Tutorials

Photographer Nigel Danson recently asked his 50,000+ followers on Instagram -- most of which are outdoor and landscape photographers -- what they think the hardest part of photography is. After getting back 1,827 responses, Danson made this 20-minute video to share the responses.

There are a lot of great location scouting tools out there. But while PhotoPills and The Photographer's Ephemeris do an amazing job and are packed full of useful features, photographer Tony Northrup explains why he prefers to use something else that's completely free: Google Earth.

My name is Paul Schmit, and today I want to describe to you the journey that led to the time-blended astrolandscape you see above.

There are all sorts of tools out there for making cinemagraphs and "plotagraphs" by animating certain parts of your still photos, but you don't need any of them. This short tutorial shows you how to create these animations using Adobe Photoshop.

It's more and more difficult these days to photograph places without crowds or cars. One of the strategies that can help achieve that is to wake up early and be there at sunrise, but in very popular places, there will be other photographers with the same idea as you. So, how can we take a picture of a scene without this crowd?

YouTube channel KINETEK has released an extremely informative video by Director and Cinematographer Matthew Rosen, in which Rosen explains how to achieve and utilize color balance, and why it's important to avoid balancing everything.

The aurora season is here again and I figured I’d do a short post here regarding when and where to photograph it. When I’m browsing pictures online, sometimes seeing aurora pictures and checking the comment section, I see a lot of questions and responses from people that all have something to say about the northern lights (aka aurora). As someone who has seen and photographed the aurora many times, here is my little guide.

‘Flash duration’ isn’t a very glamorous topic, but it’s certainly something that every single photographer that uses flash should be aware of.

Color is so important in landscape photography. The correct harmony of colors can make a huge difference to an image and help to create your own style. In this 20-minute video, I talk about how I create a painterly look in my photos and how I edit in Lightroom.

Refraction photography is an exciting subject that has been enjoying increasing popularity amongst photographers. You've probably seen refraction photos before: where an out-of-focus background appears sharply defined inside a crystal ball or a dew drop for example. In today’s post, we will examine this phenomenon and learn how to take beautiful photos by taking advantage of this effect.

Are you looking for an affordable but also electronic macro lens? Or maybe you have an old kit lens that's just sitting around, collecting dust since your last upgrade? Well then read on, because in this article I am going to share one cool hack that will allow you to transform almost any kit or standard zoom lens into a capable macro lens!

Want to get started in macro photography but don't have much to spend? There are ways to jump into the niche using mostly the gear you already have (assuming you don't have a dedicated macro lens). Here's an 8-minute video by NatureTTL that'll point you in the right direction.

Let's say I would like to enhance the stars in this Milky Way landscape photo. I could load the image into Camera Raw and add some Clarity at the risk of adding noise and artifacts to the night sky. Another way of doing it could be to use “Select Color Range” combined with a curves or levels adjustment. However, I often find that these methods don't yield satisfactory results.

Just starting out in photography and want to learn the basics of shooting in full manual mode? Photographer Josh Collins made this helpful basic 11.5-minute tutorial that discusses the three corners of the Exposure Triangle -- aperture, shutter speed, and ISO.

Part of the joy of landscape photography for me is standing around and waiting for the light to change. You put your camera on its tripod, compose a shot and wait, taking photos every few minutes, whenever the sky or light or whatever looks interesting.

For those of us born in the 1970s and 80s, this new phenomenon of mottled, cloudy backdrops appearing in modern portraits is an odd one. You see, back when we were kids, we had horrendously cheesy family and school portraits taken in front of these bizarrely arranged patterns, so to us, it’s pretty weird to see these painted, cloudy backdrops now grace the covers of Vogue and Tatler.

I have often wanted to carry out global adjustments in Lightroom which target specific luminosity values in an image. Lately, I have discovered a way of achieving this. It is not as precise as, for instance, luminosity masking or blend-if masking in Photoshop, but yet it has the power to give an image that extra punch many of us are looking for in our editing.

The black and white aesthetic can sometimes be a contentious issue among photographers. The decision to shoot monochromatic images is, for some, an afterthought in a way that other choices like filters, focal lengths, and exposure settings would not be.

In this short tutorial, Unmesh Dinda of PiXimperfect lays out his "Sharpening Separation" technique: a more advanced sharpening technique that allows you to sharpen your images as much as you like without creating those dreaded halos.

Perhaps one of the more difficult aspects of landscape photography is determining how to properly expose your scene under less-than-ideal lighting conditions. These types of situations are a common occurrence with outdoor photography as it’s often a struggle trying to properly expose an image consisting of a bright sky and a dark foreground in a single image.

Each year, someone new comes along to try and demystify bit depth for the masses. In 2017 it was Tutvid, in 2018 Greg Benz did a great job in this article, and now StyleMyPic has created a comprehensive and easy-to-follow video that explains exactly what bit depth is, how it works, and debunks a common myth.

