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Photographer Joe Rosenthal Shares the Story Behind ‘Raising the Flag on Iwo Jima’

70 years ago today, photographer Joe Rosenthal captured a photograph of six US soldiers raising a flag on Mount Suribachi during the Battle of Iwo Jima in World War II. That photo (shown above), became an instant iconic image -- these days we would say it "went viral" -- and was published in thousands of publications around the world.

It went on to became the only photo to win a Pulitzer Prize in the same year it was published, and the image is now one of the most republished and recognizable photos of all time.

Surviving the Avalanche

2014 has been a year of some dramatic disasters around the world - Ebola, Gaza and aviation to mention a few - and by no means do I place what happened to me among them. Saying that however, when something happens to you in first person - you will always be more effected by it.

How a Chance Encounter Helped Launch My Concert Photography Career

I was a month and a half into the photography program at the Art Institute of Colorado in Denver when I decided to skip school for a day for a concert. I had a ticket to see Mumford & Sons playing in Laramie, Wyoming, before they hit Red Rocks in Colorado.

At the time, I was already contemplating dropping out of school, due to feeling that I would never be good enough to make it in the photography world, and would just be wasting time and money.

Help: I Am Being Sued for Nearly $500,000 by a Model I Photographed

Hello fellow photographers. My name is Joshua Resnick. I am a stock photographer, but what I am going to tell you potentially affects all photographers. I wanted to bring to your attention a lawsuit I am involved in that I think could put the whole industry at risk if things don’t go well.

I am being sued in federal court for hundreds of thousands of dollars by a model I worked with in January 2013. This is a model that I paid, and who signed a release allowing me to sell her images through stock photo agencies. Why I am I being sued? It revolves around images that got misused or were just outright stolen and the model is blaming me for it.

Fear and Loathing in Bushnell, Nebraska

Pine (Bluffs), Wyoming lay at the extreme south-eastern corner of the state, a stone’s throw from Nebraska along the …

The Storyteller’s Kit: The Gear You Need to Tell Stories with Your Photography

Gear does not make the photographer, allow me to state that for the record before we dive in here. A talented artist can make an image with whatever falls into their palm, but for those of us who have the luxury of choice, be it the pocket sized Ricoh dangling from Moriyama’s wrist, or Crewdson’s cherrywood 8×10, a powerful image is about the framing of a moment, the machine it is seen through when chosen properly, serves to simplify and streamline the process.

I Was Hidden on This Guy’s Hard Drive for Over 6 Years

This post was originally published on the Joey L. Blog and is being republished here with permission

It’s been estimated that as many as 880 billion photos will be taken by the close of this year. I’m not quite sure how that statistic could ever be properly calculated, but I think it’s safe to say that with the rise of the digital medium, human beings are taking a s**tload more pictures than ever before.

With all those photos being taken, chances are you and I have at one point accidentally wandered into someone else’s frame. It’s likely, however, that you’ll never really know you’ve photo-bombed someones shot. That’s why I was surprised by a Twitter message that I received out of the blue from a photographer I’ve never met.

Photographing the Matterhorn

70-200mm f/2.8 II at f/11, 170mm 1/15 seconds, ISO 100 It’s approaching 8pm and I’m sitting at the Chez Vrony, …

The Electro-Optic Camera

The Electro-Optic Camera was designed and constructed by Eastman Kodak Company under a U.S. Government contract in 1987 and 1988. Kodak's Microelectronics Technology Division (MTD) had announced the first megapixel CCD in 1986. In 1987, a government customer asked Kodak's Federal Systems Division (FSD) to build a prototype camera around the new CCD. It was a true skunk works project with a very small team. Ken Cupery was the project manager. I (Jim McGarvey) was the lead engineer. MTD engineer Bill Toohey designed the CCD analog circuitry, and technician Tom McCarthy assembled the whole system.

The Story of Anthony Carbajal, the Photog Whose Career Was Derailed by ALS

Back in January, we featured the story of Anthony Carbajal, a California-based wedding photographer whose career came to an abrupt end when he was diagnosed with ALS, or Lou Gehrig's disease. After the story broke, media journalist Avni Nijhawan created the above video that offers a touching portrait of Carbajal's life and struggles.

Chasing 5 Pointz

I first heard about 5 Pointz in a Wall Street Journal article in the summer of 2011. The article detailed the recent attempts by the owner to knock what had become an internationally-reknown street art mecca down, and build high-rise condominiums.

A Portrait Journey Through Eastern Europe

This story is not going to be a technical how to. It's not about lighting gear, cameras or lenses. It's not about technique in camera or post production. It's about the unexpected things that can happen, the people you can meet and the work you can make when you travel.

Krystle Wright on Telling Stories with Your Adventure Photography

Krystle Wright has documented her expeditions a little differently from some of her fellow adventure photographers. Using her breadth of knowledge of photojournalism from her Agence France-Presse and Sunday Telegraph newspaper days, Krystle’s images weave together, depicting the full experience of what it’s like to be exploring different lands, from Pakistan to Antarctica.

Here, we talk with Krystle about how she edits down her images for an essay, what kind of gear she takes with her on a journey, and how keeping close tabs on World Press Photo, POYi, NPPA winners helped shape her critical eye.

The Image Story: A Website that Dives Into the Story Behind Incredible Photographs

The saying goes: a picture is worth a thousand words. I certainly agree with this sentiment, but there's more to it. For every thousand words the photograph is worth, there's three thousand explaining how the image came to be.

We've all had that moment when we're browsing through some photographs online and the questions hit us. How did someone capture this photo? What gear did they use for this? What was their inspiration? How did they plan it?

Well, for moments like this, there's now a beautifully designed resource called The Image Story.

John Stanmeyer Shares the Story Behind His World Press Photo of the Year

Controversy over the World Press Photo organization and the way they handle their judging aside, most people were in agreement that photographer John Stanmeyer deserved the award he received this year. In the above video, the World Press Photo winner shares some insight as to how his widely-praised photograph came to be.

How I Managed to Capture Two ‘Lightning Bolts’ Striking at Once

I took this picture with one of five remote-controlled cameras I’d set up by the side of the track to capture the race winner from various angles and perspectives. Of course, I didn’t know for sure who’d win, but when I was setting up the gear it seemed like a fair bet to focus on Usain Bolt’s lane!