Editorial

A call to public galleries, libraries, archives, and museums to liberate our cultural heritage. Illustrated with the cautionary tales of extinct species and our lack of access to what remains of them.

Over the last few years, several companies have been actively producing accessories for smartphones. The majority of these accessories have been for iPhones and for the most part the accessories haven’t been overly significant devices. What I mean is that the accessories most manufacturers produced have been small LED flashes or add-on lenses. This seems to be changing with what Profoto has done and I wonder if this is the right direction for the market.

Most everyone’s got one. If you’ve been around for a while, you may have some great stories or a few crazy or scary assignments, but this one is not what you might think. Oh, I have had some interesting gigs for sure, but most of my work was in studio and not at all scary (with the exception of melted ice cream). I’ll save those stories for another time. No, this phone call was a different kind of scary.

On September 5, 2020, The New York Times published “The Great Divide” – the latest entry in their “The America We Need” Times Opinion series – which examined neighborhoods on Chicago’s North Side and South Side and the enormous disparities in wealth and health that have emerged between them as a result of racist policies like redlining that began in the early 20th century.

What’s happened has happened. But I just kind of want to rant so that maybe, if some future brides/grooms see this, they'll understand the perspective of a photographer who may also be their friend.

Over at Kolari Vision, we love tearing into the newest camera gears to learn how they work and if they can be modded for infrared photography, full spectrum photography, or other things. We’ve been really excited about the R5/R6 release, and had plans to add some cooling mods and overhaul it into a proper video camera.

Almost 20 years ago to the day, a teenager made an unwise camera choice1 to record what he was experiencing in case he might later forget. In reality, the choice was really to consciously notice the world around him and single out the bits that mattered – starting immediately with the things he was involved in, which at the time was the crazy period of growing up known as ‘university’.

Last week, in the span of slightly over 19 hours, news broke that the Whitney Museum had 1) acquired images from a charity print sale by Black photographers to mount a show entitled Collective Actions: Artist Interventions in a Time of Change, 2) offered the photographers a lifetime pass to the museum for their unsanctioned participation, and 3) canceled the show following a tweetstorm of outrage over the exploitative move.

I’ve been at this game a long time, and as my career has evolved, I’ve ended up in a lot of unexpected places. I went from shooting BMX and skateboarders, to commercial work in the make-up industry, to running workshops and gear demos.

What makes a great landscape photo, great? Some appreciate an image for its technical prowess or adhering to certain rules. It might be focused correctly and sharp throughout the scene. It could be well-exposed, offering wide dynamic range. Some like to see leading lines or the rule of thirds.

Photographer and YouTuber Mark Holtze has put together a quick video that offers some advice for beginners or other photographers on a budget. Specifically, he shares his top five reasons why you should go out and buy a vintage macro lens.

Professional photographer and YouTuber Sean Tucker recently released a video that covers one of the most common (and tricky) questions that enthusiast photographers ask: "should I go pro?" In other words: should I take this thing that I'm passionate about, and turn it into my profession?

While teaching a recent workshop, I joked that street photography was the only genre where people would buy $3,000 worth of cameras and lenses and then deliberately use them to make out of focus, grainy, imperfect images. This led to a pretty interesting discussion about the merits to imperfection.

Photographer Dan Roberts recently collaborated on an "intercontinental light painting." Using a projector and the power of the Internet, he and Frodo Alvarez captured a light-painting portrait in real time from across the world: Frodo's light from Spain ended up on Dan's camera in Denver.

Last month my fiancé (Corina) and I (Matt) did something we’d never done before. We ran a virtual photography exhibition.

A new op-ed published by the Deputy Editor of the Nikkei Asian Review in Japan is making waves in the industry today. The article strikes an ominous tone, foreshadowing difficult times ahead for the camera giants and blaming "excessive competition" for their financial woes.

The Leica SL2 replaces the SL typ 601 and represents the very best performance and image quality that Leica can produce. It’s the flagship. While maintaining iconic colours and shooting experience, this camera is one of the best pieces of equipment I have ever had the pleasure of using.

If you’re a film geek like me, these numbers should look familiar, 5203, 5207, 5217, and 5219. These are the film stocks Kodak Motion Picture offers to film directors and cinematographers. Since 2014, Quentin Tarantino, Martin Scorcese, and J.J. Abrams partnered with former Kodak CEO Jeff Clarke, to spearhead an effort in protecting the use of celluloid in the motion picture industry.

Arizona-based journalist and photographer Jim Headley recently set out on a "mission" to shoot an ultra-rare Japanese twin lens reflex camera called the Taroflex. Only 10 of these cameras are thought to still exist, and Headley is the proud owner of a fully-functioning copy in "excellent condition."

If you’re a photographer who has to work or is choosing to work during the COVID-19 pandemic, then you’ve probably been looking for a good mask. I was too. I wanted mask that looked professional and felt comfortable. After doing some Amazon searches, I thought I found one that was perfect. Well, I’ve shot a few weddings while masked in the heat now, and it caused me to reevaluate my decision and try other masks out.

Dear Mr. Burnett,

I have some concerns I’d like to address in your recent open letter regarding the Photo Bill of Rights (BoR). I am a 36-year-old white female editorial and commercial photographer. I am a member of APA and a Houston chapter board member for ASMP.

Welcome to the first chapter of my new Wheelchair Accessible Landscape Photography Guide. In the coming weeks I'll highlight some beautiful landscape photography locations across the United States that are easily accessible no matter your level of mobility.

I am a Canon Ambassador and I had the chance to test the new Canon EOS R5 (pre-production model) that we have all been anticipating for such a long time. This is not a review of the camera, but I wanted to share some of the most important settings and show you some real-life samples I was able to shoot that week.

World-renowned photojournalist David Burnett recently published an open letter to the National Press Photographers Association in response to the recent debates surrounding photojournalistic ethics and the controversial new Photo Bill of Rights that calls for, among other things, consent from subjects in public spaces.

Why do I do landscape photography? I've been trying to conceptualize an answer to this question as I delve deeper into my self-expression through creating imagery.

I recently set out to see what collaborating on an automotive campaign would look like when done virtually. In the words of the always colorful Jeremy Clarkson, “How hard could it be?” TL;DR: Not that hard!

In 1987, choreographer Margo Sappington came to Houston to set her dance "Rodin, mis en vie" on the world-famous Houston Ballet at the invitation of Artistic Director Ben Stevenson. Not knowing who she was, but attracted by her energy and persona, I introduced myself.

Every so often a photo shoot comes along that both excites you and terrifies you at the same time. Today’s article is about one such experience.

Okay, I know the title of this article sounds a bit clickbaity -- and to be honest, it is. Proclaiming anything to “be dead” always sounds alarmist. But really, I don’t see a bright future for the medium I love.

Insects and other animals have fascinated me since I was a small child. I remember well how I used to pick them up and simply stare at them in wonder for hours. The concept of photographing insects indoors had been on my mind for years, even when photography and playing with light was a hobby, and long before I considered photography a profession and way of life.

Editor’s note: Veteran photojournalist Yunghi Kim (@yunghi) sent me the following thoughts after the publication of my article about the ethics of showing protestors’ faces.

For those who are anywhere near the microstock photography industry, you may have noticed that there is a lot of shouting going on at the moment about the latest release from Shutterstock.

The image above was shot in one of the old town lanes around Pom Prap in Bangkok in October 2019 using a Nikon F3 analog SLR camera loaded with Kodak Ektar 100 expired film roll.

Any event photographer gets tons of requests from people asking for specific photos from an event. Sometimes they will acquiesce, but often not. Don't nag them if they don't get back to you or say no. Here's why.