Fujifilm is consistently updating its line of mirrorless cameras to make use of the latest film simulation modes and sensor technology. It is no surprise, then, that it has released a 40-megapixel version of its insanely popular X-T double-digit line to bring high resolution to an affordable platform: the X-T50.
The first Fujifilm GFX 100S had my favorite form factor of any GFX camera due to its take-anywhere size. I loved the smaller body design of the latest GFX 100 II, and of course all the improvements to autofocus and film simulation modes as well as an emphasis on faster shooting and video. But it was only a matter of time before the latest improvements transferred over to the GFX 100S line and the wait is now over.
Hasselblad has introduced a new 25mm prime lens to add to its already crowded wide-angle assortment. I've reviewed the 30mm f/3.5, and Hasselblad also has 28mm f/4 and 21mm f/4 lenses. However, this new wide prime splits the difference and has an even brighter f/2.5 aperture.
I love short telephoto lenses because of how versatile they can be for anything from portraits to landscapes.
We always want our YouTube videos to both educate and entertain but sometimes, we also want to push ourselves beyond standard reviews and try something different. For our latest photo challenge, we wanted to see just how minimal we could go with our gear and still be able to pull off professional-grade images.
Do you want a compact lens with a constant f/2.8 aperture? Does it have to be as sharp as a G-Master lens without the high price? Sony may have just given you what you asked for, provided that you don't need an extensive zoom range.
For a long time, third-party optics usually meant compromise somewhere, but in 2024, does that apply anymore? Is it possible for a photographer to be perfectly happy shooting with, for example, Sigma lenses and nothing else?
I love the beauty and simplicity of black-and-white photography, and there's little process simpler than setting a camera to your preferred black-and-white mode and running wild with straight-of-the-camera JPEG files. But not all black-and-white picture profiles are equal, so which is the best?
An OM System 150-600mm f/5-6.3 has been sitting in the office for months and I haven't touched it since I tested the OM-1 Mark II. Finally, the cold weather had given way and I had no excuse to ignore it anymore. A trip to the Calgary Zoo would let me test out not only the wildlife capabilities of this lens but also the excellent macro versatility that the lens offers.
Nikon's new Nikkor Z 28-400mm f/4-8 VR lens is a groundbreaking full-frame zoom lens, offering 14.2 times zoom in a lightweight package. Does it come with unacceptable compromises, or is it poised to be the ultimate all-in-one lens for Nikon Z photographers?
I normally dismiss ultra-fast aperture lenses because they tend to be overly large, overly expensive, and overly excessive. I rarely want to have the shallowest depth of field possible, and an f/1.2 lens is only two-thirds of a stop brighter than a reasonably priced f/1.4 lens. But what if I can have my cake and eat it too?
I have to admit that I haven't given enough time to review the many, many lenses that are coming to us out of China. The only thing harder than knowing which Chinese camera companies belong to which other camera companies is knowing how to pronounce the often strange naming conventions given to the brands.
I haven’t used an instant camera in a very long time, and I must admit that when the new Fujifilm Instax Mini 99 showed up I was a little flippant about it. After my time with it, I'm happy to admit I was wrong.
For decades, professional photographers have been using the pairing of a 70-200mm f/2.8 and a 300mm f/2.8 to achieve their telephoto goals. Canon introduced the RF 100-300mm f/2.8 L IS USM recently and it just about covers the range of both those lenses. But is it as good?
The Leica SL3 is the latest entry in the high-megapixel camera arena and the first for L-mount in some time. I was excited to get it in my hands, even if it was still in the pre-production phase.
It's been a hot minute since I've played with a true superzoom, so I was unusually excited to see how Panasonic's new compact 28-200mm f/4-7.1 -- the L-mount's first all-in-one zoom lens -- performed.
It’s not often that I get to review a lens that the world has never seen before. I’ve reviewed plenty of f/1.4 lenses and I’ve reviewed the occasional 15mm fisheye, but a 15mm diagonal fisheye with an f/1.4 maximum aperture is a first for me.