Last week I made the long trip from the UK to Chile in the hopes of capturing my first total solar eclipse. I had experienced a cloudy total solar eclipse from the UK in 1999 but back then I was just 9 years old and certainly no photographer. Now that I’m apparently a professional landscape astrophotographer, a total solar eclipse was a gaping hole in my portfolio.

Shooting in a studio has its advantages. But although being warm, dry and convenient are greatly appreciated, shooting between the same four walls can get a little boring if you’re constantly using them as backgrounds for your shots.

In all honesty, I only use single-key shortcuts as opposed to multi-key for the simple reason that I can’t remember much beyond a single keystroke. I thought about printing every shortcut and hanging it on my office wall for reference, but that would defeat the purpose of using shortcuts in the first place as I’d have to spend additional time scanning the printout to locate what I’m looking for.

While looking at my own images on Shutterstock, I noticed the Shutterstock algorithm was suggesting my photos as “similar” images. I thought it was a bug on the Shutterstock website until I noticed that others had downloaded my photos from other sites then uploaded them to Shutterstock. Shutterstock’s similar photos algorithm then noticed this and suggested the stolen photos along with my photos.

In his most recent video, portrait photographer Miguel Quiles decided to tackle what we'll call the "Ricky Bobby" problem: what do you do with your [model's] hands? After years of trial and error, Quiles has come up with 10 "hacks" or tips that have helped him conquer this issue.

Have you ever been disappointed to find the eyeballs of your subject to be not as sharp as you had expected even though your camera confirmed that autofocus had locked onto them? Photographer Steve Perry of Backcountry Gallery made this 9.5-minute video explaining how he avoids this "false positive autofocus trap" when focusing in tricky situations or on tricky subjects.

Back button focusing involves decoupling a camera's autofocus from the shutter button and moving it to a button under the right thumb on the back. Here's a helpful 4.5-minute video by Canon Australia showing how you can get started with this next-level focusing technique on your Canon DSLR or mirrorless camera.

First things first. For me, street photography is more than just taking candid photos. Street photography can also be asking strangers permission to photograph them or photographing empty streets. Whatever it is, the common nominator is that you go on the street and take photos of the “street life.” That’s how I see it.

Are you thinking about becoming an event photographer? This article will begin by giving you some insight into what the job entails and the beginning steps for getting started. By its end, you should have a fundamental roadmap for getting started.

My name is Jay P. Morgan from The Slanted Lens, and in this 6.5-minute video and article, I'll illustrate the balance of strobes with ambient light. Whether it’s inside or outside, you’re going to have to learn the formula to balance strobes with ambient light. It’s not that hard, so let’s go back to 1930 and learn the formula!

Photographer Steve Kazemir made this 4-minute video showing how he shoots beautiful photos of paint splashes frozen in time using an old speaker in his garage.

We keep hearing the same story every year: newlyweds that are left desolated because the photographer lost their wedding images. From dual memory card slots to the ever decreasing price of computer storage, human negligence has become the weakest link in the workflow.

Whether it’s a wedding, a festival, or a protest, crowds present photographers with some unique challenges. I’ve spent some time working on figuring out the best ways to handle crowded environments in order to produce images that are consistent with my style, while conveying the energy of the crowd in that moment.

Something about the way photographers acclimatize to shooting with film has intrigued me for some time. I think it’s safe to say that film is very much tried and tested -- some of the greatest photography pioneers worked with film and were not limited in their ability to create incredible work, which remains relevant.

As a portrait photographer, it can often be difficult to keep thing interesting in the studio. Adding a unique element to your images can help them stand out while also allowing you to have little fun. The unique element that I added for my most recent shoot was just a simple piece of plexiglass. Here are three ways you can use a sheet of plexiglass and some simple household supplies to unleash your inner creative.

Like tiny crystal balls, water droplets can add a magical element to macro photographs. There are a number of moving parts to consider, but the basic concept is simple: a spherical droplet can act like a lens, refracting light from whatever is behind it.

In the past few years, long exposure photography has become increasingly popular. Images in which the water seems to turn ethereal, the clouds turn into long, wispy streaks, or the lights from cars turn into long lines have an otherworldly quality that can be incredibly appealing. Since I've had a few people ask me how I go about shooting my long exposure images, I decided to write a guide.

If you're zoomed into a photo in Photoshop, popular ways to move around include holding the spacebar (and then clicking and dragging) or clicking inside the Navigator panel. But there's a lesser-known trick that's just as handy, and the Photoshop Training Channel explains how it works in this 2-minute video.

I recently collaborated with Chris from filmismorefun and made a video about how to clean the beam splitter in your rangefinder camera as well as how to improve the rangefinder patch too. This is an advanced tutorial with great results.

"Do you have any advice on how to take good photos?" Because I don't make a secret of my interest in photography, it's not uncommon for people around me to assume that I'm the right person to answer this seemingly innocuous question.

Shooting professional-quality portraits with artificial lighting doesn't have to weigh heavily on your bank account. Here's a 22-minute video in which photographer Sean Tucker shares how to shoot great portraits using a single speedlight and a cheap modifier.