
DxO Launches PureRAW 2: Enhanced Workflow Options and Fuji Support
DxO has announced the 2.0 update to PureRAW. It features several significant additions like support for Fujifilm X-Trans files.
DxO has announced the 2.0 update to PureRAW. It features several significant additions like support for Fujifilm X-Trans files.
I just did a ISO comparison with the Nikon Z9 compared to the Nikon Z6 II and Nikon D850. I’ve been using my old D850 a lot for astrophotography and have been very pleased with its ISO performance.
You don’t see many new SLRs announced these days when it seems that most camera enthusiasts talk about mirrorless as the future of photography, but to the surprise of those online voices that proclaim the optical viewfinder dead, Ricoh Imaging has released just that in the Pentax K-3 Mark III.
The megapixel race has picked up steam lately with most new models exceeding 45-megapixels and rumors circulating of 100-megapixel sensors on the horizon. But what if low-resolution images from cameras like Sony's a7S III and Canon's R6 offered more detail along with added low light benefits? Now they can.
Photographer Brent Hall recently went out to shoot a comparison video that a lot of Canon shooters are eager to see: the brand new EOS R5 vs the EOS R6, for astrophotography, at high ISO. Does the lower resolution sensor of the R6 give it a low-light advantage?
Given all of the overheating controversy and the intense focus on the camera's 8K and 4K video capabilities, you'd be forgiven for forgetting that the Canon EOS R5 is also a stills camera. But Gordon Laing at Cameralabs didn't forget, and he's reviewed this camera specifically for stills photographers.
For several years I had believed that shooting a medium format camera at high ISO would yield terrible results. Most likely there would be no point in trying, I thought. However, a few days ago I nevertheless brought the Pentax 645Z and the Pentax 25mm f/4 out into the darkness where the zoombies reign — in my imagination anyway.
When Sony announced the 61MP a7R IV this week, both presenters were quick to say that the camera's full-frame sensor "rivaled medium format" thanks to its combination of resolution and dynamic range. But was that engineering truth, or marketing speak? Photographer Matt Granger decided to find out.
Photographer and filmmaker Max Yuryev just did a shootout to see how top mirrorless cameras compare in shooting 4K footage in low light with high ISO. In the 10-minute video above, Yuryev compares the Sony a7 III, Canon EOS R, and Nikon Z7 full-frame mirrorless cameras as well as the APS-C Fuji X-T3 and the 4/3 Blackmagic Pocket 4K.
When shooting a photo in low light, a low-ISO long-exposure photo requires a stable camera and blurs movement in the frame while a high-ISO short-exposure photo can be plagued with noise and poor quality. Now AI is bridging the cap, opening the door to low-ISO image quality while shooting at faster shutter speeds.
It seems that every new Sony camera announcement these days creates an insane amount of hype because the company keeps pushing the envelope in different directions. Photographer and filmmaker Max Yuryev just tested the newly-unveiled a7 III's low-light abilities against the Sony a7R III, Sony a6500, and Panasonic GH5, and he was "shocked" by how impressive it is.
Nikon has been promising huge things for shooting the new D850 at high ISOs. If you'd like to see how the camera performs at the limit of its native range (ISO 25600), we've got our hands on some first real-world sample photos.
The Nikon D850 has generated a considerable amount of excitement among photographers today after its announcement, and here's a new fact that will add even more fuel to the frenzy: Nikon says the D850 should have the same image quality at double the ISO as the D810.
After early camera tests of the new Canon 6D Mark II were published, photographers balked at the fact that the dynamic range of the camera performed so poorly against other modern cameras. Now yet another review is showing that if you often shoot at high ISOs, you may be better off sticking with the original 6D from 2012.
The Fujifilm GFX 50S's ISO invariance makes it so easy to shoot the Milky Way that it's not even funny. I was able to take an "impossible" shot, capturing the Milky Way in the middle of Sydney, during a light festival, without bracketing on the Milky Way. The sensor captured so much info on the highlights that this was possible.
