Photographers and other journalists covering the ongoing Israeli-Palestinian violence are on high alert this weekend after an Israeli soldier was stabbed on Friday, October 16th, 2015, by a Palestinian attacker who was posing as a local photojournalist.
Donald Trump is lashing out at an Associated Press photographer over photos of empty chairs at a Trump speech in South Carolina. The presidential candidate is accusing the photojournalist of portraying a dishonest story through his photos.
What's the current state of photojournalism, and where is the industry headed? That's what a major survey recently attempted to answer, and the result is a massive 76-page document that was just published today. It's an interesting and in-depth look at the state of news photography.
Want to see what it was like to work as a photographer at a major newspaper back in 1983? Check out this blast from the past: it's a 20-minute video by photographer Hugh Wesley, who spent 28 years at the Toronto Sun before retiring as the director of photography in 2001.
Europe's largest newspaper, the Bild of Germany, has published an unusual print edition that left out all photographs from its pages. The bold move is apparently a response to reader backlash after the paper published photos of Alan Kurdi, the 3-year-old Syrian refugee who drowned in the Mediterranean Sea.
The paper is saying that "the world must see the truth," and hoping that by leaving out photos, people will realize the importance of photography in bringing about change.
I used to believe that photojournalism represented a platonic ideal of veracity, but this naïve notion has eroded. The cause of this loss of innocence isn’t limited to the high profile manipulation that has dogged the industry, but also the realization that the camera is nothing more than a point of view. Aim it in one direction or another. Take a photo now or later. Select one image over another to display to an audience. There is a fundamental “truthiness” to photojournalism that is inescapable.
Michael Kamber is a photojournalist who has been working around the world since 1986; he has traveled to Iraq, Afghanistan, Liberia, the Sudan, Haiti, Israel, and many other countries to capture conflict. Kamber has been published in most major newspapers in both the United States and Europe.
Recently, he took the initiative to create an exhibition at the Bronx Documentary Center titled Altered Images, which focuses on exposing documentary photography that has been staged, manipulated, or faked. We spoke to him to learn more about the current state of ethics in photojournalism and where things are headed.
Jacob Nachumi is a documentary photographer based in Israel. As an Orthodox Jew, Nachumi has spent six years pointing his camera lens at the rituals, customs, and culture of his community.
Over the last couple of weeks, the matter of photo contracts has once again been debated. First came Jason Sheldon’s blog post, calling Taylor Swift out on her hypocrisy when attacking Apple for demanding musicians give away their music for free while doing the exact same thing to concert photographers in her photo contracts. If you’re reading this, you’re probably well aware of that whole ordeal, so there’s no need to get into it further other than to say that I fully support Sheldon’s views.
I'm a documentary wedding photographer, which means there's a certain way that I work, and a certain style to the photography I produce. The end product of which is an accurate, beautiful document of the single most important day thus far in a couple's life together. I want my clients to feel what they felt on their wedding day, years later when they're reminiscing with their album.
Smartphone photography is becoming one of the main ways people share visual stories with the world, and Getty Images wants to help bankroll powerful mobile photo projects. The company is teaming up with Instagram to launch a new photography grant that will hand out $30,000 to help Instagram users tell important stories.
Just a week ago, Devin Allen was just another photo enthusiast sharing his work on the Web, regularly posting artsy photos for his relatively small and faithful Instagram following. After protests and riots erupted in Baltimore this week, Allen suddenly became a much sought-after photographer who's sharing raw and gritty images from ground level for the world to see.
After 27 years of shooting daily photo assignments I had found myself at a crossroads in my photojournalism career. At that point I had spent 20 years as a staff photographer at The Boston Herald and 7 years as the Photo Editor of the Lowell Sun. But creatively I felt as if I was in a rut or shooting on autopilot.
Photojournalist Troy Wayrynen has been selected as the 1st Prize winner of the Sports Feature category in this year's Best of Photojournalism contest by the NPPA, one of the most prestigious awards for photojournalists.
His winning photo, a crop of which is shown above, shows a high school runner using his phone to take an unusual selfie at the beginning of a cross country race.
