SantaColor 100 ISO color film is new stock from Finnish film company Santa 1000 based on a brand of 35mm roll that is used in aerial surveillance photography. The film is being offered in a crowdfunding campaign.
Dubblefilm, a specialty 35mm film and analog camera manufacturer, has launched a new movie-inspired color film named CINEMA that is made from repurposed movie film.
Film company ORWO has announced a brand new film called WOLFEN NC500 which it says is the first new color film it has created in decades.
CineStill's 400Dynamic film that it launched as a crowdfunding campaign in late March has raised nearly $680,000. It has been so successful that the company is now making the stock available in 220 format as well.
CineStill has announced a new 400 speed color film for 35mm and 120 medium format called 400Dynamic. This 400 ISO daylight-balanced color film is starting in limited supply now with plans for larger-scale production down the line.
Kodak Moments has launched Kodak Gold 200 film in a new 120 format 5-roll pro-pack for medium format cameras, expanding the company's color film portfolio for those who want to make the jump from 35mm to medium format film photography.
Silberra, a Russian-based company known for its line of 13 black-and-white films, has unveiled three new styles of color film for 35mm and 120 formats at approximately $13 per roll.
Disposable cameras are all the rage, and the relatively new Snap It wants to make it easier to always have one on hand by mixing the retro-tech with the very modern subscription service business strategy.
Jumping back in on the resurging popularity of disposable film, Fujifilm has announced that it is reintroducing the QuickSnap Waterproof 800 35mm one-time-use camera (also known as the QuickSnap Waterproof).
Intrepid has announced a versatile darkroom enlarger that the company says is the most compact ever made. It is designed to make prints from both color and black and white film (from 35mm up to 6x9) without the need for filters. It can even be used to make scans of negatives using a digital camera.
It's time for a long overdue post. Looking back through my archives, I realized that I've covered topics like film selections and scanning film but to date I've skipped one really important part: metering and exposing color film.
Developing your own color negative film at home might not be as scary as you think. With a simple developing kit, a few accessories, and a short tutorial, the folks at the Film Photography Project will show you how to do it in just 10 minutes.
Vox has published a short 5-minute video that tells the story of how early film stocks in photography were designed with light skin as the ideal skin standard, and therefore sometimes had problems rendering darker skins -- especially in photos that showed both darker and lighter complexions.
Long before there was any way to capture colors on film, filmmakers were hand painting their short movies frame by frame to breathe life into black-and-white productions. The desire to capture color, it seems, far precedes our ability to do so.
In the Filmmaker IQ video above, John Hess takes you through a comprehensive history of color in filmmaking. From hand-tinting, to Technicolor, to digital color manipulation, take a look and see just how far we've come when it comes to capturing the reds, greens and blues of our world.
About a month ago, we shared some stunning footage that showed what London was like all the way back in 1926. The original filming was done by Claude Friese-Greene, whose father William invented the 'Biocolour' technique of capturing color film footage.
That particular video was a compilation of snippets that Friese-Greene had filmed in London when he returned form a 2-year journey. He called the final product The Open Road, and it was a 26-part series that took him all over Britain. Fortunately for us, much of it has now been digitized and uploaded bit-by-bit to YouTube by The BFI National Archive.
Color film first burst onto the scene in 1935 when Kodak introduced the world to Kodachrome, and the first of this film that was available to the public was the 16mm variety for home movies. Later, Kodak introduced similar 8mm and 35mm film for home movies and photography, respectively, but it was the 16mm film that had finally offered consumers the ability to easily capture their world in color for the very first time.
The above video is a rare clip released by the Romano Archives that shows what French tourist Jean Vivier was able to capture using the 16mm film all the way back in 1939, when he came to visit the Big Apple.
Want to see what London looked like back in the year 1926? Check out this beautiful color footage shot in various London locations by Claude Friese-Greene, an early British pioneer of film. Frisse-Greene created a series of travelogues nearly 90 years ago using a color process developed by his father William Friese-Greene.
One would hope that the medium of photography was immune to racial prejudice, but an exhibit by London-based artists Adam Broomberg and Oliver Chanarin shows that this was not always the case. The artists' exhibit, on display at Johannesburg's Goodman Gallery, explores the marks that racism left on early color photography.
Using film designed to capture white faces and a camera that became infamous for helping further apartheid in South Africa, Broomberg and Chanarin took photos of beautiful South African flora -- putting the once-racial implements to better use.
If you’re the proud owner of a Polaroid 600 camera (and have deep pockets), this news will be music …
Here's an interesting clip of a color film test done by Kodak in 1922, years before color movies started appearing. This is 13 years before the first full-length color film appeared, and 7 years before the first Oscar was awarded. You can read more about this clip on the Kodak blog.