When it comes to general-purpose standard zooms, Sony has you covered. With some classic choices like 24-70mm f/2.8 G Master II and 24-105mm f/4 G or the unique Sony FE 20-70mm f/4, there is something for everyone. However, Sony decided to go even further and add the brand new FE 24-50mm f/2.8 G to its growing collection. The idea is to have a more affordable and compact lens alternative to the expensive 24-70mm GM while still having a fast f/2.8 aperture, albeit with a reduced zoom range. I got my hands on one to try, and here is what I found.
When I heard about the latest Sigma lens, the 500mm f/5.6 DG DN Sport, I wanted to revisit the Yamnuska Wolfdog Sanctuary. The new lens sounded ideal because it is unobtrusive, lightweight enough to handhold easily, and has the reach to capture these elusive Wolfdogs in their natural surroundings.
I'm gonna let you in on a dirty little secret of mine: I never liked the original Fujifilm X100. When it first came out, I was -like many others- enamored by the beautiful styling, but the operation of the camera just never gelled with me. The rather boring -- in my opinion -- 35mm lens didn't help things either. It wasn't until I played with the newly designed X100V that I had my aha moment, and realized the appeal of this camera.
We've seen 24-105mm lens formulas before and we have seen f/2.8 zooms, too. However, we have never seen the two combined, and it's about time.
When OM Digital Solutions purchased, and thereby saved, Olympus' incredible photographic history and slate of digital cameras from the brink of collapse in 2021, there were many questions about what would happen to the Olympus Micro Four Thirds system. OM answered these concerns the following year with the OM System OM-1 camera, the most impressive Micro Four Thirds camera ever released at the time.
With the recent release of the Samsung S24 Ultra, North America now has three premium-priced phones that happen to compete in a very similar way against each other. The Apple iPhone 15 Pro Max, Google Pixel 8 Pro, and Samsung S24 Ultra, all have state-of-the-art displays, HDR-compliant photos and videos, and a 5X telephoto lens to compliment the main and ultra-wide cameras.
Like the majestic Canada Goose, I escaped a particularly brutal winter by flying south. As temperatures back home plummeted to a balmy -40 degrees, my plane landed in San Jose, California. San Jose is the West Coast convention center capital of the tech world, and Samsung was there for the brand new Galaxy S24 series of smartphones.
The 135mm focal length is one of my favorite portrait ranges due to its compressed rendering of people’s faces, as well as lending itself to stunningly dramatic full-body environmental portraits. Last year saw the release of two new 135mm lenses, one each from Canon and Nikon. Take into account the venerable Sony 135mm G Master and you have all three of the major full-frame mirrorless companies now offering a 135mm f/1.8 lens.
Many camera manufacturers choose to support, or at least turn a blind eye to, third-party lens makers. Some even wholeheartedly embrace them. However, Canon has infamously taken a stance to deny third-party manufacturers access to its RF mount. The fascinating twist is that many companies were beginning to produce manual and autofocusing lenses before the crack-down, creating an exclusive market of very rare lenses that hit the streets before the curtain fell.
We all have to start somewhere. For most of us, that means a basic DSLR or mirrorless camera kit with a compact, handy general-purpose zoom lens. Undoubtedly, we can't wait to ditch our basic kit lens for something faster or more versatile. A kit lens is something we feel we need to graduate from to call ourselves an accomplished photographer. But is that really the case? Maybe the humble kit lens has more to offer than we think, so today we will look at our five favorite kit lenses of all time.
Jordan and I were naughty this year and Santa put something in our stocking that was less useful than a lump of coal. Naturally, we decided to review our gifts and see if there was any merit to mass-produced photo gear on the cheap.
The Pentax K-3 III Monochrome is among the most affordable cameras designed exclusively for black-and-white photography and a very good APS-C DSLR.
In the early summer of 2023, I had an opportunity to play with the soon-to-be-released Nikon Z8. We met up with the Nikon crew in Yellowstone National Park to photograph some wildlife and the good folks at Nikon also had another surprise for us out there.