In my previous article, I walked you through the making of one of my signature photographs, Fallen Sequoias, exposed in 1977. I’ve decided to use the same process in the creation of another image, made 20 years later, on a one-day hike with two friends in 1997.
Photographer Michael Shainblum chose to capture photos with only his 16-35mm f/4 lens and shares how he composes his seascape images with such a wide angle and how he crops them for a polished finished photo.
Landscape photography does not always have to be about dramatic sunsets and striking light. In his latest video, photographer Michael Shainblum demonstrates how to bring out the nuanced beauty of an overcast day.
The monotonous propeller noise of Air Greenland’s Dash-8-200 had been roaring in my ears for more than an hour as we began our approach to Ilulissat.
In 1991, near the end of some book projects that took me on some lengthy photographic journeys through the American West by car for two years, I came up with the idea of creating posters of some of my black and white images for a few of our western National Parks.
Photographer Geoff Decker has spent the last two years creating what he calls Nexus Panoramas: vertical photos that use the Milky Way to link two landscape foregrounds in a single image.
The “purple mountain majesties” which Katharine Lee Bates reflected on when writing the words of America the Beautiful, would likely be unrecognizable to her today.
By removing color, we change how the viewer’s eyes see the photograph. No longer dependent upon color cues, we …
The image of these power lines was taken in Alberta, Canada in late December 2017. I have been traveling to the Canadian Prairies to photograph since 2013 and have been focusing more and more on minimalist winter scenes since my first winter trip there in 2015.
The overall measure of success for any photographer will likely be at least partially attributable to the effectiveness with which they are able to edit their own work.
Autumn is something I never miss when it comes to photography. I may be working on other projects …
In 1991, near the end of some book projects that took me on some lengthy photographic journeys through the American West by car for two years, I came up with the idea of creating posters of some of my black and white images for a few of our western National Parks.
In 1991, near the end of some book projects that took me on some lengthy photographic journeys through the American West by car for two years, I came up with the idea of creating posters of some of my black and white images for a few of our western National Parks.
Waves are some of the most rewarding subjects for photography that I know. For starters, if you miss one, another will be along very soon! Of course, they are also unpredictable and can be dangerous.
Roman Loranc is described by many as a modern-day master of fine art black and white -- or at least neutral tone -- photography. In two short anecdotes, Loranc shares the thoughts behind some of his imagery.
Ukumehame Beach is a small strip of sand on Maui’s west side. It has all the necessities of a good beach – soft sand, clear waters and a few special features to draw a photographer’s eye. It’s the kind of place that tourists overlook, which makes it all the more attractive to us locals.
Guy Havell's "Back Roads of Americana" is a landscape fine art photo series that features bright, sparse, uninhabited desert landscapes across several states in the American West. It is hauntingly gorgeous work.
An astrophysicist with a passion for landscape photography spent 22 days photographing the untouched beauty of Kyrgyzstan's mountains and valleys.
As a landscape and nature photographer with a Master’s Degree in Clinical Psychology, I often enjoy trying to blend the two disciplines to better understand the human experience as it relates to photography. One subject that particularly intrigues me is the impact of social media on photography and photographers.
I am a self-taught photographer. I don’t believe you can teach someone photography unless they have the heart for it and they are willing to do the work required. As Brett Weston famously said: “Beyond the rudiments, it is up to the artist to create art, not the camera."
The world clamors for our attention and technology demands our hard-earned money, but what has happened to the quality of the experience and the investment in ourselves? Our time is now owned by social media, competitions, and the need to prove how good and well-received our images are, usually to the detriment of the images and our self-confidence.
The development of personal vision in photography often gets mired in thoughts of what to avoid, the suppression of familiar ideas, and the desire to do something different.
Long before photography was even a dream, people were trying to document the beauty of landscapes in a two-dimensional medium. From romantic interpretations of natural beauty to the realistic and mystifying Hudson River School painters, there have always been trends in how we see the landscape.
Many people feel pulled toward the wild areas of the grand Earthscape, especially to wild areas. It is important for them to know these places exist, even if they cannot go there. The spiritual connection is deep and infinite. Where does it begin? Can it be fostered?
Perhaps the greatest dream of most nature photographers is the idea of crafting a living off print sales alone. All across the internet are stories of individuals making hundreds of dollars off each print, leading to yearly sales of six figures or greater. Unfortunately, this is very often not the case.
Landscape photographers dread the feeling of standing in front of an incredible scene only to look up to find blue skies filled with harsh sunlight and no clouds. On a recent photography trip to Death Valley National Park, Michael Shainblum decided to use the harsh conditions to experiment.
Of the many questions I receive from my students and from viewers of my photographs, “How was it shot?” is perhaps the most frequent. But is it the right one?
I have been fascinated by horizons for as long as I can remember. Growing up along Lake Michigan is where my earliest memories and impressions of these horizons were formed and through the years I have remained close to these endless, wandering and mesmerizing landscapes.
Since travel has been near non-existent for the last year, many have resorted to living travel experiences virtually. Thanks to this incredible 8K timelapse film from Michael Shainblum, you can visit the stunning island nation of New Zealand from the comfort of home.
In October 2020, the family trip to the local zoo was interrupted by an unexpected telephone call – I had won the 2020 Landscape Photographer of the Year competition, a feat I had never imagined in my wildest dreams. This is the story of that image.