Post-Processing

Post-Processing a Band Photograph

Some friends of mine asked me to shoot a quick band photograph of them recently without any preparation or planning. Luckily, the location was pretty nice (we were at a hostel) and the weather was a bit cloudy so there wasn't harsh sunlight.

Faking 1000FPS with Final Cut Studio and a Canon 60D

We've featured a couple beautiful examples of fake slow-motion video created using Twixtor shot with the Canon 7D and 550D. If you don't want to shell out $300 just for Twixtor, you can do something somewhat similar using only Final Cut Studio. The above footage was shot at 60fps using a Canon 60D and created entirely with Final Cut Studio. Yes, yes, we know the wheels look strange, but it's still a neat effect and might produce interesting results with the right kind of footage.

Double Rainbow All the Way in HDR

The Internet viral sensation "Double Rainbow" video was captured on January 8th, 2010. About two weeks later on the 23rd (and long before that video went viral), I saw a double rainbow myself when looking out my window. I quickly grabbed my camera (a Canon 40D at the time) with my 16-35mm lens (I wanted the widest shot possible) and ran out to shoot the rainbow.

Post-Processing a Cute Kitten Portrait

My friend recently had two stray kittens randomly walk up to her doorstep. I was called over to see them, and carried my 5D and 24-70mm along. There wasn't much light to work with, and I didn't bring a flash, so I had to shoot at 1600 ISO for any chance of capturing a sharp image of the energetic kittens. I haven't done a walkthrough post for quite some time (opting to post guest posts instead), but here's a quick walkthrough of how I post-processed one particular image of a kitten. I used Adobe Camera Raw (comes with Photoshop CS4) with my adjustments, but you'll have the same settings in Lightroom, Aperture, etc...

Enlightening the Capture and Processing of Lightning

Living in the Southwest United States gives me a great opportunity to capture lighting. Every summer “Monsoon Season” arrives, officially June 15 through Sept 15th, in Arizona. Prevailing northwesterly winds carry humid air north out of Mexico where it meets the hot air of the desert, resulting in powerful thunderstorms nearly everyday. The thunderstorms often produce localized areas of heavy wind, thick blowing dust (Haboobs), rain, and most importantly, lightning. I regularly track the storms on the local Doppler radar feeds and try to guess where the best shooting will take place.

How to Give an Outdoor Portrait a Warm Cross-Processed Look

I took this shot with my Canon EOS 450D, and a Canon 50mm f1.8 -- my favourite lens in the case of portraits especially.

I chose to make the shooting session about a hour and half before sunset when there's still a lot of light, but with a warm, lovely quality to the light. I prefer warm tones, and to emphasize these tones and balance the cool colours of my model dress and tree leaves I set White Balancing to "cloudy". You can see in the picture that the sun was on the right side of model, so she didn't have too much direct light on her face. The white wall behind acted as a discrete reflecting panel, resulting in light that's quite uniform.

Aster Be Good: Post-Processing Purply Flowers

Asters of any kind provide such potential in photography: the colours and the gentle curve of their tiny thin petals combines with their close-growing nature to give the impression either of flowers fighting each other for space and light or of a mass of colour, huddled together for comfort. The clump of asters shown in this shot are a soft, luscious purply-cerulean-cornflowery-blue. Light seems to dance off the petals. Or it would, had there been much light when I took this. Instead, it was a fairly overcast day and I pondered whether it was worth the damp knees necessary to get down low enough to grab this shot. Turned out it was.

Post Processing a Band Portrait with the Strange Birds

About a week ago I did a shoot with the band Strange Birds as we were walking there was a point that I saw light rays trickling down right in front of us. I told all of the guys to stop and arranged them to my liking.

One of the most important things about shooting for me is having an idea of you want the photo to come out in the very end. I tend to adjust my white balance in camera and set almost everything up so it makes less work on the computer and closer to the final product. Below is the original image:

Crater Lake in Oregon

Crater Lake in Oregon is such a beautiful place that post-processing isn’t really even needed for photographs taken there. Here’s …

Friends on a Bench

One of the results of always carrying around my camera is that I end up with a lot of portraits …

Editing for Portraits

This entry will describe my thought process when editing a portrait, though it could apply to general photos too. Here’s …

Dandelion in the Wind

Here’s a photograph I took today while hiking with friends on the Bailey Cove Trailhead in the Shasta-Trinity National Forest: …