If we recommended the Sony ZV-E10 II for many beginner creators last week, why wouldn't we do the same for the Panasonic S9? At first glance, it looks like an incongruous set of opinions.
I love the beauty and simplicity of black-and-white photography, and there's little process simpler than setting a camera to your preferred black-and-white mode and running wild with straight-of-the-camera JPEG files. But not all black-and-white picture profiles are equal, so which is the best?
With the recent release of the Samsung S24 Ultra, North America now has three premium-priced phones that happen to compete in a very similar way against each other. The Apple iPhone 15 Pro Max, Google Pixel 8 Pro, and Samsung S24 Ultra, all have state-of-the-art displays, HDR-compliant photos and videos, and a 5X telephoto lens to compliment the main and ultra-wide cameras.
One of our favorite types of video to make is buying guides, to help our viewers decide what products are best for them. It also presents an opportunity for me to share my personal preferences about what I would choose. Our latest episode is all about Canon RF mount lenses, and I give you my favorites in the following categories: ultra-wide, normal primes, standard zoom, telephoto zoom, portrait lenses, and macros.
The debate over which lens and accessories are best for macro photography has gone on since the beginning of the craft. With so many options out there ranging from just a $8 to over $1,000, it is definitely a daunting field to enter. Thankfully, photographer and YouTuber, Wolf Amri, has decided to tackle that subject in this new video.
The Leica M10 Monochrom is a $9,000 digital camera dedicated to black-and-white photography, but how does it compare to a $10 roll of Kodak Tri-X 400 black-and-white film? That's what the folks at Camera West TV decided to find out.
Social media has long been filled with faked lifestyle photos, but what about an entire town that has been manufactured to be one of the world's best photography hot spots? Meet Xiapu County, an area in the Fujian province of southern China.
You don’t see many new SLRs announced these days when it seems that most camera enthusiasts talk about mirrorless as the future of photography, but to the surprise of those online voices that proclaim the optical viewfinder dead, Ricoh Imaging has released just that in the Pentax K-3 Mark III.
Nikon has been aggressively marketing the internal diameter of the Z mount as being 17% larger than the Nikon F mount, and the larger mount allows more flexibility in the optical design of the Z lenses like their newest 58mm f/0.95 lens.
Northern Arizona University recently decided to conduct a photography shootout that pitted two of its photography professors against each other. The challenge: to shoot the best graduation portraits they could with toy digital cameras designed for children. You can see how it went down in the 8.5-minute video above.
Let’s talk about the most interesting and hardest lens to master: the ultra wide angle. This is a fantastic lens that lets you share unique perspectives of almost any subject by cramming a whole lot of environment in a single frame. If you are in the market for one of these, follow on as I compare two of the best on the market.
Back in May of 2019, Jared Polin of Fro Knows Photo ran a side-by-side Eye AF comparison that showed (to nobody's surprise) that Sony was the king of Eye Autofocus. But a lot has changed since then, including several firmware updates and an updated focus system from Canon. Is Sony still king? Jared wanted to find out.
Dave Pardue over at Imaging Resource has just finished filming a crop-sensor IBIS shootout that you definitely want to check out. Using a specially-built four-camera "rig", he shot the Panasonic GH5, Fuji X-T4, Olympus E-M1 III, and Sony a6600 side-by-side (by-side-by-side) so you can see exactly how the stabilization in each camera compares.
The non-photographers might want to skip this article as it is a fairly detailed Tamron 70-180mm f/2.8 Di III VXD vs Canon EF 70-200mm f/2.8L IS II USM lens review for Sony E-mount cameras.
The guys over at DPReview TV recently set out to test the new Canon RF 85mm f/1.2L lens. But instead of simply shooting some samples and talking about sharpness, they decided to pit it against the classic EF-mount version of this same lens so they could see "how far this lens has come."
