Canon Announces Ultra-Wide RF-S 10-18mm f/4.5-6.3 IS STM Lens
Somewhat surprisingly, Canon has yet to offer an APS-C ultra-wide zoom for its EOS R cameras. That changes with the introduction of the RF-S 10-18mm f/4.5-6.3 IS STM.
Somewhat surprisingly, Canon has yet to offer an APS-C ultra-wide zoom for its EOS R cameras. That changes with the introduction of the RF-S 10-18mm f/4.5-6.3 IS STM.
Tamron is developing a 17-50mm f/4 Di III VXD (Model A068) ultra-wide to standard zoom lens for full-frame Sony E-mount cameras, the world's first to offer such a zoom range on Sony cameras.
The Viltrox AF 16mm f/1.8 FE full-frame prime lens features an intriguing blend of a wide focal length, a fast aperture, and a low $550 price. Can it possibly be any good?
Nikon has announced the Nikkor Z DX 12-28mm f/3.5-5.6 PZ VR lens, an ultra-wide angle lens designed for content creators and vloggers. The lightweight lens is the widest Nikkor Z DX-format lens yet.
TTArtisan has announced a new 11mm f/2.8 Fisheye lens for Canon EF and Nikon F-mount cameras. The lens brings DSLRs access to the same lens that has already been available for multiple mirrorless mounts.
NiSi has announced its second-ever lens, a 9mm f/2.8 for multiple APS-C camera mounts. The company positions the lens as ideal for architecture and astrophotography thanks to its wide angle and the promise of low distortion and consistent sharpness.
Sigma's two newly introduced wide-angle lenses are going to impress a lot of people with their large apertures and reasonable prices.
The year is 2022 and it’s apparently APS-C’s time to shine. With Canon showing off what they’ve cooked up and Fujifilm making a big announcement of their own, today Sony is bringing out three more wide-angle APS-C lens options: 10-20mm f/4 PZ, 15mm f/1.4, and 11mm f/1.8.
This Sigma 16-28mm DG DN Contemporary is the latest addition to the pile of really darn good lenses that don’t cost thousands of dollars.
Irix has announced a new 21mm f/1.4 lens for Canon, Nikon, and Pentax DSLRs. The lens is based on the 21mm T1.5 cinema lens the company announced in February.
Sigma has sneakily been releasing a number of compact, wide-aperture lenses designed for mirrorless cameras. Already on the company's seventh addition to the “I” series, the new 20mm f/2 DG DN is now the widest of its kind yet.
Samyang has announced the 12mm f/2 autofocus lens for Fujifilm X-mount. This APS-C wide-angle lens is compact lightweight, and features a stepping motor system for what the company promises to be fast and accurate autofocus.
Photographers really love wide-angle lenses. Photographers also really love fast apertures. What happens when you combine these two together? You get the Laowa Argus 35mm f/0.95 FF.
The RF 14-35mm f/4L IS USM is a brand new ultra-wide-angle zoom lens from Canon. Its impressive range of 14mm all the way to 35mm with a constant f/4 aperture in an L-series full-frame lens is a big deal, and we haven’t even gotten started.
TTArtisan has announced that it is bringing its 11mm f/2.8 Fisheye lens to the Fujifilm GFX mount. Previously available for multiple other mounts, it appears to be the first lens for the GFX that does not need a separate adapter that the company has produced.
Within a few months of each other at the beginning of 2021, both Sony and Sigma announced 35mm f/1.4 lenses for full-frame Sony E-mount cameras. They were just begging for a comparison to be made.
OM Digital Solutions has announced the Olympus M.Zuiko Digital ED 8-25mm f/4 Pro Lens for Micro Four Thirds (MFT). This 35mm equivalent 16-50mm lens promises to cover a wide range of shooting scenarios with its versatile wide-angle up to "normal" focal range.
Wide-angle shots are by far the most popular type in landscape photography, and it is for obvious reasons. One can get a lot of the landscape in a single frame and a lot more out of wide-angle lenses.
