small lenses became a capable but also convenient package. Now Viltrox wants to capitalize on this success with a new $299 26mm lens for both E-mount and Z-mount. As part of the Viltrox EVO line of lenses, the new 26mm should handle nicely and offer good image quality, so I took the lens on a family vacation out to the lake country of British Columbia. I found much to enjoy about this little pancake companion.

A black camera lens stands upright on a textured grey surface, featuring an aperture ring with markings from 16 to 5.6, an "EVO" logo in a red box, and the text "AF 26/2.8 FE" printed on the side.
The EVO line of lenses has a smart look and good controls.

Viltrox EVO 26mm f/2.8 Review: How It Feels

The Viltrox EVO designation can be a little confusing to understand because some of the lenses are APS-C specific and some are full-frame. However, they all have very smart-looking designs and functional aperture rings. In fact, having an aperture ring on such a compact lens was a very pleasant surprise for me, and it made the shooting experience more fun. I do wish that there were stronger resistance on the aperture ring to prevent accidentally slipping the lens into the auto aperture setting. As it stands, you also will not find a locking switch to prevent this from happening.

A black Viltrox AF 26/2.8 FE camera lens sits upright on a light gray textured surface against a matching gray background.
The aperture ring is fun, but the manual focus ring is frustrating.
A black Viltrox camera lens with a 43mm filter thread size sits upright on a textured gray surface.
I like the hood design, which should essentially live on the lens full time.
A black Viltrox AF 26/2.8 FE camera lens stands upright on a textured gray surface against a matching gray background.
This lens only extends about an inch away from the body and weighs very little.

The lens is tiny, weighing only 4.5 ounces (130 grams). This is incredibly light, and anyone will immediately notice the ease with which you can carry this optic. It comes with a very solid lens hood that bayonets onto the front of the lens with a firm twist. This hood also provides 43mm filter threads on the front, and the lens cap is a really slick magnetic-style cap that clips right over this lens hood. The lens feels quite solidly built as well, and has some weather sealing around the lens mount.

A Viltrox 50mm f/1.8 FE camera lens is shown from the rear mount perspective, resting on a textured gray surface.
You aren’t going to find hermetically sealed elements, but it does feature a bit of protection.
A black Viltrox camera lens cap is attached to a lens, resting on a textured gray surface against a matching gray background.
The magnetic lens cap is rugged and stays put.

About the only thing that really bothered me in the handling department is the manual focusing ring. It has a very firm resistance, which I would normally enjoy, but the metal knurling is too flush with the chassis. As it is, I struggled to find the ring under pressure, and I had to pinch it uncomfortably to get it to turn reliably. This extra friction only made the ring even stiffer to turn, and I basically tried to forget about its existence on the lens. Fortunately, this is indeed an autofocusing lens. The stepping motor inside takes a little bit of time to drive the lens into focus, but it worked beautifully on the Sony A7R V I tested it with, as long as there was no rush. It can also make a bit of an audible chirping noise.

Viltrox EVO 26mm f/2.8 Review: How It Shoots

So the Viltrox 26mm does have some handling issues, but the convenience factor of a compact wide-angle is still really easy to appreciate. I especially like the 26mm focal length, which gives me a versatile composition well suited to landscape shots. I can capture wide vistas and tight spaces when I want, and easily crop in tighter for street photos too. This is a sharp little lens as well, with excellent detail in the central portion of the image, even at f/2.8. Corners have a touch of softness as you go to the extremes, but a slightly tighter aperture gave me excellent results across the entire frame. There is a little distortion in the lens, but it is easily and automatically corrected afterward.

A side-by-side comparison of a test chart showing focus and sharpness at f/2.8 on the left and f/5.6 on the right.
You can see a boost in detail with tighter apertures.
A calm lake reflects the surrounding evergreen mountains under a hazy, smoke-filled sky, with several logs floating in the foreground.
I took the Viltrox on an adventure to BC lake country.
A dense forest floor covered in large, broad-leafed devil's club plants, with tall evergreen trees and a fallen log in the background.
I really liked the 26mm look for landscapes.

Large, broad-leafed plants and delicate ferns are illuminated by patches of sunlight against a dark, shadowed background.

