ProGrade Digital just released the first CFexpress Type A cards that aren't made by Sony and while they aren't "cheap" by any stretch of the imagination, they are more affordable than Sony's offering. But does that discount come at a performance cost?
It’s a wonderful time to be considering a new camera. There are so many options for camera type, features, prices, and sensor sizes that the choices can seem overwhelming. For this conversation, we’re going to focus (pardon the pun) on the sensor sizes you might consider for your next camera.
The Technical Image Press Association (TIPA) has announced the winners of the TIPA World Awards 2021, which brings attention to what it considers to be the best cameras and lenses for photographers across a range of skill levels.
After my testing of the new Sony compact primes, I was able to spend some time with the competing set of primes from Sigma that were arguably the reason Sony created its lenses in the first place. Both sets are fun, compact, and extremely portable optics... but which should you buy?
Fotodiox has announced a nifty new "spin" on taking high-resolution, square-shaped, medium-format-style photos using one of many different interchangeable lens mirrorless cameras. The Rhinocam Vertex lets you easily capture four images in a precise way so that stitching them in post is a breeze.
Sony's non-surprising Alpha 1 announcement this week seems to have set a few Nikon shooters into panic again. More disinformation and clickbait headlines are also proliferating. The common theme seems to be "Nikon can't/won't keep up and will fail."
Large format photography still enjoys the status of a noble branch in image-making. Legendary names like Planar, Dagor, Heliar, Symmar, and Angulon -- to mention just a few milestones in lens’ history -- bear an almost supernatural aura of excellence.
I want to take you back to a simpler time. It’s September of 2016. Everybody is running around outside taking beautiful photos with their new cameras. The full-frame mirrorless camera showdown has yet to turn into a hot war. It has officially become cool to shoot with Sony.
Fujifilm's GFX series of cameras has already redefined what digital medium format cameras can be with their relatively small price tags and form factors, but the company is just getting started -- it wants to help GFX break into the mainstream by making digital medium format even cheaper, smaller, and lighter.
Two weeks ago I unboxed the Sony a7R Mark IV mirrorless camera, the high resolution beast, and brought it with me for a field review in the mountains around Santa Clara in Northern California.
A lot has been said about the quality of the images coming out of the 61MP Sony a7R IV, but most of the first impressions we've seen are based on JPEGs. Now, thanks to Jared Polin of Fro Knows Photo, you can get take a close look at full-res RAW files captured with Sony's new camera and see how they hold up.
Over the past five years, Sony has done more to push digital imaging forward than just about anybody else. But their incredible pace of innovation is straining an industry that just can't keep up, and the cracks are starting to show.
I, like many of you, watched the Sony a7R IV announcement live stream on Tuesday. I saw them put up the video of the camera and its specs, which I thought looked good as an evolution of their R platform. However, when the lights came back on in the room, the kind man that is the VP of their alpha division debuted the camera to the world with the line: “medium format level image quality”
There's a new camera that needs to be in the conversation now when discussing the best full-frame sensors on the market. DxOMark has published its review of the new Panasonic Lumix S1R, and the camera tied the Nikon D850 and Sony a7R III for the top score among all 35mm cameras.
It seems the race to launch a 100-megapixel full-frame sensor is on. Sony has reportedly developed a new 35mm full-frame CMOS sensor that shoots 100-megapixel photos and 6K videos, and it's designed for consumer cameras.
Hasselblad. The company that went to the moon. A company known for producing some of the most iconic cameras in history. Since 1948, when Hasselblad produced its first consumer camera, it has built a strong reputation within the industry. As with many companies, it has had a few bumps in the road, but for the most part, it remains a highly respected organization.
I recently discussed how Fujifilm's decision to go into the medium format industry might have been a mistake. But considering some of the recent announcements, have my points been completely negated?
Fujifilm is serious about medium format mirrorless. In addition to its rumored September 25th announcement of the affordable GFX 50R, the company is also reportedly planning to reveal the upcoming GFX 100S, a 100-megapixel medium format mirrorless camera.
When it comes to architecture and interior photography, it's generally best practice to shoot using a tripod. There are several obvious reasons why, mostly due to being able to shoot effectively with slower shutter speeds and to compose your images more precisely.
The Nikon D850 contains one of the most highly regarded sensors on the market today, and Nikon has touted the fact that it was designed entirely by Nikon and not simply an off-the-shelf sensor. But in case you were wondering who its manufactured by, a new report has now concluded that it's a Sony-made sensor.
Phase One has announced the iXM 100MP, a 100-megapixel medium format camera for drones that's the first camera to feature Sony's 100MP backside-illuminated (BSI) 44x33mm sensor. It's "a breakthrough aerial camera platform driven by the world’s fastest medium-format imaging sensor," Phase One says.
I recently had the opportunity to test the Sony a7 III thanks to the generosity of Glenn Wenfield from Sony North America. Since this is a camera that has already generated quite a buzz, I want to start by discussing how I am approaching this review.
There are many reasons why people may like one brand of camera equipment versus another. And if you ask a room full of photographers which camera manufacturer they like the best, and why, you will often get a wide range of responses and opinions.
DxOMark just awarded the new Sony a7R III a score of 100, the highest mark ever given to a non-medium format mirrorless camera. The score ties the Nikon D850 DSLR for 1st place among all cameras with a 35mm-sized sensor or smaller.
Episode 185 of the PetaPixel Photography Podcast.
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Featured: Author and photographer, David Duchemin
The last 24 hours were packed full of gear announcements, and we're even done. In addition to their new Instax camera and SQUARE film, Fujifilm also revealed two new lenses for the mirrorless medium format GFX 50s, updated their GFX roadmap, and teased a firmware update for the MF shooter.
A brand-new Hasselblad H6D-100c will cost you approximately $33,000 before you even buy a lens for the system, which begs the question: is it worth the money? That's what Sonder Creative lead photographer Usman Dawood tries to figure out in this video review of the Hasselblad H6D.
Wow.
I typically have more to say in my first paragraph, but this camera blew me away and “wow” is one of the best ways to portray my first reactions.
I've been shooting Canon for the last 15 years and have finally made the decision to move on. The reasons are not really the focus of this article but rather my process for getting into a new system and making that process a creative one.
Fujifilm caused a great deal of excitement this week by announcing its first medium format mirrorless camera, the 51MP GFX 50S. But "medium format" is a a relative term rather than a specific sensor size, so how does the new 50S's sensor stack up against other digital cameras on the market?