Photography as an art isn't easy, but running a successful photography business is even more challenging. Despite this, Noyel Gallimore managed to build a business focused around the oft-forgotten art of large format and tintype photography.
A collection of early American photography from Larry J. West has been acquired by the Smithsonian American Art Museum, transforming the museum’s holdings. West’s collection includes 286 pieces from the 1840s, when daguerreotypes started to show up in the US, to about 1925.
This personal project was born of a lifelong pursuit of charting new paths upon the broad field of the artistic landscape, combined with an unexplained passion for vintage ground glass focusing loupes.
Photographer Markus Hofstaetter has been looking for what he calls his "dream lens" for some time, visiting flea markets and using his contacts to try and locate the Dallmeyer 3B Petzval lens, circa 1876. Thanks to one of his friends, he finally found one in shockingly-good condition.
Photographer Roberto Serrini received an antique camera as a gift from his father: a Rochester Premo B. Curious to see what it was like shooting with this camera as if it was 1893, Serrini decided to give see what that process was like.
Every Sunday, we bring together a collection of easy reading articles from analytical to how-to to photo-features in no particular order that did not make our regular daily coverage. Enjoy!
Italian photographer Ursula Ferrara's Lomography Lomo'Instant Wide camera is a bit different than others you'll find. Instead of shooting Instax Wide instant photos, it's used for capturing tiny wet plate collodion photos.
Wet plate photographer Markus Hofstätter wanted to use his art to encourage people to #stayathome during the coronavirus pandemic, so he took a series of self-portraits that are meant to drive home a simple message: don't be like Bob.
Photographer Markus Hofstätter has made a name for himself by pushing wet plate photography to new heights, trying things others have never even thought to do. Today brings yet another example of his creativity, as he sets out to create an animation using, not digital files, but wet plate collodion tintypes.
Now these are some cast portraits we can really get behind. On-set photographer Wilson Webb recently got the chance to photograph the entire cast of Best Picture nominee Little Women, but instead of shooting glitzy studio portraits, he decided to stay historically accurate and capture wet plate collodion portraits instead.
During this year's STORY conference in Nashville, TN, photographer Blake Wylie did something really cool. He turned a massive symphony hall into what might be the world's largest darkroom so that he could capture and develop a tintype portrait on-stage, in front of an audience of 1,400 people.
While I was visiting San Francisco, Kristy Headley, a dear friend and fellow engineer, showed me her studio. There I was lucky enough to sit for her while she did some vintage tintyping. Tintyping was one of the earliest forms of photography, popular in the 1850s.
Before Instagram became a worldwide phenomenon, Hipstamatic was the cool kid on the block that popularized retro photo filters. And while Hipstamatic hasn't achieved nearly the level of popularity as the now-Facebook-owned app, it's still innovating: it has just launched a powerful new camera app called TinType that shoots realistic-looking tintype-style portraits.
Normally I use videos to document my work. This time the video is the main outcome of my work -- I shot an ultra-macro video that shows how the crystals/salts change during the wet plate collodion process.
Big Red is a new 4-minute feature about Steven Glynn, a "a quirky photographer with an old-school style." Glynn shoots tintype photos.
Rob Gibson is a tintype photographer who works in what he calls "the world's fastest darkroom." After photographing vintage motorcycle and car events, he develops his tintypes in a 1938 Harley-Davidson sidecar that he zooms around with.
Once a year for the past 12 years, people descend upon Governor's Island in New York City to experience the sights and sounds of the 1920s through the Jazz Age Lawn Party. And for the past 4 years, the Penumbra Tintype Studio has been on hand shooting tintype portraits of the attendees.
I've been shooting tintypes for almost six years now and love to push the boundaries of what is possible with this slow and difficult photographic process. Taking a tintype from the air was an idea that, years ago, I had shelved as the technology wasn't there yet. Drones were pretty scarce and the ones I had seen were extremely limited in payload and stability. But this spring I decided to revisit the idea.
Given that most photos are captured digitally and shared online, it’s easy to forget the beauty of a print.
Those who have known me long enough are aware of my passion for Rolleiflex cameras. Back before I got deeper and deeper into alternative photography I used to shoot my TLRs all the time.