Photographer Dan Watson of Learning Cameras recently put together a little photo editing shootout. Using one of his own images, he wanted to see who would edit the photo best: strangers hired through Fiverr, a professional photographer, or some of the latest AI-powered photo editing tools.
If you're a total bokeh maniac, two of the lenses you've probably looked at with yearning are the Leica Noctilux 50mm f/0.95 and the Nikon Noct 58mm f/0.95. But how do these actually very different lenses compare to one another when you shoot them side-by-side?
Photographer Christopher Frost has put together one of the most comprehensive and detailed macro lens shootouts we've ever seen. In this video he tests the latest 100mm (ish) f/2.8 macro lenses from Canon, Nikon, Sony, Sigma, Tamron, and Laowa to see how they compare in terms of build, usability and performance.
Tamron raised a lot of eyebrows last week when it revealed its shockingly affordable new 70-180mm f/2.8 lens for Sony E-mount. At just $1,200, the lens is less than half the price of Sony's 70-200mm G Master... but can it compete in terms of performance?
Photographer and YouTuber Matt Granger has released an informative side-by-side comparison of all five of Fuji's X100 cameras—from the original X100 to the brand new X100V. If you're wondering which of the five cameras is the best value, this is a great place to start.
How does Lens IS compare to using IBIS? And how do either of these compare to stabilization in post? These are the questions that Eric Stemen wanted to answer in his latest side-by-side comparison, which highlights the benefits and limitations of each stabilization method when shooting video handheld.
Over 8 years ago, we over at On Landscape performed a mammoth “Big Camera Comparison.” We compared medium format and large format film against various digital cameras including the then cutting edge Phase One IQ280, an 80MP CCD sensor which we used on a Linhof Techno, an Alpa, and a Cambo technical camera (we also tested a D800 and a 5D Mark II).
Most unfair camera comparisons these days pit smartphones against APS-C or full-frame digital cameras. But for their latest video, Sonder Creative took it a big step further: they're comparing an 8x10 large format film camera against three digital cameras that, let's be honest, never stood a chance.
Portrait photographer and YouTuber Alex Barrera recently went out and shot a full side-by-side comparison of the Canon RF 85mm f/1.2L and the RF 85mm f/1.2L DS lenses. His sample photos can help you decide if Canon's "Defocus Smoothing" is worth the loss of light and the extra $300 it'll cost you.
Photographer and YouTuber Matt Granger has put together a lens shootout that'll be really valuable for anybody who is new to Canon's full-frame mirrorless cameras. In this video, he compares the image quality of the four main RF-mount zoom lenses: the 28-70mm f/2, the 24-70mm f/2.8, the 24-105mm f/4, and the 24-240mm f/4-6.3.
YouTuber Max Yuryev recently went out on the streets of New York with the Sony a7 III, Nikon Z6, and the brand new Fuji X-T4 to compare the video quality and—of particular interest to stills shooters—the IBIS performance of all three cameras side-by-side.
The Hasselblad XPan is a legendary one-of-a-kind 35mm panoramic rangefinder worthy of its cult camera status, but at over $3,000, is it worthy of your money?
It took a little while, but we finally have the "desert island" 24-70mm f/2.8 lens for every major full-frame mirrorless system on the market, with some lovely crossover as well thanks to the L-Mount Alliance and Sigma's continued support of E-mount. Though RF and Nikon Z are a bit on their own at present, E-Mount and L-Mount, which encompass a huge number of cameras, now have a lot of options.
SF Bay wedding photographer Reggie Ballesteros recently put together a different sort of camera vs camera comparison. Instead of setting up the same shots with both systems, he wants to see if people can tell which photos from the same wedding were shot with each camera.
For a long time, there weren’t many options for high magnification macro photography without resorting to solutions like lens coupling and reversals. The only lens on most photographer’s radar was the Canon MP-E 65mm f/2.8 1x-5x Macro. There were also other options, however, so let’s take a look at how the MP-E 65 compares to more modern and vintage lenses to put to 5:1 magnification and beyond – using a butterfly wing.