HDR stands for High Dynamic Range and is a setting available on several Fujifilm cameras, including the X-T4. HDR involves merging separate images together to create a single JPEG file in order to provide the maximum amount of dynamic range possible out of your image.
In the age of digital photography, your monitor is as important as the camera you shoot with or the lenses you use. But as more high-end options hit the market every year, the line between "worth it" and "overkill" is starting to blur. Dell's new 32-inch 4K HDR PremierColor mini-LED monitor, an elite display by any standard, is helping to draw that line a little bit clearer.
Canon Japan recently announced a new "high-sensitivity CMOS Sensor" that can capture high-quality, color footage a 1080p and up to 60fps even in extremely low light. The sensor is meant for industrial use, but it shows what's possible, even when you're using relatively tiny pixels.
Lomography continues to expand its "Kino" lineup of black and white film. Less than a month after announcing the dramatic high-contrast "Kino Fantôme " film, the brand has released a new, high dynamic range entry to the lineup: Babylon Kino B&W ISO 13.
German researchers have created a new high dynamic range (HDR) CMOS image sensor that features a new pixel design that could pretty much do away with blown highlights.
The Chinese smartphone manufacturer Vivo is trying to beat Google at the HDR game. It has unveiled a new AI-powered feature called "Super HDR," which claims to produce better high dynamic range photos with more natural results.
Sony has just released an interesting new app for its mirrorless and high-end compact cameras. The app, called "Digital Filter," lets you divide your sensor into up to 3 sections and capture each of those parts differently. It's like a graduated ND filter built right into your camera's software.
Want to learn how to blend 3 bracketed exposures of the same scene to create a single photo with greater dynamic range? Here's a great 17-minute video tutorial by travel photographer and educator Jimmy McIntyre on how to do so in Photoshop CC.
If you want ultimate control over your High Dynamic Range images, manual blending is still the way to go. But creating a perfectly blended image from two or more exposures using layer masks can be challenging.
Macphun—the company that's all about creating easy-to-use, powerful photo editing software for Mac users—has just released the latest version of their popular Aurora HDR app, complete with Batch Processing, an 'HDR Look' slider, and a lot more.
Capturing a solid rocket booster test on video is no small feat. You need a camera that can capture slow motion footage and handle the dynamic range between the booster and the booster plume. Fortunately, NASA now has this super camera in their arsenal!
MIT scientists have designed a new camera that will never overexpose a photograph, no matter what the lighting situation is. Called a "modulo camera," it captures a high dynamic range photo with every exposure.
There are many of us who sigh at hearing the dreaded acronym, HDR. Oftentimes we associate it with oversaturated, cartoon-like compositions put together from half a dozen worth of frames. But that’s not the only way to approach HDR. As with everything, it’s a variable, not definitive.
In the above video, Washington DC-based photographer Tim Cooper shows off how to effectively capture an HDR image. And he does so in such a manner that it replicates what the human eye sees, without over-processing as we all too often see.
Obviously this video and post isn't for the advanced HDR photographer, but even if you have a good understanding of what High Dynamic Range is or how to capture it, you'll probably find one or two tidbits of very interesting information in this short video by Techquickie.
When it comes to creating quality time-lapse videos, many photographers relish having a serious amount of control over their result. But if you're the kind of person who isn't into intervalometers or messing with rail systems, and you're looking for something that's more of a "set it and forget it" system, Brinno's new TLC200 Pro may fit the bill just right.
Tech company Rambus just announced "Binary Pixels," a new sensor technology that intends to bring ultra-high dynamic range to small sensors like those found in smartphones and P&S cameras. By allowing pixels to "reset" and saturate more than once, the pixel tech promises to expand the dynamic range of these sensors to "single-shot HDR" levels.
High dynamic range (HDR) mode is becoming a standard feature in newer digital cameras and smartphones. By snapping multiple photographs at different exposure levels, the camera can automatically generate an image that captures a greater range of light and dark areas than a standard photograph. However, the technique does have its weaknesses. Artifacts appear if any changes occur in the scene between the different shots, which limits the scenarios in which the technique can be used.
Apple wants to overcome this issue by implementing an HDR mode that only requires a single exposure. A recently published patent shows that Apple is well on its way to doing so.
When doing certain types of welding, special helmets with dark lens shades should be used to protect the eyes from the extremely bright welding arc and sparks. The masks help filter out light, protecting your eyes, but at the same time make it hard to see the details in what you're doing. In other words, the dynamic range is too high, and wearers are unable to see both the arc and the objects they're welding.
A group of researchers in the EyeTap Personal Imaging Lab at the University of Toronto have a solution, and it involves cameras. They've created a "quantigraphic camera" that can give people enhanced vision. Instead of being tuned to one particular brightness, it attempts to make everything in front of the wearer visible by using ultra high dynamic range imaging.
The Washington Post raised some eyebrows last Friday after running an uber-saturated front …
Late last year we showed you an interesting demonstration of HDR video filmed using two Canon 5D Mark IIs. The cameras captured the exact same scene at different exposure values using a beam-splitter. Now, a new camera called AMP has been developed that captures real-time HDR video using a single lens. The trick is that there are two beam-splitters in the camera that take the light and direct it onto three different sensors, giving the system a dynamic range of 17 stops. Check out some sample clips in the video above -- they might be pretty ugly, but the technology here is pretty interesting.
