
Pergear’s 14mm f/2.8 II Lens is Smaller, Lighter, and Still Just $279
Pergear has announced the second generation of its 14mm f/2.8 full-frame prime lens for mirrorless cameras.
Pergear has announced the second generation of its 14mm f/2.8 full-frame prime lens for mirrorless cameras.
TTArtisan has announced a full-frame 100mm f/2.8 tilt-shift 2x ultra macro lens for Sony E, Fujifilm X, Canon RF, and Nikon Z mounts.
Sigma says it aimed to redefine what a standard lens means for its support of mirrorless full-frame lenses when it created the 50mm f/1.4 DG DN Art, which balances size, weight, and autofocus with pro-level optical performance.
Tamron has announced that it is developing its first Z-mount system lens in the 70-300mm f/4.5-6.3 Di III RXD, which it bills as the smallest and lightest telephoto zoom for full-frame mirrorless cameras.
Tamron has announced that it is developing a new 20-40mm f/2.8 Di III VXD Lens for Sony E-Mount cameras. The company says it will be the smallest and lightest in its class and support both photo and video applications.
Viltrox has announced a 50mm f/1.8 lens for both Sony and Nikon mirrorless cameras, adding to the company's expanding list of third-party lens choices for full-frame mirrorless bodies.
The new Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD for E-mount and X-mount is an all-in-one APS-C lens with the power of 16.6x zoom. These types of do-everything lenses have a tradition of being subpar, but Tamron may actually have what it takes to pull off a winner.
Macro photography in the field is not always easy or comfortable, often requiring long hours outdoors in the heat. So now more than ever, I’m seeing the benefits of lightweight lenses and bodies.
Kenko Tokina has published an updated lens roadmap that extends through 2022 and includes several lenses for a variety of camera mounts. Notably, the company plans to launch a 500mm f/8 reflex lens as well as six APS-C primes for a mix of Fujifilm X- and Sony E-mount.
Sigma has announced the 35mm f/1.4 DG DN Art lens for E-Mount and L-Mount. The company says that the original 35mm f/1.4 DG HSM that was announced in 2012 -- the first of all the Art lenses that set the standard for the line -- has been redesigned from the ground up specifically for mirrorless cameras.
Leica has added to its M-mount lens lineup with the announcement of the APO Summicron-M 35mm f/2 ASPH lens, a "sibling" optic to the APO Summicron-M 50mm f/2 ASPH, and promises to be able to resolve the high megapixel sensors of the present and future.
The NiSi 15mm f/4 lens was announced in early January and photographer Ted Forbes got his hands on one to see how the company's first lens performed. In short, it's a promising start for the company that is new to lens design, but it has a few niggling issues to keep in mind even at its low price.
As you might expect, the used market is several years behind the new market when it comes to trends. DSLRs had ruled the secondhand market but for the first time, KEH reports their sales have finally dipped below mirrorless.
Lomography has launched its Kickstarter for the Atoll Ultra-Wide 17mm f/2.8 Art Lens for Nikon Z, Canon RF, Sony E, and Leica M-mount. The fully manual lens makes many lofty promises for its $550 asking price.
NiSi, a Chinese manufacturer known mostly for making high-quality filters, has announced its first still-camera lens: the 15mm f/4. It features a 112-degree field of view and the promise of edge-to-edge sharpness for multiple mirrorless mounts.
Lensbaby is known for making unconventional lenses that create unusual defocused areas, and the Spark is no exception. The Spark 2.0 adds support for eight mounts, both DSLR and mirrorless, as well as 15 optics introduced since 2008.
If the typical 35mm f/1.4 or even f/1.2 lens isn't fast enough for you, then 7artisans might have you covered. For just $255, you can pick up a 35mm f/0.95 APS-C lens for any one of these five mounts: Sony E, Fuji X, Canon M, Nikon Z, and even Micro Four Thirds (MFT).
Fujifilm has announced the 36th lens addition to its X Series digital camera system lineup in the Fujinon XF10-24mm f/4 R OIS WR lens, an update to the current lens of the same name, it features a couple notable design and usability updates.
This morning, Sigma officially unveiled its much-anticipated 105mm f/2.8 DG DN Macro lens for full-frame mirrorless cameras. This is Sigma's first Art-series Macro lens for a mirrorless system, and it's been optically re-designed from the ground up to deliver "exceptional sharpness and pleasing bokeh."
After announcing its plan to create this exact lens almost two months ago, Tamron has officially launched the 70-300 f/4.5-6.3 Di III RXD: the "world's smallest and lightest telephoto zoom lens for Sony E-mount full-frame mirrorless cameras."
The rumors were right: Sigma has unveiled a new 85mm f/1.4 DG DN Art lens designed specifically for mirrorless cameras. Promising stellar optical performance and coming in at just $1,200, the lens undercut's Sony's 85mm G Master by a whopping $600... and yet it doesn't skimp on features.
After some very accurate leaks last week, Sigma has officially revealed four products today: an affordable 100-400mm f/5-6.3 telephoto zoom lens for full-frame mirrorless cameras, two teleconverters for L-Mount mirrorless lenses, and a USB dock for Sigma's L-Mount and EF-M Mount mirrorless lenses.
Sigma is preparing to release a 100-400mm f/5-6.3 'DG DN OS' lens designed specifically for full-frame mirrorless systems like the Sony E- and Panasonic L-Mounts in the very near future. And if the latest rumors are to be trusted, this lens will be extremely affordable (relatively speaking).
After a week full of rumors and leaks, Tokina has officially unveiled their brand new 'atx-m' line of mirrorless lenses, starting with an affordable 85mm f/1.8 lens for Sony full-frame mirrorless cameras: the Tokina atx-m 85mm f/1.8 FE.
Apertures can get pretty big, but a new patent from Nikon seems to imply that a future Nikon 1 mirrorless lens could weigh in at f/0.7. The patent, which gives an example of a 32mm f/1.2 (pictured above), clearly states that the new technology could successfully yield smaller numbers due to optimization of the aperture diameter, flange back length and image circle.