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Social media is an incredible tool for propagating ideas, allowing the potential for mass outreach to anyone with an Internet connection and something to say.

We have all marveled at the latest imagery artificial intelligence (A.I.) produced. This remarkable technological tool enables the swift creation of imagery by providing the algorithm with concise textual prompts.

When I made images documenting the mourning period after the passing of Queen Elizabeth II there was a complexity to the situation that I wanted to convey. I wrote about navigating different manifestations of grief, as well as that grief in the context of the wider political relationship between the deceased and the citizens of the UK.

Long-time Sony executive Shigeki Ishizuka recently gave an interview in which he candidly spoke about early developments in the imaging division and how the flip to mirrorless was part of a longer-term plan to unsettle the camera market. Was this really a clever strategy or a re-writing of history to fit the narrative?

The monochrome digital camera is an odd beast - something talked about in revered terms - with echoes reverberating from those hallowed Leica halls because it is only Leica that had dipped its toe in the proverbial monochrome waters... until now.

Artificial intelligence images have the potential to misinform the future. For the first time in the technological present, we are on the cusp of a life-and-art-altering explosion of intentionally created dis-informational imagery.

The camera is a reasonably recent image-creation tool; compared to millennia of paintings, drawings, carvings, and illustrations, we have only a few hundred years of photographs and photographic development. What photography offers compared to those ancient arts is (relative) immediacy and accuracy.

Since the 90s, the digital camera has entered our lives as a unique, practical product that no one had experienced before. Despite the 640x480 image size and very simple design of the first cameras, their innovative capabilities were admirable.

The death of the DSLR was always in the cards - as soon as Nikon and Canon entered the mirrorless fray in 2018 it was not a case of if, but when. However, what was perhaps not expected was the rapidity with which the sales rug would be pulled from beneath DSLR consumers' feet. It's all or nothing when it comes to mirrorless.

The late Queen Elizabeth II was one of the most photographed figures in history. During a long period in which British military and political reach waned, images of Her Majesty underpinned the projection of soft power and played a key role in bolstering public support for the monarchy.

The broad strokes of an emotion can be fairly simple to translate into visual communication. A smile for joy, a tear for sadness, bared teeth for anger, wide eyes for fear. Nuance however is always present, the experience and expression of complex emotions are not always as straightforward.

The camera sector isn't exactly a thriving business at the moment, with year-on-year declining sales and a slew of manufacturers having exited the market.

The news of falling camera shipments is like the dripping of a faucet. It comes with a regular, steady, beat, and just when you think it has stopped... plink, there it goes again! So perhaps it's no surprise that CIPA -- the trade body for manufacturers -- has a downbeat forecast for 2022, but strangely seems to have missed the good news!

Sony announced last week that it was the number one mirrorless brand holding the highest market share for eight years straight. Canon then followed this up by claiming that it was the number one digital camera company, also leading on mirrorless market share. In a game of smoke and mirrors--something Sherlock Holmes would be proud of--who is telling the truth?

It's the dawn of a new era for OM Digital Solutions (OMDS) -- Olympus as was -- as it forges a new beginning, with a new camera, bearing the new name, and the last to be emblazoned with the Olympus logo. Is this the start of a golden age for Micro Four Thirds (MFT) or simply the beginning of the end for both OMDS and MFT?

Nikon unveiled the Z9 back in October to a world desperate for updates about their new top shelf model after months of teasers. This was eagerly awaited, not least to see how it compared to Sony's blockbuster Alpha 1 and because it beat Canon to the proverbial flagship punch.

Remember those halcyon film days? You mailed off that little black cartridge in an envelope and then about a week later negatives and prints were magically returned. With the rise of digital, the inkjet printer promised instant gratification at low per print prices. What could possibly go wrong?

Nikon recently announced that it is collaborating with Nissin and Profoto on speedlights and studio lights. Is this an admission of the not-so-secret reality that lighting products are actually quite cheap?

This article is a (tongue-in-cheek) description of the progression of your everyday street photographer -- the 8 stages every street photographer will inevitably find themselves journeying through. Enjoy!

It was so close to the first of April, it sounded like an April’s fool hoax: the gentle freedom-loving all sharing company would be selling to the greedy capitalistic money-making titan. Or, in other words, Getty Images was acquiring Unsplash. The two unlikely partners officially became at the end of April, sending ripples through the stock photography world and beyond.

The first iteration of the Internet, the one we are still somewhat experiencing, was built on the fundamental belief that content should be free.

Many of us enjoy quality. Be it a car or a lens, there's a pleasure in using quality things. And in the case of lenses, how perceivable is the quality of the images captured?

Over the last few weeks, it seems like the world wide web has been swamped with both explainers and critiques of Non-Fungible Tokens, or NFTs. It’s a pyramid scheme! It’s the next thing in Fine Art! It’s an ecological disaster! I am making so much money!

News outlets and social media accounts have been overrun with old photos that have been animated with MyHeritage’s “Deep Nostalgia” feature, an AI-based deep learning algorithm licensed from Israeli-based D-ID.

The COVID-19 pandemic lockdowns around have pushed artists to find new ways to work, publish, and teach. Renowned photographer Alec Soth is posting "rambling talks" to his YouTube channel, and in this 42-minute talk, Soth slowly flips through photo books by photographer William Eggleston and discusses the work.