Editorial

Rumors about upcoming cameras and lenses are a staple of the online photography community. Manufacturers nearly always hate them and photographers often love them. I land somewhere in the middle but tend more toward the idea that rumors, even when intriguing, can be damaging.

Apple rides a delicate line with its iPhone camera system. On the one hand, it wants to keep it as simple as possible to keep photographers "in the moment." On the other hand, creators keep demanding more of the system. Two of Apple's executives sit down with PetaPixel and explain how they navigate these two seemingly disparate goals.

Visiting Apple Park in Cupertino for the launch of the brand-new iPhone 15 series was quite the experience, and after a day getting to know the Pro and Pro Max series devices, I was left with a few answers and a lot more questions.

CFexpress 4.0 cards are already entering the market this year with the promise of much faster read and write speeds. While that sounds great, it is going to be a while before photographers and filmmakers can really take advantage of it.

Sony's Airpeak S1 drone has thus far been a rare misstep for the respected Japanese company. Despite some (expensive) improvements to the Airpeak S1 drone, Sony's support for its flagship aerial platform, first revealed in 2021, has been significantly undercut by yesterday's reveal of the Sony ILX-LR1 full-frame camera.

Eight years of discussions. Six months of training. Two days of final preparations. Much was required to give photographer Blair Bunting two hours at the edge of Earth's atmosphere to conduct the first-ever photo shoot at near-space where he captured images that have never been made before and will likely never be made again.

We've seen the 100-400mm f/5-6.3 DG DN OS Contemporary before because it's the current full-frame super-telephoto option from Sigma for mirrorless cameras. What we haven't seen before is a full-frame Sigma that has been specifically adapted for the APS-C-sized Fujifilm lens mount -- until now.

It takes a lot of hard work to become a professional photographer. There are untold hours of toil to perfect the craft and lots of money spent to reach a pro level. So when you get there, how much should you be paid for a day's work?

When the Canon EOS R3 hit the market two years ago, we knew there would be a flagship R1 camera coming at some point. While we wait, we figured why not make a wishlist of the features and technologies we would like to see when the R1 finally arrives.

It's time for a State of the Union, Camera Edition. In recent years, we have seen some dramatically positive changes from all the major camera manufacturers, but nobody is perfect. Let's talk about each one's weak points.

The great photographer panic over artificial intelligence (AI) has been underway for some time, but it reached new heights this week when a photo competition disqualified a genuine photo after the judges became suspicious that iPhone photographer Suzi Dougherty was trying to trick them.

Sony has been working hard to re-release new iterations of its existing lenses because although many of the early lenses were decent, they still left much to be desired. The original G Master zooms, for example, were priced like high-grade professional lenses, but came up short optically.

Meta, formerly Facebook, is no stranger to ripping off features from other social networks and hopping on popular trends. But this time, with Threads, the company finally picked a good time and a good angle to play copycat.

Google has entered the foldable smartphone fray with its $1799 Pixel Fold, a smartphone design that very well could be the future. Blurring the line between smartphone and tablet, the Google Pixel Fold not only provides a much larger screen area for multitasking, but a unique change to how a modern smartphone is used.

There are many different kinds of photographer. There are passionate hobbyists, professionals, amateurs, and smartphone shooters who have only a passing interest in photography. With very few exceptions, all of them are now using artificial intelligence (AI) in some form or another.

Ever since Apple released its own silicon, creators have salivated at the thought of what kinds of performance could be expected from the company's highest-end machine, the Mac Pro. Today we found out, and it wasn't necessarily the expected answer.

It's no secret that I have had an anti-Apple attitude in the past. As much as I may have made jokes at their expense, I have nothing against them. My perceived bias stems more from a fierce loyalty to the PC; I use to custom-build gaming rigs as a kid. Ever in search of more gaming power, I saw Macs as boring, work computers. However, now that I'm older, what I truly need a computer for is exactly that -- work.

Last week, PetaPixel broke the news about an artist refusing a prize after his AI image won a major photo contest and since then major publications have followed up on the story, creating a firestorm.

Somehow, 2023 has turned into quite the year for monochrome cameras. Leica, though, is no stranger to the format and the M11 Monochrom is just the latest in a series of excellent additions to the space.

I, like so many others, have spent years of my life attempting to make it easier to be informed about cameras and imaging technology. But despite this, I and those like me have failed in our goal to educate Gen Z.

Last week, Levi Strauss was heavily criticized for its decision to start using digital models generated by artificial intelligence (AI) instead of using that investment to hire more real people, especially since it was done under the guise of "diversity."

How I feel about losing DPReview is difficult to put to words. The brand has been a mainstay since I took up a camera and the space that they leave now is one that I don't think will ever be properly filled again.

A new term has popped up recently: "Synthographer." It's a mishmash of the word synthesis and photographer and describes artists creating digital media from AI image generators.