I recently captured the macro liquid splash photograph above, and found that it came out looking like it was computer generated. Here's a brief description of how the photo was created.
Faking the look of old films is becoming ubiquitous in the world of mobile photo sharing apps, but so far the popular apps have stuck with various films and not older photographic processes. If you want to create a photograph that mimics the look of a wet plate, it's actually pretty easy to do in Photoshop.
Back in March, a client for whom I’ve done some light consulting work asked me if it was possible to capture a 360-degree-image that can be rotated afterwards. I said of course, but didn’t think that much about the consequences -- it's a project that would wake me up at nights for the next few months.
Back in 2011 and 2012, Paris-based photographer Max Riché shot a creative series of portraits of athletes (including several Olympians) in the French National Sports Institute. Titled "Becoming an Athlete," the project featured a strobed-style look that shows the athletes progressing from ordinary people to world-class athletes, all within single frames.
Riché has just released the behind-the-scenes video above that shows how he created the photographs.
It has been a long time since I have asked for something photo related for my birthday. I usually don’t ask, just because I’m very particular about what equipment I use, and my friends and family know it. But this year, it was different. I thought about dabbling in some old school photography, so I asked for a Polaroid 600 camera. My fiancée stepped up to the plate and delivered, gifting me an awesome 1983 Polaroid Sun 600 LMS. I had some fun with my first pack of film, but then it was time to start pushing the envelope.
An idea hit me one day, and I knew I had to try something that I’ve never seen done before: shooting off camera flash with an older Polaroid 600 instant camera.
Slovenia-based professional photographer Borut Peterlin was recently tasked with shooting a portrait of painter/illustrator/author Milan Erič for influential Slovenian magazine Mladina. Peterlin decided that he wanted to create a wet plate collodion photo, but spent weeks worrying about whether he would be able to accomplish it given the tight schedule of the on-location shoot.
I was recently offered the opportunity to direct a filler piece by Filler Magazine that involved telling a beautiful love story through fashion and dance. I also shot a series of artistic still photographs in which I used shutter drag to add motion-blur to the images. Here's a behind-the-scenes look at the shoot.
When Space Shuttle Endeavour was making low level flyovers of famous landmarks across the United States a couple of months ago, Adobe Lightroom Quality Engineer Ben Warde was able to photograph it flying by the Golden Gate Bridge. The 10-minute video above shows how Warde post-processed one of his best shots from that day using basic Lightroom adjustments. While the information may be basic for many of you, it should be helpful for people who are just starting out with programs like Lightroom, Adobe Camera Raw, or Aperture.
Ever wonder where those gritty posters promoting hyped boxing matches come from? Check out this behind-the-scenes video in which New York-based photographer Monte Isom offers a brief glimpse into how he recently photographed boxers Manny Pacquiao and Juan Manuel Márquez for their upcoming fight (Pacquiao vs. Marquez IV).
The 2012 election season is now over, and photojournalists who have been scrambling for many months on the campaign trail can now take a breather and reflect on their experiences. Reuters sent us the video above in which Reuters White House photographer Jason Reed offers a short 2-minute-long behind-the-scenes look at what it was like to photograph Barack Obama as he hustled around the nation, "from riding in motorcades through the streets of Manhattan to flying in Air Force One."
Here's a nice little video in which photographer Matthew Jordan Smith tells the story of a portrait session he had years ago with American actor/dancer/singer Gregory Hines. After finding himself in a sticky situation with a subject that wouldn't offer the personality and emotion Smith wanted to capture, he reached deep into the knowledge of Hines that he had accumulated through his research; one particular fact saved the shoot.
Here's an interesting video in which renowned photojournalist Steve McCurry shares some thoughts on documentary portraiture. Titled Close Up: Photographers at Work, the video takes us behind-the-scenes with McCurry as he shoots some candid portraits on the street and then reviews some of his most prized shots captured over the course of his career. (There's a brief glimpse of the original film slides of his iconic Afghan Girl photo.)
Over the past couple of years, German photographer Markus Reugels has attracted quite a bit of attention for his high-speed photographs of water drop splashes. His project, titled "Liquid Splashes", consists of split-second photos that make colorful splashes look like tiny glass sculptures hovering in the air above a mirror. In the video above, Reugels introduces himself and his work, and takes us on a behind-the-scenes tour showing how he goes about creating his beautiful photographs.
Earlier this year we received a call from across the Atlantic Ocean. The editors at Wired UK magazine had an incredibly ambitious project ahead of them that they asked us to be a part of: one week, four photographers, over thirty photo-shoots, and a triple gate-fold cover featuring sixteen of the brightest and most inspiring minds in the world at the MIT Media Lab. How could we say no?