As New York City prepares to digitize and publish thousands of historical crime scene photos captured by photo unit police officers, here's a look at the subject from the photojournalist's point of view.
The 9-minute above is an interview with Weegee, a photographer known for his gritty black-and-white photos of crime scenes and urban life. It's from the 1958 vinyl record "Famous Photographers Tell How."
The tumult surrounding the World Press Photo awards for the last couple of weeks has been quite earth-shaking. An Italian photographer, who had been awarded for “Contemporary Issues” was, finally, disqualified for having mis-labelled where a picture was shot (not in the town of Charleroi which was listed on the entry but 30 miles away in Bruxelles.)
Conflict photographer Lynsey Addario has gotten quite a bit of attention lately after publishing a memoir about …
Photographs by Patrick T. Fallon for ProPublica, captions by Michael Grabell Joel Ramirez was paralyzed from the waist down …
In a surprising turn of events, the World Press Photo organization has announced that it will be withdrawing the 1st prize award it had given photographer Giovanni Troilo for his Contemporary Issues series "The Dark Heart of Europe." This comes one day after a new claim surfaced that accused Troilo of misrepresenting where a photo was shot.
Update: World Press Photo has decided to strip Troilo of his 1st place award.
Things are getting messier and messier for World Press Photo. After investigating a 1st prize winner due to accusations of unethical staging, the prestigious contest defended the photographer this week and stood by its award decision (much to the dismay of many in the photojournalism industry).
There's a new twist in the story, though: a new accusation is now being made against the photographer, causing WPP to reopen its investigation.
“World Press Photo is committed to supporting and advancing high standards in photojournalism and documentary photography worldwide.”
That's what the "About The Foundation" page on the World Press Photo says. Now follow this timeline of recent events.
Charleroi is a town of about 200,000 people in Belgium that has fallen upon some tough times in recent years due to increases in unemployment, poverty, and crime. Italian photojournalist Giovanni Troilo pointed his lens at the city last year, capturing a gloomy photo essay titled "The Dark Heart of Europe." The images were recently awarded 1st prize at the prestigious World Press Photo contest in the Contemporary Issues category.
The contest, which already got a black eye after 20% of the finalists were disqualified for unethical photo editing, has another messy problem on its hands: the town is accusing Troilo of staging his winning photos.
The world of photojournalism took a hit earlier this month when it was revealed that 20% of the finalists in the prestigious World Press Photo competition had been disqualified due to unethical edits. The National Press Photographers Association released a statement this past weekend calling for the disqualified photographers to share the edits that eliminated them from competition.
The prestigious World Press Photo contest announced the winning photos of 2014 last week. In case you were curious, here's a look at the cameras that were used to capture the winning photographs.
It was 30 years ago that Reuters launched its Pictures service that plays a key role in distributing powerful photojournalism to publications around the world. To celebrate this anniversary, the agency has selected a collection of photographs that represent "key images" from its massive archives -- photographs that have changed the way we see the world.
Photojournalist and war photographer James Nachtwey received a Lifetime Achievement Award this past Monday from the American Society of Magazine Editors. The 3.5-minute video above is his acceptance speech in which he talks about the power of photojournalists to create positive change in the world.
Here’s a 9-minute mini-documentary by the NPPA titled “The Value of Professional Photojournalism.” …
Last month, we shared a popular video in which photojournalist Steve McCurry talked about the danger of focusing on your destination so much that you miss your journey. That clip was actually from a series of videos in which McCurry shares wisdom he has learned over the decades of traveling the world and hunting for photos that will be remembered.
For his ongoing project "Lands in Limbo," photographer Narayan Mahon has been visiting de-facto countries that aren't recognized as countries by most of the world. Unless you're into geography and/or politics, you may never have heard of any of the places before: Abkhazia, Nagorno Karabakh, Northern Cyprus, Somaliland, and Transnistria.
In a show of solidarity with photojournalists who are seeing their jobs disappear, some reporters in the UK are resolving to not take assignments that should go to professional photographers.