Software

FilterPixel Photo Culling AI Software Increases Workflow Productivity by 75%

FilterPixel automates the process of looking for photographs that are not good enough to be framed and added to your portfolio of work. The software uses Artificial Intelligence to scan and automatically separate the unworthy captures, saving time and effort in browsing through hundreds of captures and inspecting them closely to check for blur and focus issues.

Creating Cosplay and Superhero Inspired Photo Portraits

Creating compelling sci-fi and fantasy inspired images was once a task that required either awesome practical effects and lighting, dexterous digital paint skills, or a mastery of complex 3D animation software. Recently, Boris FX, an Academy Award-winning software company that has developed film and television visual effects tools for over 20 years, has leveled the playing field with the introduction Boris FX Optics.

Boris FX Optics Plugin

Boris FX Optics Brings Cinema Effects to Photoshop and Lightroom

Academy award-winning software developer Boris FX has launched a new version of the Optics plugin for Adobe Photoshop and Lightroom Classic that the company says will add "the same high-end cinematic look and effects to photos that the film and television industry has relied on for over twenty years."

Cloud Editing Strategies

Adobe and Capture One Show the Different Ways to Leverage the Cloud

The meaningful impact of cloud computing with respect to photo editing was an amorphous topic when it was first introduced to photographers in 2013. Nearly a decade later, that has changed and two of the biggest companies in the editing space show how it can be leveraged to support photographers differently.

What is the difference between lightroom and lightroom classic

Lightroom Classic and CC Are Nearly Identical, So Why Two Programs?

When Lightroom CC originally launched it was woefully behind Classic from a features perspective. Photographers who had come to expect certain tools and performance were greeted with an underpowered CC, and few gave it a second glance after that. But now, nearly five years later, those same photographers might not know that they are nearly identical now. So then, why do we have two versions of the same software?