Photographer Gary Land was recently hired by Nissan to shoot a series of car advertisement photographs featuring the famous Heisman Trophy-winning football players Charles Woodson, Bo Jackson, Robert Griffin III, and Herschel Walker. Luckily for all of us, the team produced a series of behind-the-scenes videos offering short glimpses into how the photographs were created, the gear they used, and tricks they came up with to their turn ideas into reality.
In daguerreotype photography, the first commercially successful photographic process, a positive image is recorded directly onto a silvered copper plate. Although mercury is traditionally used to develop the plate, there's a way of creating daguerreotypes called the Becquerel method that eschews mercury in favor of non-lethal ingredients.
Last week, a seascape photo I made showed up on link-sharing powerhouse Reddit. It caused a bit of a stir since it is a copyrighted image and was rehosted and posted without my permission. A lot of the photographers in r/photography and r/pics (where it was originally posted by a user) made it known that it was I who had created the work. I’m very grateful for both the exposure that posting gave me, and even more grateful for the support I received from my fellow photographers and Redditors.
After the image was posted, I noticed a lot of people claiming that there was no chance this was taken in Ocean City, New Jersey. I also received a long slew of messages asking me how I made this image. I thought I’d both prove it was and explain my process here for anyone who is interested.
Earlier this year, we shared some amazing work by Swedish retoucher Sanna Dullaway, who takes historical B&W photographs and colorizes them. YouTube user IColoredItForYou is another master of restoring, retouching, and colorizing, but what's awesome about his work is that he creates behind-the-scenes videos showing how the edits are done. The above time-lapse video shows how he recently used Photoshop to colorize Margaret Bourke-White's famous 1937 photograph, titled "Bread Line during the Louisville flood, Kentucky".
Back in November of last year, we featured a project by photographer Max …
Think you're good with Photoshop? Graphic designer Alexander Koshelkov created this amazing time-lapse video showing how he created an epic plane crash image in Photoshop using elements found in other photographs (e.g. freeways, an airplane, destroyed engines and cars). The project took Koshelkov nearly 4.5 hours and required 244 separate layers.
Here’s another video featuring SF photo shop Photobooth and its tintype …
Since November 2011 I’d been thinking about an astrophotography project: take a photo of the moon each day from full moon to full moon, then combine it into a seamless movie that looks as if someone had moved the sun around the moon for one minute. I found similar videos, but most were simulations done in software, or photographic ones that weren’t very smooth. Seemed simple enough, mostly because I didn’t see the complications that would come along with this project caused by... physics.
My plan involved setting the same exposure each night starting with the full moon, and let the moon’s dark side gradually move across its face while the lit side stayed about the same brightness. Adjust the photos’ angles to match each other, throw all of them into Final Cut Pro X and add cross dissolve transitions between them, and I’d get a smooth movie showing every phase of the moon.
By and large, as a professional of whatever description, clients hire you based on experience and expertise, grace under pressure, problem-solving skills, and your finely-tuned ability to transcend the limitations of the assignment and distill the essence of an idea into its most purely realized form.
Okay so that’s what they tell you in college, but honestly it’s mostly just blather. Assignment photography is a hot-dog factory where the end results are images rather than sausages. If people saw what went into some of this stuff there’s no way they’d want anything to do with it. The sad reality is that there are all kinds of reasons you’re brought in on projects, some of them more edifying than others. Sometimes you’re exactly the right person for the job, other times you’re just a camera monkey. My favourite is the “wouldn’t-it-be-cool-if” call, where everyone gets all excited about an idea that turns out to be completely impractical. Well, this is the story of one of those ideas that actually managed to see the light of day.
Columbus, Ohio-based photographer Nick Fancher works as the lifestyle photographer of Men’s online …
Here’s a video in which photographer Ryan Schude walks through how he went …
Photoshop guru Scott Kelby has released a …
Ever wonder how photographs were made back in the days of the Civil War? This video by the George …
Not too long ago I finally got around to picking up a decent manual flash for exploring lighting and speedlight techniques. I picked up a Yongnuo YN-560 Speedlight Flash for Canon and Nikon, and my friend Sean was kind enough to send me his old radio triggers to play with. I was mostly all set to start exploring the world of off-camera lighting...
Kai of DigitalRev shares some tips — both serious and humorous — on …
Here’s a brief video in which Los Angeles-based photographer Mike Kelley shares his …