Posts Tagged ‘4×5’

Ansel Adams’s Arca Swiss 4×5 Camera Set to Be Auctioned Off Next Month

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It’s not often a piece of photographic history as important as this goes up for auction. What you see above is the Arca Swiss 4×5 camera that Ansel Adams used between 1964 and 1968. Set to be auctioned off with a plethora of old Leicas by Revival Auction Company, this item is very highly regarded because it may be the first of Ansel Adams cameras to be auctioned off. Read more…

BTS: Photog Shows Off Modified Polaroid Capable of Shooting 4×5 Instant Film

Photographer Alastair Bird recently came across a modified Polaroid camera that is capable of shooting 4×5 instant film. So, naturally, he put it to work! Read more…

Photographer Explores NYC’s Forgotten North Brother Island with a 4×5 Camera

Boilerplant from Morgue Roof, North Brother Island, New York

It’s a part of New York City that few have ever seen or will ever see. Called North Brother Island, this piece of land sits in the East River, housing a piece of NYC history that has been decaying ever-so-slowly for the past five decades or so: a hospital once used to house quarantined patients from the general population of NYC. Read more…

New55 FILM Hopes to Kickstart The Re-Production of 4×5 Instant Sheets

New55 FILM handmade samples (manufactured sheets will come 5 per box)

Noticing the successful efforts of both Lomography and The Impossible Project, inventor Bob Crowley has been inspired to take his own dive into the niche market of the re-creation of discontinued analog films. He and his team at New55 FILM have created a Kickstarter in hopes of funding the start up of 4×5 instant film production.
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Minimalist Landscape Photographs with Exposure Times of Up to Eight Hours

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Samuel Burns is a photographer based in Sydney, Australia who specializes in shooting minimalist landscape photographs using a large format camera. While the scenes chosen for his photographs are already simple and bare, Burns captures them with extremely long exposure times in order to give the locations a blurry and dreamy look.
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Introducing the Travelwide: An Affordable, Ultraportable Large-Format Camera

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Many photographers want to give large format a shot, but carrying a massive 4×5 camera around with you isn’t always practical or realistic. Fortunately for those people, the folks of Wanderlust Cameras have hit Kickstarter with a new invention: the Travelwide 4×5. It’s an affordable, ultralight large-format camera that you can take with you anywhere. Read more…

MIOPS: Smartphone Controllable High Speed Camera Trigger

MIOPS is a new smartphone-controlled camera trigger that combines all of the features photographers want in a high-speed camera trigger into one convenient device.

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Long Exposure Airplane Trail Photos Shot at Airports Around the World

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Nachtfluge is a series of photograph by US landscape photographer Kevin Cooley showing long exposure photos of airplane light trails streaking across the sky.
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Long-Exposure Photos of Light Rising Up from Snowy Landscapes

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Lights Edge” is a series of beautiful pictures by photographer Kevin Cooley that show beams of light rising up from various winter landscapes. They’re simple long-exposure photographs that aren’t the result of any digital trickery. Instead, Cooley simply opened up his 4×5 camera and launched military-grade emergency flare into the night sky.
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David Burnett’s Speed Graphic Photos of the London 2012 Olympics

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Last August, we wrote about how renowned photojournalist David Burnett was spotted using a large format camera at the London Olympics. If you’ve been wondering how the photographs turned out, today’s your lucky day.

Here’s an inside look at how Burnett’s project came to be, and the beautiful images that resulted.
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Cold and Dark Landscapes Illuminated by the Red Glow of Emergency Flares

For his project titled Take Refuge, Los Angeles-based photographer Kevin Cooley shot nighttime landscape photographs with an interesting choice of lighting: military-grade flares — the kind you find in emergency kits. Each image in the series features the same red glow, whether the flare is held in a subject’s hand or hidden behind a feature in the landscape.
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