tintype

Photographer Markus Hofstaetter is back with another unique photography project: he created a high dynamic range (HDR) tintype using a super-fast 120mm f/1.0 lens.

Tintype Photographic Studio, Silver and Cedar, has exploded in popularity over the last three years, largely thanks to an enthralled TikTok audience.

Photography as an art isn't easy, but running a successful photography business is even more challenging. Despite this, Noyel Gallimore managed to build a business focused around the oft-forgotten art of large format and tintype photography.

This personal project was born of a lifelong pursuit of charting new paths upon the broad field of the artistic landscape, combined with an unexplained passion for vintage ground glass focusing loupes.

Photographer Markus Hofstaetter has been looking for what he calls his "dream lens" for some time, visiting flea markets and using his contacts to try and locate the Dallmeyer 3B Petzval lens, circa 1876. Thanks to one of his friends, he finally found one in shockingly-good condition.

Photographer Roberto Serrini received an antique camera as a gift from his father: a Rochester Premo B. Curious to see what it was like shooting with this camera as if it was 1893, Serrini decided to give see what that process was like.

Every Sunday, we bring together a collection of easy reading articles from analytical to how-to to photo-features in no particular order that did not make our regular daily coverage. Enjoy!

Italian photographer Ursula Ferrara's Lomography Lomo'Instant Wide camera is a bit different than others you'll find. Instead of shooting Instax Wide instant photos, it's used for capturing tiny wet plate collodion photos.

Wet plate photographer Markus Hofstätter wanted to use his art to encourage people to #stayathome during the coronavirus pandemic, so he took a series of self-portraits that are meant to drive home a simple message: don't be like Bob.

Photographer Markus Hofstätter has made a name for himself by pushing wet plate photography to new heights, trying things others have never even thought to do. Today brings yet another example of his creativity, as he sets out to create an animation using, not digital files, but wet plate collodion tintypes.

Before Instagram became a worldwide phenomenon, Hipstamatic was the cool kid on the block that popularized retro photo filters. And while Hipstamatic hasn't achieved nearly the level of popularity as the now-Facebook-owned app, it's still innovating: it has just launched a powerful new camera app called TinType that shoots realistic-looking tintype-style portraits.

Normally I use videos to document my work. This time the video is the main outcome of my work -- I shot an ultra-macro video that shows how the crystals/salts change during the wet plate collodion process.

Big Red is a new 4-minute feature about Steven Glynn, a "a quirky photographer with an old-school style." Glynn shoots tintype photos.

Once a year for the past 12 years, people descend upon Governor's Island in New York City to experience the sights and sounds of the 1920s through the Jazz Age Lawn Party. And for the past 4 years, the Penumbra Tintype Studio has been on hand shooting tintype portraits of the attendees.

Given that most photos are captured digitally and shared online, it’s easy to forget the beauty of a print.

Those who have known me long enough are aware of my passion for Rolleiflex cameras. Back before I got deeper and deeper into alternative photography I used to shoot my TLRs all the time.

A while back we shared the world's smallest tintypes, created with a tiny modified camera. Now here's a look at the opposite end of the spectrum: the world's largest tintypes, shot using a colossal room-sized cameras.

Photographer Patrick Demmons shoots tintype portraits for about $60 a pop through his Revival Tintype studio in Oakland, California. In the 2.5-minute profile above by WIRED, Demmons offers a short and sweet look at what tintype photography is and how it's done.

Tested recently put on a show at the Castro Theater in San Francisco. One of the presentations was by local photographer Michael Shindler, who specializes in wet plate collodion photography.

In the 12-minute video above, Shindler transforms the theater into a studio and darkroom, introducing the live audience to this 19th-century photography process by creating a large-format tintype portrait of Adam Savage (the co-host of Mythbusters).

How small can you go when it comes to wet plate collodion photography? Photographer Anton Orlov of The Photo Palace recently experimented with this question by shooting thumbnail-sized 8x11mm tintypes using an old Minox subminiature camera -- a model A III from the 1950s.

Back in 2010, a man named Randy Guijarro in Fresno, California, found and purchased an old tintype photo for $2 at a junk shop. It turns out that photo is worth up to $5 million because it's only the second authenticated picture that shows the famous outlaw Billy the Kid.

The other night I came across the work of photographer Victoria Will, who made real tintype portraits of some actors who attended this year’s Sundance Film Festival.

The portraits themselves were excellent but what really drew me in was the effect of the tintype medium and the old lens and camera that was used to make the images; very narrow depth of field, low tonal range, and non-uniform exposure across the frame. I decided I wanted to see if I could replicate the look of tintype using my Sony A7R and some Photoshop massaging.

Here's a creative (and super meta) idea for a photo project: photographer Sean Hawkey traveled to a silver mine in Peru and shot tintype portraits of the miners there using the silver they mined as his emulsion.