When Google software engineer Florian Kainz showed his friends on the Gcam team a nightscape he captured using his fancy Canon 1DX, they threw down the gauntlet. Take that same photo, they challenged him, but with a smartphone camera instead. He accepted, and succeeded.
By now, you're familiar with Apple's "Shot on iPhone" ads: giant billboards and posters showing off high quality photos taken with Apple's latest smartphone. But for their latest version of the campaign, Apple upped the ante, showing off the iPhone 7's low light chops with a series of nighttime images.
Ultra high ISO with lots of noise... There’s a lot of buzz going around about the new Pentax KP with it’s maximum ISO of 819200. Every comment I read says ‘what’s the point’?
Well, here are two benefits: late night framing and focus.
Panasonic's powerful new GH5 was one of the (if not the) most exciting camera announcements of CES 2017. And now that it's officially announced, we're starting to see what it can do in the real world.
Sony's latest E-mount mirrorless cameras have wowed photographers with their low light and high ISO capabilities. Now it looks like its latest A-mount SLT, the new Sony a99 II, will do the same. Above is a 2-minute video showing its performance at ISOs up to 25600 in a room lit only by two candles.
Cameras are often pitted each other in the area of image quality, but long exposure sensor noise generally isn't something that you can easily compare online. So photographer Brendan Davey took it upon himself to create such a resource, and the Sensor Noise DB is what resulted.
Another wonderful example of how technology is helping photographers and videographers capture unexplored beauty on camera. This video might not be possible if it weren't for the Sony A7s and its impressive High ISO capabilities.
Berlin-based professional adventure photographer Benjamin Jaworskyj was recently flying to a workshop in Norway when he got a chance to test the low-light capabilities of his Sony a7S II: filming the dim Northern Lights in the skies outside.
The $6,500 Nikon D5 DSLR and $3,200 Sony a7R II mirrorless camera are two of the current leaders in low-light, high-ISO shooting, but how do they stack up against each other? This 1.5-minute comparison video will show you.
Here it is... our first look at how Nikon's new flagship D5 performs at high sensitivities up to its maximum ISO of 3,276,800.
One of the exciting features of the new flagship Nikon D5 is the fact that it can shoot with a native ISO of up to 102,400 and an expanded ISO of 3,280,000. If you're curious about what the D5's ISO 3.28 million looks like in photos, we've got some images that'll give you a small glimpse at the quality.
The Sony a7S II is known to have amazing performance in low light and at high ISO. To see just how powerful its low light capabilities are, a Greek photographer who goes by Boji decided to do a casual test that pits the camera against the human eye. You can see the comparison in the 48-second video above.
var Eviry=Eviry||{};Eviry.Player||(Eviry.Player={});Eviry.Player.embedkey="EK1qpvBBXasGtQnqLZbfgh_U9WeDwCRgtKePN7EqD9EWZ118eALNeWFzGGaMs61paz15tYgEu4Oz-ZEZWiDeAa02kbytdW5Bc3C"; Eviry.Player.width = "640";Eviry.Player.height = "360";
Back in July, Canon announced an ultra-high-sensitivity camera that has a ridiculously high max ISO of over 4,000,000. If you've been wondering what the camera can capture, check out the eye-opening sample video above that Canon just released.
We’ve seen Photoshop’s median stacking process used before to remove tourists from photographs. Now, photographer Andy Astbury takes the time to show us how the same technique can be used to reduce noise in high ISO images. The process involves snapping a couple of the same photos and is best suited for still lifes.
The highly-regarded Sony a7S is known to be a monster in low-light situations, a fact demonstrated by a number of short films have used moonlight as the only light source. Those projects are eye-opening, but another way to see just how good the camera's high ISO quality is is to compare it with other well-known cameras.
That's what photographer Tony Northrup does in the short 1-minute comparison above, pitting the a7S against the Nikon D810 and Sony a7 II at various ISOs.