Landscape and travel photographer James Popsys has noticed a troubling habit lately: he's posting things "for the dopamine hit," and he doesn't believe he's the only one. The result, says Popsys, is a "photographic groupthink," caused by social media, that encourages people to post the same thing over and over, just because it's popular.
After learning about Flickr's new printing service last week, I decided to check the cost of prints. I want to build a physical portfolio, and have been unhappy with the quality of prints from local shops—I expect to get what I paid for (not a ton) and even then have been disappointed. So I ordered two prints from Flickr, both 8x10", both black and white.
I recently took my first ever photography trip to California. My plan was to hit up Mt. Shasta, Lassen Volcanic NP, and Lake Tahoe. I wanted to share some of the things I did right, as well as some of the things I did wrong.
Last year, during a panel discussion at one of the yearly industry conferences, I said that my hope was for DSLRs to soon vanish... I said this not because I haven’t enjoyed the incredible strides made in photo technology during the era of the DSLR -- both as a camera store owner and a recreational photographer -- but because, despite our attachments, we must embrace a mindset of “out with the old and in with the new.”
When I was a little girl, I lived in Incirlik AFB, Turkey. We lived for a year off base on the third floor of a very large apartment building. My parents spoke no Turkish and the landlady spoke no English, but somehow, they managed just fine.
It’s that time of year again for photographers: fall family sessions. It’s crunch time. Some photographers make the bulk of their yearly profits right now; others work their butts off in an area saturated with photographers and make enough pennies to cover operating expenses. I was part of the latter group a few years ago, and I burned out.
Landscape and travel photography marketing is one area that photographers often find particularly hard. But if you want your photography business to grow, you have to know how to market yourself and your work.
We really didn’t know what to expect going into this. Panasonic hasn’t even made an APS-C body before, never mind a full-frame flagship mirrorless camera. Though, it seems they realized the S1 series needed to make a splash if its release was going to trail behind Canon and Nikon’s first foray into professional-grade mirrorless cameras, because the S1R is massive.
Getting a proper exposure means that you’re letting enough light through the lens and onto your sensor/film to capture your subject and the environment. To achieve a proper exposure, you’ll have to balance shutter speed, aperture, and ISO according to your purpose. The key word there is “purpose.”
I normally don’t write articles discussing new camera bodies like the Sony a6600, nor do I often get into fine detail on camera specs in general. But since I have been shooting with a Sony a6300 for a few years already, and have been eagerly wanting to upgrade to a newer Sony camera, I feel it is a good time for me to jump in on the subject.
Photography is an art and a commercial business. As a black-owned, woman-run business, Judah Avenue is both a passion project and an entrepreneurial breakthrough for me. I quit corporate America to pursue my art. As a girl who was born and raised in Ghana, that simply wasn’t something that was ever presented as a viable path for me.
I had read this story about a social media influencer who posted professional photos of her accident on Instagram along with what appeared to be a product placement. I thought it unbelievable until... it happened to me.
It’s been 3 years since the giant, 36,000-ton New Safe Confinement (better known as The Arch) was put over the damaged old sarcophagus that helps contain the radiation from the Chernobyl disaster. A symbolic moment that also summed up my 10 years of work documenting the Chernobyl Zone. However, just as the building of the new sarcophagus didn't finish the work inside related to eliminating the radioactive threat, I still have a reason to come here.
I have a working collection of 52 film cameras—some of them quite rare and unique, others just yard sale garbage, all of them loved and fun. I recently decided to take all of them out and push some celluloid through them, documenting the process one week at a time as I breathe some life back to these dope little beasts. I’m calling it the Vintage Camera Quest.
After my recent success at mixing vintage Verichrome Pan film with Kodak Instamatic film, I wanted to try this splitfilm trick again. And I wanted to create something that was a “day versus night” exposure, using the lights of an amusement park or the midway of a county fair to build my image.
This is an unposed, naturally caught moment at Rachael and Carl’s wedding at The Vineyard in Stockcross, Berkshire. It’s recently won a couple of awards from This is Reportage and the Wedding Photojournalist Association. It’s a striking image, and drew some criticism that it must be staged, or was not photojournalism. So I thought I’d explain why I believe this is wedding photojournalism, and how I came about taking this image.
