Following hot on the heels of yesterday's leak, Tokina has officially revealed its redesigned full-frame 100mm f/2.8 macro lens for the Canon EF and Nikon F mounts: the Tokina ATX-i 100mm f/2.8 Macro FF.
Panasonic has added two much-anticipated lenses to its "S Pro" lineup of L-Mount lenses for the full-frame mirrorless Lumix S1, S1R and S1H cameras: The Lumix S Pro 70-200mm f/2.8 O.I.S. and the Lumix S Pro 16-35mm f/4.
Without fanfare or so much as a press release (yet), the Canon EOS Ra camera has officially been released. The specially-designed astrophotography camera is Canon's first full-frame mirrorless camera "dedicated to deep sky and night sky photography."
In addition to releasing three sort-of-macro wide-angle prime lenses for its FE lineup, Tamron today also announced the development of the highly-anticipated f/2.8 telephoto zoom lens for the Sony E-Mount: the 70-180mm f/2.8 Di III VXD.
Tamron has unveiled three much-leaked new prime lenses for full-frame Sony mirrorless cameras. The 20mm f/2.8 Di III OSD M1:2, 24mm f/2.8 Di III OSD M1:2, and 35mm f/2.8 Di III OSD M1:2 are all compact, lightweight wide-angle prime lenses that boast a 1:2 magnification ratio and very close minimum focus distances so that they can be used for every-day shooting and macro photography.
A video posted by Canon Korea yesterday confirms something that many Canon shooters feared when they saw how small Canon was making the upcoming RF-mount 70-200mm f/2.8L IS USM lens: this lens does not have an internal zooming mechanism.
Sigma officially released the Sigma fp today, confirming the leak we reported earlier this week. Available to pre-order today, the world's smallest full-frame mirrorless camera will cost $1,900 for the body-only, and will begin shipping to customers on October 25th.
The world's smallest full-frame mirrorless camera, the Sigma fp, was announced way back in July with pricing info and release date TBD. But if the latest leaks—and a mistake by Sigma itself—are to be trusted, it seems we now have both of these pieces of information.
While reading the reaction to our coverage of the Sony a9 II announcement yesterday, one comment really stuck out to me as an excellent summation of a subject that's been buzzing around my mind for about a month now: "Sony reaching the edge of feasible. Now they don't know what to add anymore."
The latest Sony flagship full-frame mirrorless camera is finally available (I say "latest" instead of just "the" because Sony insists they have at any given time up to three and sometimes four flagship cameras). And yet, I contend that a vast majority of those interested in the a7R IV shouldn't buy it.
Photographer Usman Dawood of Sonder Creative recently teamed up with film photographer Adam French to put together an intriguing portrait comparison: high-resolution full-frame digital vs 4x5 large format film. They shot both cameras at about the same FF equivalent focal length, and then compared the resulting images side by side for your viewing pleasure.
As Nikon prepares to reveal the Nikon D6 flagship DSLR in earnest, the Nikon D5's price has dropped to an all-time low. Whether you want the XQD or CF memory card version, you can now pick it up for "just" $5,497, or a full $1,000 off the suggested retail price.
If you own Canon's EOS R or EOS RP, download the latest firmware for your camera ASAP. As of last night, Firmware Ver 1.4 and 1.3 for the Canon EOS R and Canon EOS RP, respectively, have been released, boasting improved overall autofocus performance, enhanced Eye and Face Detection AF, and more.
Sony users have been waiting a long time for the successor to the Sony a7S II. But according to the most recent report from a source who actually used a prototype of the a7S III, the wait might actually be worth it.
It's a great Friday for the gear lovers out there. First, Fujifilm revealed the X-Pro3 with a very interesting hidden LCD concept; then, Ricoh announced the development of a new Pentax flagship APS-C DSLR; and finally, a new report has revealed all four lenses that Tamron will announce for Sony E-Mount in October.
A leaked page that is allegedly from a Nikon camera manual is "confirming" what previous rumors had already indicated: That Nikon is working on a 60MP full-frame mirrorless camera, and that this camera will be able to shoot 16-bit NEF raw files.
Last month, Tamron released a teaser for one new zoom and three primes that the company would be adding to its lineup of Sony full-frame E-Mount lenses. Thanks to a new report from Sony Alpha Rumors, we now know that the zoom lens will be a 70-180mm f/2.8.
Not to be left behind by the likes of Nikon, Canon and Sony, it seems Leica is planning to release a new full-frame mirrorless camera of its own.
One of Japan's largest newspapers has published a report that contains two very interesting tidbits for Canon mirrorless shooters. First, they claim that Canon will release a 1D X-level EOS R in 2021; and second, the report revealed that Canon is working on some sort of 'converter' that can turn a mirrorless camera into a DSLR.
Earlier today, Canon revealed their latest Cinema EOS camera: the full-frame EOS C500 Mark II. The camera may not be of much interest to photographers, but its 5.9K full-frame sensor with dual-pixel AF, user-swappable mounts, 5-axis electronic stabilization, and dual CFExpress slots might give us a glimpse at some of what's possible in future EOS R cameras.
According to the most recent reports out of Japan, Nikon is planning to announce the flagship Nikon D6 DSLR in less than a week! The official announcement of the D6—which is rumored to feature in-body image stabilization, better video, and more—is now expected on September 4th.
Portrait photographer Julia Trotti recently put together a useful comparison video for beginners where she captures portraits using a crop-sensor camera and her most-used prime lenses: a 24mm, 35mm, 50mm, 85mm and 135mm.
Samyang/Rokinon has announced a new ultra-compact, ultra-wide-angle prime for Sony full-frame mirrorless cameras. At just 145g light, 2-inches long, and $500, the new Samyang AF 18mm f/2.8 lens is "the most compact, lightweight, and affordable super-wide angle full frame lens for Sony E mount."
In addition to officially launching the video-centric full-frame Lumix S1H, Panasonic also revealed two new lenses today: The Lumix S PRO 24-70mm f/2.8 for the L-Mount, and a refreshed Leica DG Summilux 25mm f/1.4 II ASPH lens for Micro Four Thirds shooters.
After first announcing the Lumix S1H at the end of May, Panasonic is officially launching the L-Mount camera today, adding a third offering to its full-frame mirrorless lineup that includes the high-resolution S1R and the hybrid S1.
Nikon made two major announcements for video shooters today. First, they released a dedicated (and long overdue) 3D Look Up Table (LUT) for the flat N-Log profile, making it much easier to post-process video footage from the Z6 and Z7. And second, they quietly announced that the long-awaited RAW video update for the Z Series will not be a free firmware update.
Tamron is giving Sony full-frame mirrorless shooters a reason to get excited today. In a video published to the brand's Facebook page and YouTube channel, the company is teasing four new lenses for FE-mount: one zoom lens and three primes.
Budget brand Yongnuo has announced a new version of its 35mm f/1.4 lens for Canon DSLRs, adding an ultrasonic motor and USB port to the lens, but otherwise keeping the design largely unchanged.
Back in early July, Sigma announced the development of three new mirrorless lenses that were designed to be used with Sony and Panasonic full-frame mirrorless cameras from the start, unlike their previous E-mount Art Primes, which looked like they had an MC-11 grafted onto them.
Like it or not, much of the conversation around image quality these days revolves around sensor size. When Sony announced the a7R IV, it boasted image quality that “rivaled medium format.” When people defend Micro Four Thirds, they show off their ultra-portable system and claim the images are “indistinguishable from full-frame.”