Tamron has announced the 11-20mm f/2.8 Di III-A RXD variable wide-angle zoom lens for Sony E-Mount APS-C mirrorless cameras. Tamron says that it is the world's first ultra-wide-angle zoom lens in its class to feature a consistent f/2.8 aperture.
Sony has unveiled the 14mm f/1.8 G-Master, an ultra-wide lens with a large aperture that the company believes is ready to take on astrophotography, landscapes, and architecture along with plus portraits and closeups thanks to its unique design.
Voigtlander has announced the 28mm f/2 Ultron Vintage Line lens for Leica M-mount, combining a classic lens exterior with modern optics. The new lens will be available in three different colors.
Fujifilm has announced the new XF18mm f/1.4 R LM WR lens made exclusively for the X Series family of mirrorless digital cameras. The company says that its lightweight, portable design makes it ideal for a wide range of uses, from landscapes to portraiture.
Rokinon has announced the AF 24mm f/1.8 Compact, a wide-angle, fast prime that has a specific astrophotography mode to assist with star photography. This is Rokinon's eleventh autofocus lens specifically engineered for Sony cameras.
The NiSi 15mm f/4 lens was announced in early January and photographer Ted Forbes got his hands on one to see how the company's first lens performed. In short, it's a promising start for the company that is new to lens design, but it has a few niggling issues to keep in mind even at its low price.
Khloé Kardashian is taking to social media to defend her fashion label's latest ad campaign, explaining to critics that the photos weren't a "Photoshop fail" -- they were simply shot with a wide-angle lens.
NiSi, a Chinese manufacturer known mostly for making high-quality filters, has announced its first still-camera lens: the 15mm f/4. It features a 112-degree field of view and the promise of edge-to-edge sharpness for multiple mirrorless mounts.
Update 11/25/2020: Images have leaked that indicate the December 1 Livestream will include three lenses, not just one.
While some might not find this announcement as exciting as a new mirrorless lens, Tokina has unveiled the atx-i 17-35mm f/4 full-frame lens for Canon EF and Nikon F DSLRs.
Fujifilm has announced the 36th lens addition to its X Series digital camera system lineup in the Fujinon XF10-24mm f/4 R OIS WR lens, an update to the current lens of the same name, it features a couple notable design and usability updates.
Specialty lens maker Venus Optics has just released another interesting optic. The Laowa 11mm f/4.5 FF RL is the world's widest rectilinear lens for full-frame mirrorless cameras that can still accept screw-on filters, offering a 126° field of view from a surprisingly small package.
Tamron has unveiled three much-leaked new prime lenses for full-frame Sony mirrorless cameras. The 20mm f/2.8 Di III OSD M1:2, 24mm f/2.8 Di III OSD M1:2, and 35mm f/2.8 Di III OSD M1:2 are all compact, lightweight wide-angle prime lenses that boast a 1:2 magnification ratio and very close minimum focus distances so that they can be used for every-day shooting and macro photography.
After briefly announcing the lens over a year ago, Venus Optics has finally launched the "world's widest rectilinear lens for Fujifilm GFX," announcing the pricing and availability of the Laowa 17mm f/4 Ultra-Wide GFX Zero-D.
Tamron has two major zoom lens updates to share today, and at least one of them will make Tamron fans very happy. Almost four years after the first generation lens was announced, Tamron is unveiling a new and improved SP 70-200mm f/2.8 Di VC USD.
A high-quality, tiny, ultra-wide angle lens with almost zero distortion... that's what Venus is promising with the full-frame Laowa 12mm f/2.8 ZERO-D. And they've already raised over a quarter of a million dollars from people who believe they will deliver.
Here's a quick DIY trick that'll come in handy the next time you need to add a filter to a wide angle lens on the cheap. If you can't buy a proper adaptor (or 3D print one), just use some card stock and black tape.