This is our son River, he’s had a camera in his hands since he started to drool. When both your parents are photographers I guess it’s just in the genes and he loves it. He started out with a film Holga and Diana F+ and graduated to a Canon Rebel when he was 2. He is now 4 years old and shoots with our Canon 5D Mark IVs.
Fortunately, we are beginning to find ourselves in a world where it's okay to open up a little more about mental health. It’s great! It’s the age of empathy and humility now, and I think once we begin to empathize properly with each other, we’ll be in a much better place. We’ve all got the same prehistoric brain, and it’s surprising how you can begin to essentially ‘re-program’ your thoughts.
I believe all artists experience “blocks” every once in a while. Feelings of discouragement or lack of motivation, inspiration, and will to do something we know we love to do.
I’ll begin by saying that I don’t only shoot with zoom lenses. I should also add that what I’m about to say is perhaps most relevant to other wedding photographers, particularly those shooting in a documentary style like myself.
The rise of social media has had a massive impact on the art we see, consume, and interact with on a daily basis. Some of that impact was positive, some negative, but one of the most radical changes has also been one of the most detrimental: the demise of the gatekeepers.
Before the rise of social media and the ubiquity of apps like Instagram, photographers established and flexed their brands through their personal website and blog. The photographer website supplanted the printed portfolio, for the most part, offering photographers a way to showcase their work with a remote audience of photo editors, customers, and fans.
While exploring the southern, lesser-known part of the Jordanian desert Wadi Rum, I notice a remarkable, palace-like structure sitting on a high, rocky cliff. The view reminded me of a scene from the classic Oscar-winning film Lawrence of Arabia. It just lacked camel caravans and people.
Is noise in photos always bad? It might seem like a rhetorical question with an obvious and universal answer: yes. But landscape photographer and YouTuber James Popsys begs to differ in an opinion video that will no doubt spark some debate.
I was excited when Canon and Nikon finally stepped into the mirrorless game seriously more seriously, releasing their full-frame mirrorless cameras in 2018. Nikon launched their Z6 and Z7 with the new Z-Mount, while Canon released the EOS-R with a new RF-Mount.
Like it or not, much of the conversation around image quality these days revolves around sensor size. When Sony announced the a7R IV, it boasted image quality that “rivaled medium format.” When people defend Micro Four Thirds, they show off their ultra-portable system and claim the images are “indistinguishable from full-frame.”
“It was constant hustle for me the first three years (in business) full time.” I read this quote from a photographer-turned-business coach. It was advice in a Facebook group. I’m not certain the question that elicited this reply, but it doesn’t really matter. The statement stands alone.
Instagram's controversial experiment with hiding public like counts is only live in seven countries, but it's already inspired some freakouts from influencers who claim the change is crippling their engagement and destroying their livelihood.
Focus on what’s important… pun intended. I’m not referring to lens focus or how to get sharp images. If that's your main concern right now, just Google tutorials on autofocus, zone focusing or micro-adjustments. When I say ‘focus on what's important,’ what I mean is the purpose, meaning, emotion or reason for your photographs.
I’m a big Fuji fan. I love my X100F and have been thinking about switching to Fuji for my professional work for a while now. The X-T3 is a fantastic camera: fun to use, well-built, excellent image quality and focus. I love it, but I can’t use it.
After the recent allegations of harassment and assault against celebrity photographer Marcus Hyde, fashion photographer Jessica Kobeissi decided to use her platform on YouTube to speak out against what she's calling "the dark side of modeling" and share some of the horrifying stories she's heard from models she works with.
In a recent video, photographer and YouTuber Jamie Windsor shared some insightful thoughts on wedding photography: why so much of it looks the same (read: boring) and how wedding photographers like himself can help change that with each new couple they shoot.