A girl in a pink shirt and blue cap balances on a log in a shallow, clear lake surrounded by forested mountains under a hazy sky.

The weather was quite sunny by the lake, and I did notice some flare issues when shooting toward the sun. Nearby fires were creating smoke in the air, but I tested the lens again in Calgary under clear conditions and found some scattering of light across the frame. If you stop the lens down, it helps to restore some contrast to the image, but you will get some very minor ghosting visible. This is with the hood in place the entire time, and it really needs to stay on whenever possible. Sunstars at tighter apertures also seem to lack definition.

Sunlight filters through a dense forest of pine trees, casting reflections onto the calm, dark water of a rocky riverbank.
This lens will flare easily and wash out the frame.
Sunlight streams through the branches of tall trees with yellowing autumn leaves, creating a bright starburst effect.
Sunstars are poor, and flare will rob you of some contrast.

A person walks along a narrow dirt path through a lush, green valley toward distant mountains under a hazy, sunlit sky.

A tall, weathered dead tree trunk leans over a dark, still stream in a marshy forest landscape under a clear sky.

You can get quite close to subjects with this lens and achieve about 1:5 macro reproduction at 0.2 meters. This is fun for the occasional detail shot, and does allow for some shallow depth of field in the background. Bokeh looks fair, but sometimes there is a touch of harshness or double imagery in the out-of-focus areas of the picture. Still, I think the bokeh has a decent quality to it, and you’ll rarely get shallow depth of field with a wide angle like this anyway. I did not find LoCA, or longitudinal chromatic aberration, to be an issue with this lens at all.

A spiderweb covered in water droplets stretches across vibrant red begonia flowers and yellow marigolds in a garden.
You can do some close-up work, but it’s nothing special.

A single yellow wildflower blooms on a thin stem against a blurred, sunlit background of water and greenery.

A weathered tree stump with deep cracks sits in the foreground, overlooking a calm pond with a forest and blue sky in the background.

A calm lake reflects the golden sunlight hitting a forested mountain slope beneath a jagged, rocky peak.

A wooden boardwalk with railings winds through a sunlit forest, descending down a set of stairs.

A small, dark stream flows through a lush forest floor covered in moss, ferns, and large, broad-leafed devil's club plants.

Viltrox EVO 26mm f/2.8 Review: Bang for the Buck

This lens has some issues, undoubtedly, but it also has some very pleasing characteristics. What it really has is a tiny profile and a tiny price. This is a no-guilt purchase, and it can bring you a lot of joy. I think the Viltrox EVO 26mm f/2.8 would be great on a Sony A7C II or the new Nikon Z5 II. It’s even a viable 38mm full-frame equivalent lens for your favorite APS-C body, and it definitely won’t feel too large on any of those cameras. If you are really into pancake lenses or just want a fun and simple tool for traveling purposes, you will get awesome value for only $299.

A lone bird flies over a calm, misty lake featuring a single navigation post in the foreground and a row of pilings beyond.
The real appeal is the low price and portability.

A calm pond reflects the blue sky and sun, bordered by autumn trees and tall grasses under a bright, cloudy sky.

A calm pond reflects a forest of evergreen and golden autumn trees under a blue sky with wispy clouds, with cattails in the foreground.

A black and white silhouette of mountain peaks reflected in the calm, dark water of a lake at sunset.

Are There Alternatives?

Nikon does make an excellent pancake lens that happens to also be a 26mm f/2.8. It has nice bokeh, but there is no aperture ring, and it’s substantially more money. Sony makes a very good 24mm f/2.8 G lens, which is also compact and has an aperture ring. It also happens to be more than double the price.

A person walks away through a dark, narrow tunnel illuminated by two rows of overhead lights, heading toward a bright exit.

A black and white low-angle shot shows rows of pinwheels strung between two triangular shade sails against a bright sky.

A wooden dock extends into calm water, featuring a small building, a houseboat, and several motorboats and jet skis moored alongside.

A calm, reflective body of water flows between a tree-lined bank on the left and a rocky shore with a small building on the right.

Should You Buy It?

Yes. If you can deal with the flare and don’t manually focus often, the value for the dollar and convenient size are hard to ignore.

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