wideangle

A man with a slight smile looks at a camera mounted on a tripod in the foreground, with a city's blurry lights in the background. the image includes a "petapixel reviews" label.

Hasselblad XCD 25mm f/2.5 V Review: Bright and Wide

Hasselblad has introduced a new 25mm prime lens to add to its already crowded wide-angle assortment. I've reviewed the 30mm f/3.5, and Hasselblad also has 28mm f/4 and 21mm f/4 lenses. However, this new wide prime splits the difference and has an even brighter f/2.5 aperture.

OM System Telephoto lens review

OM System 150-600mm f/5-6.3 IS Review: Can’t Argue With a 1200mm Equivalent

An OM System 150-600mm f/5-6.3 has been sitting in the office for months and I haven't touched it since I tested the OM-1 Mark II. Finally, the cold weather had given way and I had no excuse to ignore it anymore. A trip to the Calgary Zoo would let me test out not only the wildlife capabilities of this lens but also the excellent macro versatility that the lens offers.

Why Your Wide-Angle Lens Images Are So Boring

A common challenge for photographers using wide-angle lenses is creating depth in their images. The shots may seem flat and dull if they do not have a distinct point of interest and a clear visual path that draws the viewer’s eye into the scene.

Sony 16-35mm f/2.8 G Master II

Sony 16-35mm f/2.8 G Master II Review: Easy to Recommend

The classic professional photographer's kit has for decades consisted of the holy trinity of f/2.8 zoom lenses: a 16-35mm, 24-70mm, and 70-200mm. Armed with these, a photographer can cover almost any shooting situation. When Sony first started its full-frame mirrorless camera line, it quickly made these professional zoom lenses under the G Master moniker. Unfortunately, these lenses were not able to deliver the high-grade results that many of the other brands could.

Canon RF 28mm Review

Canon RF 28mm f/2.8 Review: A Golden Pancake or a Flop-Jack?

If there was ever a focal length that the manufacturers tend to put by the wayside, it's the trusty 28mm prime lens. You see, ultra-wide lenses are dynamic and 24mm lenses are admittedly more versatile. However, the 28mm range is probably my preferred focal length for walking the streets with only one prime lens.

Nikon Z Mount 17-28mm f/2.8

Nikon Z 17-28mm f/2.8 Nightscape and Astrophotography Review

Last September, Nikon released the Z mount 17-28mm f/2.8 lens. Immediately, two specifications piqued my interest when it came to how this lens would perform with astrophotography and nightscapes: it was a wide-angle lens and also fast at f/2.8.

Laowa 12-24mm f/5.6 C-Dreamer Review: Not Quite a Dream

Venus Optics has continued to expand on an already extensive list of ultra-wide-angle lenses with the addition of the Laowa 12-24mm f/5.6 C-Dreamer for full-frame mirrorless systems. Where many ultra-wide lenses can be big, bulky, and incredibly pricey, this new "slow" lens becomes even more impressive with its relatively small $649 price.

Nikon Z 14-24mm f/2.8 S Lens Review

Nikon Z 14-24mm f/2.8 S Lens Review: A Superior Successor

The updated mirrorless version of the legendary ultra-wide 14-24mm f/2.8 lens lives up to its F-mount predecessor and then some. It offers incredible performance, a sturdy and stylish build, impressive image quality, and it comes with its own screw-in filter attachment lens hood.