"What lens did you use for that picture?" The only question less helpful to a growing photographer is probably, “What settings did you use for that picture?” Not because I think they are helping a newbie “cheat”, or because I might think it is copying, or ever -- God forbid! -- because I have some secret combination of shutter and aperture that is magic for me. It’s because it really doesn't matter.
Dear potential client, I have no crystal ball, yet I know you will be calling me this week for information about what I do. You might have seen one of my displays or my website or, hopefully, you were referred by a friend. And you will have liked what you saw—otherwise, you wouldn’t be calling me. And for that, I am truly happy.
“How do I grow my Instagram?” … it's a question I get asked often... too often. So I’m writing this article for my own selfish benefit. Rather than spend time repetitively composing a response, from now on, I can just link here when the next person asks me how they can grow their Instagram.
Do you ever wonder why one person gets chosen over another, or how a story comes to be told in a certain way? Well here’s something that happened to me recently that gave me new insights about how choices are sometimes made and what it tells us about the people who make them.
Why do photographers need to market themselves? In a phrase: so that you don't starve to death. No, but seriously. Otherwise, you risk ending up like Vincent van Gogh who (in the words of Steven Pressfield) “produced masterpiece after masterpiece and never found a buyer in his whole life.”
Dear Entitled, I came across a screenshot of your “I have started a photography business” post in a “Classifieds” Facebook group.
Four years ago, I set what seemed like an impossible goal: to make a functional Apollo 11 camera by the 50th anniversary of the moon landing. It was a crazy idea, especially with how inexperienced I was with nearly every process that would be required to do so.
Recently, I worked one of the most frustrating shoots I have ever had to endure. In my day job, I work with amateur prospective models doing test shoots. Most of the people I work with have never modeled and have rarely even stepped into a photography studio before. Despite this, the people I work with tend to understand the relationship and the unspoken code.
Have you ever wondered why the images you created a few years ago look very different from the pictures you are taking now? Chances are you became a better photographer. You trained your eye and you got better at post-processing. But I am not talking about the craft. I am talking about the art behind photography. The art that feeds off your emotions.
Twenty years. They have gone by fast. I can remember the first time I saw a camera with a screen on the back of it at a sporting venue, and now a camera without one is considered vintage. However, the look of modern cameras is only the tip of the iceberg when it comes to changes.
If you’re wondering why someone who loves Sigma cameras and gets called the ‘Foveon Wizard’ by his peers is writing about the Panasonic Lumix S1R, I need to take you back to 2007.
What does it take to push a farmer to this point? The point where, fed up of thousands of disrespectful photographers, wannabe “influencers” and narcissistic tourists, they feel the only way to get them to stop damaging their business and property, is to damage those people’s photographs?
I have read so many magazine articles, social media posts, and had discussions in which ‘established’ photographers don’t think new and aspiring photographers should be allowed to chart the same course that they once did (and perhaps still do). I’m referring to the general idea of starting with little or no fee to gain experience and establish themselves.
Over the past five years, Sony has done more to push digital imaging forward than just about anybody else. But their incredible pace of innovation is straining an industry that just can't keep up, and the cracks are starting to show.
My name is Liam Hawe, and I work as a video editor. When I started out in the industry I worked for a creative services agency where I had the opportunity to document behind the scenes of commercials. Four great years have passed and now that I am about to take on a new role at a different company, the process of tidying up my old files has brought on a wave of nostalgia.
I, like many of you, watched the Sony a7R IV announcement live stream on Tuesday. I saw them put up the video of the camera and its specs, which I thought looked good as an evolution of their R platform. However, when the lights came back on in the room, the kind man that is the VP of their alpha division debuted the camera to the world with the line: “medium format level image quality”
I've been fascinated with the idea of incorporating the moon into photos whenever possible. And so, with the 50th anniversary of Apollo 11’s moon landing on July 20th, I was excited by the possibility to shoot something special for the occasion: Putting a man "on" the moon.
I recently arrived at what I think is a worthwhile insight into the lenses I use. The material that follows should become instantly obvious once read, but the several photographers I discussed this with all commented that they had never thought of the matter that way and that it was worth some thought. Those comments inspired me to share my viewpoint here.