Apple’s Mac mini has always been positioned as the company’s affordable desktop machine, an alternative to the low-end iMac for those that don’t need or want the iMac’s display. It’s a machine that has sometimes seemed to languish while other Mac models got performance upgrades. That has changed.
The Google Pixel 7 Pro introduces a lot of new software tactics to get better images, particularly at various zoom levels. I did some detailed testing and noticed something curious with the zoom processing.
Shortly after taking delivery of the new Nikon Z MC 105mm f/2.8 VR S lens, I made a series of photographs to test its diffraction and bokeh characteristics using the 45MP Nikon Z 7II camera in a real-world situation.
People always have a love/hate relationship with Godox. For many, they are a cheap entry point to off-camera flash, offering massive bang for the buck. Others see them as cheap imitations of more expensive brands.
Instagram is reportedly running a new test that tells users about an app they might want to try: Facebook.
The newest, best cameras coming on the market use a new kind of memory card called CFexpress Type B. They’re fast, but they’re new, so users don’t really have an impression of which ones might be better to buy. This review shows tests from the better of the ones available and presents the results so that readers can use the factors most important to them to choose the best card for themselves.
Rechargeable AA batteries are essential for many photographers, but which brand delivers the best bang for your buck? Project Farm decided to find out by putting 10 different brands to the test through a year of use. The tests and results are in the 10-minute video above.
For a long time, there weren’t many options for high magnification macro photography without resorting to solutions like lens coupling and reversals. The only lens on most photographer’s radar was the Canon MP-E 65mm f/2.8 1x-5x Macro. There were also other options, however, so let’s take a look at how the MP-E 65 compares to more modern and vintage lenses to put to 5:1 magnification and beyond – using a butterfly wing.
In my never-ending search for that “special” photographic look that sets me apart from the competition, I recently discovered that overexposing film increases the grain and adds a vintage pictorial look to my images. So I wanted to explore that look further. To that end, I wanted to find out if this film grain can be copied in the digital world using Adobe Lightroom.
A major change -- and learning curve -- for me this year has been my switch from Nikon to Sony. I’ve already documented the story of my switch to Sony, but what I have since discovered is the huge possibilities -- or as some of us might call it the “confusion of options” -- that comes with owning a Sony Alpha camera.
DxOMark is known for its lab tests of camera quality that are widely used by brands in marketing. To standardize its selfie camera tests to ensure repeatability, DxOMark has created a custom realistic mannequin to serve as a selfie subject.
As drones continue to explode in popularity, there have been more and more stories of operators flying way too close to airplanes. Now new research is revealing just how much damage a direct drone strike would do to an airplane's wing.
The new Nikon Z7 mirrorless camera and the Nikon D850 DSLR both have 45.7MP backside-illuminated full-frame sensors, so one might reasonably assume that the two cameras have virtually identical image quality. But it turns out the Z7 actually falls short in the area of dynamic range due to banding.
Want to see how much Sony has improved the autofocus abilities in its cameras? Photographer Dave Dugdale made this 6.5-minute video comparing the AF on his Sony a7S from 2014 and his new Sony a7R III.
After getting his hands on the new Sigma 14mm f/1.8 Art lens recently, photographer Alyn Wallace decided to take it out into the Elan Valley Dark Sky Park in Wales to put it through its paces. His first test: shooting the Milky Way handheld.
The first dynamic range tests of the new Canon 6D Mark II DSLR are trickling onto the Web, and one thing seems to be clear: the results are very disappointing for Canon fans. In fact, Canon appears to have taken a step backwards.
Photons to Photos has updated its Photographic Dynamic Range versus ISO Setting test database with results from the new Sony a9, and it found that the a9 holds its own against the flagship Nikon D5 and Canon 1D X Mark II DSLRs.
Since the introduction of the Fujifilm X-Series line of cameras, reviewers and consumers have struggled to compare them directly to the competition. Fujifilm’s is a tightly integrated system, wherein everything is a little bit different.
Sony's latest E-mount mirrorless cameras have wowed photographers with their low light and high ISO capabilities. Now it looks like its latest A-mount SLT, the new Sony a99 II, will do the same. Above is a 2-minute video showing its performance at ISOs up to 25600 in a room lit only by two candles.
I was one of those who noted Sony had some troubles, as manufacturers often do, with some of their first generation lenses for full-frame FE mount cameras. When they announced the G Master lens series I was really excited to test them.
I’ve been a user of VSCO Film for Lightroom for several years now. I’ve been happy with the results, but I wanted to see how close VSCO's settings are to actual film, so I decided to do my own tests.
This whole experiment was a learning experience for me, especially regarding the digitization of a film negative. For this casual experiment I shot some Portra 400 film on my medium format Fuji GA645, snapped a few similar frames on my Nikon Df, and did a side by side with the VSCO Portra 400 setting from Pack 01 straight out of Lightroom.
Last week, we shared a video showing how the Sony a7R II has greatly improved autofocusing with Canon EF lenses using a Metabones adapter. Photographer Yannick Ciancanelli did some similar tests using a Fotodiox adapter and a wide range of Canon lenses, including the massive $11,499 Canon 600mm f/4.
Ciancanelli's findings weren't as positive as what other photographers are reporting.
What memory cards perform the best with the Canon 5DS's 50.6 megapixel photos? To find out, Camera Memory Speed recently tested 75 different CF and SD cards with the camera to see which ones would come out on top.
Like everybody else, we at LensRentals were pretty excited to get our hands on Canon's new 5DS and 5DS R. There are already a lot of hands-on articles about the cameras that probably have told you more than you need to know to make your purchase decision. Of course, for most of the Canon shooters who read this blog, the purchase decision was just which place you want to buy it from.
Here's a look at the optical quality of the Yongnuo 35mm f/2 for Canon EF. There’s only so much that can be tested at home without fancy gear (MTF charts and the like) so I did a few tests that gauge common aesthetic qualities, using techniques that are often recommended for testing at home.
This 'Just the Lenses' article will take advantage of a Trioptics Imagemaster optical bench to compare lenses from different camera mounts with no camera involved. Why is that different? Because all other forms of testing (DxO, Imatest, or even photography) tests the camera-lens combination.
Editor's note: This our third hands-on test of the super affordable Yongnuo 50mm f/1.8 clone lens. We previously shared casual and optical tests.
I was finally able to get the stars to align and get an outdoor session set up to test the new Yongnuo 50mm f/1.8. I booked an amazing model, Halie Jaye from Envy Model Management, and an equally fantastic makeup artist Carly Ryan. We decided to brave the frozen tundra of Mount Charleston outside of Las Vegas.
I recently did a simple review that compared Yongnuo's new $40 clone of the Canon 50mm f/1.8 II. Today I will dive a little deeper into how the two lenses stack up optically.
There’s only so much that can be tested in home without fancy gear (MTF charts and the like) so I did a few tests that gauge common aesthetic qualities, using techniques that are often recommended for testing at home.
I will be the first to admit that I am not a street photographer, not a wedding photographer, and don’t generally shoot in low light, but I wanted to get a review out since I just received my two copies of Yongnuo's $40 clone of the Canon 50mm f/1.8 II.
I have a passion for automotive photography at night, but for the most part I'm forced to shoot static images. Long exposures require a stable support for your camera and that's only achievable when everything's locked down -- including the car. Sure, light painting, traffic trails and even the occasional star trail all help to introduce dynamism to static automotive images but sometimes there's no substitute for shooting the car whilst its moving.