Portrait photographer and YouTuber Alex Barrera recently went out and shot a full side-by-side comparison of the Canon RF 85mm f/1.2L and the RF 85mm f/1.2L DS lenses. His sample photos can help you decide if Canon's "Defocus Smoothing" is worth the loss of light and the extra $300 it'll cost you.
Photographer and YouTuber Matt Granger has put together a lens shootout that'll be really valuable for anybody who is new to Canon's full-frame mirrorless cameras. In this video, he compares the image quality of the four main RF-mount zoom lenses: the 28-70mm f/2, the 24-70mm f/2.8, the 24-105mm f/4, and the 24-240mm f/4-6.3.
Canon released a new kit lens for the RF Mount tonight. The new RF 24-105mm f/4-7.1 IS STM promises to be an affordable and versatile lens for photographers who love the new EOS R system, but don't want to spend more on a lens then they did on their camera body.
Sigma has played a big part in making high-quality glass more accessible with its exceptional ART series lenses, and it sounds like it has no intention to stop. In a recent "Ask the CEO" video from Sigma UK, Mr. Kazuto Yamaki revealed several interesting tidbits about the company's plans moving forward.
The EOS M line might have some internal competition. According to Canon Rumors, a good source has told them that Canon is actively developing a crop-sensor EOS R, though it may be some time before we see the results IRL.
A reliable report from Canon Rumors, as well as a newly discovered patent, has revealed some of Canon's exciting plans for the RF Mount. Not only is a nifty fifty 50mm f/1.8 lens in the works, the company is also working on a pancake lens and has designed a 135mm f/1.4L.
A fresh patent uncovered by Canon News reveals that Canon has been working hard to perfect an implementation of IBIS + Lens Stabilization, something we'll hopefully see in a future version of the EOS R.
In an update to a very intriguing rumor that hit the airwaves a couple of weeks ago, CanonWatch is reporting that Canon will use a "moving sensor" to create the rumored "pro" EOS R camera with a hybrid EF/RF mount we originally mentioned here.
Multiple Canon EOS R users on both the Fred Miranda and DPReview forums are reporting front focusing issues with their brand new RF 70-200mm f/2.8 lenses, leading some to wonder if Canon has a widespread manufacturing issue on their hands.
LensRentals just finished their teardown of the incredibly light and compact new Canon RF 70-200mm f/2.8 lens, and what they found will make Canon users very happy. Not only is this lens a beautifully engineered marvel--a total redesign of the "typical" 70-200mm f/2.8 formula--it is also, in Roger Cicala's words: strong, like bull.
Canon's got big plans for 2020. According to the most recent reports, the company will release not one but two new full-frame mirrorless cameras in the first half of next year: the ultra-high-resolution Canon EOS Rs we reported on last week, and the EOS R Mark II.
For Canon, Nikon, and Panasonic, 2018-2019 was the first year where they all truly "went for it" when it comes to full-frame mirrorless. All three released full-frame mirrorless cameras, and all three seemed to have different priorities with those releases. In this first of three segments, we're going to take a look at each of these companies in their first year and evaluate where each of them stands today in what is now a very competitive market.
Canon has all-but-confirmed that a high-end EOS R camera is in the works, but the full-frame mirrorless flagship might be more than just a powerful addition to the current lineup. According to the most recent report, the unreleased camera could feature a "hybrid" lens mount that works with both EF and RF mount lenses.
Canon full-frame mirrorless fans rejoice. According to the most recent reports, third party lens maker Sigma is already working on an RF-mount lens roadmap, which they will reveal in "early 2020."
Earlier today, Samyang/Rokinon unveiled the new AF 14mm f/2.8 RF lens: a wide-angle prime that becomes the first third-party autofocus lens for Canon's full-frame mirrorless RF-Mount.
A video posted by Canon Korea yesterday confirms something that many Canon shooters feared when they saw how small Canon was making the upcoming RF-mount 70-200mm f/2.8L IS USM lens: this lens does not have an internal zooming mechanism.
Back in July, photographer Patrick Seguin took advantage of his CPS membership to test out one of the most beastly lenses Canon has released in recent memory: the Canon RF 28-70mm f/2 L USM. In the video above, he pits this lens against the tried and true EF 24-70mm f/2.8L II USM to see just how much better the new RF lens performs.
Canon announced the development of the so-called "holy trinity" of zoom lenses for the RF mount back in February, and it looks like they're about ready to release two of the three. According to the latest rumors out of Japan, the RF 15-35mm f/2.8L IS and RF 24-70mm f/2.8L IS will both be available for pre-order later this month.
RED CEO Jarred Land took to the reduser.net forum this past weekend to drop a major teaser about the company's next cinema camera—a small form-factor camera called the Komodo that is "not larger than 4 inches in any dimension" and may feature Canon's RF mount.
Chinese lens maker Venus Optics is bringing two of its ultra-wide angle lenses to Canon and Nikon's full-frame mirrorless systems. The Laowa 15mm f/2 Zero-D, which is now available for both the Canon RF and Nikon Z mounts, and the Laowa 10-18mm f/4.5-5.6 Zoom, which will only be released for the Nikon Z system.
Ever since Canon and Nikon debuted their latest lens mounts, there's been a lot of talk about the "optical advantages" of the shallower, wider Z and RF-mounts. Canon even released a video more-or-less shaming their own EF lenses by comparison. But does this translate into meaningful real-world results?
As we head into the weekend, Sigma has decided to (sort of) confirm an exciting leak we shared earlier this week: that a 35mm f/1.2, 45mm f/2.8, 14-24mm f/2.8, and possibly a 24-70mm f/2.8 designed specifically for full-frame mirrorless cameras will be announced in mid-July.
Canon made this 4.5-minute video explaining the technology of its new RF lens mount for full-frame mirrorless cameras and its strengths over conventional (e.g. EF) lens mounts.
Samyang has announced the first 3rd-party lenses for Canon's new RF full-frame mirrorless camera lens mount. The Korean manufacturer has unveiled an MF 14mm f/2.8 and an MF 85mm f/1.4.
Canon has announced the development of six upcoming RF mirrorless lenses: two 85mm lenses, a 24-70mm f/2.8L IS, a 15-35mm f/2.8L IS, a 70-200mm f/2.8L IS, and a 24-240mm f/4-6.3 IS.
Canon has officially unveiled the new EOS R, the company's first full-frame mirrorless competitor. The announcement comes just two weeks after Nikon revealed its first full-frame mirrorless system, the Z Series.