Editorial

Yesterday, PetaPixel broke the news that Nikon paid what appears to be a pittance for RED Cinema: just $85 million. Looking at the industry's past acquisitions, we can better contextualize this number.

30 years ago, Apple launched the QuickTake 100 that was, until yesterday, its last "real" camera. But with the announcement of the Final Cut Camera app yesterday, Apple is once again a full-fledged camera company.

I use my iPad Pro every day. I have used it every day since I picked up the first generation of the device years ago. There is certainly value in the iPad, but now you can now easily spend more on one than a full-fledged MacBook Pro.

There have been murmurs of an "EOS R1" camera for more than three years now -- since before Canon announced the EOS R3. The camera has been in development for at least five years and a lot has changed in that time.

A year ago, PetaPixel brought long-time camera experts Chris Niccolls and Jordan Drake on to lead a new YouTube initiative. Looking back, it's the best decision we've ever made.

Generative AI is changing how people create and business is done, which has far-reaching impacts. Photography is no stranger to technological revolutions and has thus far always survived. However, the coming storm of AI feels different to many, including Adobe, a company that has been involved with digital imaging since its earliest days.

This week, director Steven Soderbergh took part in an interview where he discussed the making of Presence, in which he revealed it was filmed on a Sony a9 III... which he gleefully referred to as a DSLR.

Do you want a compact lens with a constant f/2.8 aperture? Does it have to be as sharp as a G-Master lens without the high price? Sony may have just given you what you asked for, provided that you don't need an extensive zoom range.

The rise of generative AI means that huge archives of photographs and videos are suddenly valuable with the current situation being compared to a gold rush, but which platforms are licensing their content to large tech firms for the purposes of training AI models?

It's the morning of April 8, 2024. My camera equipment is packed in their bags, and vital Sun rotation information and eclipse timing information are scratched in a notepad. Somehow, despite years of notice about this historic total solar eclipse, the first to hit my home state of Maine since 1963 and the last until 2079, I'm committing the cardinal sin of photography: I'm trying to photograph a once-in-a-lifetime event with nebulous plans and no scouting.

For a long time, third-party optics usually meant compromise somewhere, but in 2024, does that apply anymore? Is it possible for a photographer to be perfectly happy shooting with, for example, Sigma lenses and nothing else?

Mark Weir, Senior Manager of Electronics at Sony, retired this week after working for the company since 1986. He is, without a doubt, one of the smartest and friendliest people the digital camera industry has ever known and while we are so happy he finally is taking time for himself, we're still a bit sad to see him go.

"I have the perfect camera for you," my dad Tom told me when I said I needed one for my film photography class at Gonzaga University in 2008. "Take my Nikon FTN, it was always my favorite," he said. "But you can't keep it. I want it back."

I normally dismiss ultra-fast aperture lenses because they tend to be overly large, overly expensive, and overly excessive. I rarely want to have the shallowest depth of field possible, and an f/1.2 lens is only two-thirds of a stop brighter than a reasonably priced f/1.4 lens. But what if I can have my cake and eat it too?

Next to portraiture, landscape photography is among the oldest genres. It has gone through evolutions, and thanks to pioneers like Ansel Adams, landscape photography even helped bring photography into the larger art discussion. But after more than a century of influence and brilliance, has landscape photography lost its way?

Nikon has long been a popular choice for amateur and professional wildlife photographers. Since the days of its film and digital SLR cameras, it has committed to engineering robust cameras with swift autofocus and making top-tier telephoto lenses. That same focus persists in the mirrorless age, perhaps even more.

National Geographic's new documentary series, Photographer, lives up to its name. The six, hour-long episodes focus less on beautiful photographs and more on their creation. The series is very much about the person behind the images: the photographer.

Lots of people are fed up of hearing about Kate Middleton and her apparent penchant for Photoshop. But as yet another major photo agency goes on record to say another of her images was "digitally enhanced," there is a need for transparency.

Photo Stealers, a website that has investigated and identified people who steal photos for over a decade, has become embroiled in increasingly expensive legal battles and was even brought offline by an alleged photo thief earlier this week.

While Fujifilm's runaway popularity of the newly launched X100VI is well known, it isn't the only company that is "suffering from success." Ricoh's GR III, which is now over five years old, continues to be in such high demand it is difficult, if not impossible, to acquire.