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Left: Close-up of rocket engines with smoke and flames at launch. Right: Two missiles in flight, leaving bright trails and plumes against a dark sky. Both images are in black and white.

NASA Captured the Artemis II Launch in Infrared and it Looks Awesome

NASA continues to upload more media from its exciting Artemis II launch last week and ongoing lunar mission. Part of the latest batch of images is infrared still frames and videos from the Artemis II launch, which not only provide useful data for scientists but look spectacular for everyone else.

A white circular grid icon with evenly spaced segments is centered on a blue-green abstract background featuring bubbles and organic shapes.

Nearly 90% of Surveyed Working Photographers Are Using AI

VSCO has increasingly incorporated artificial intelligence (AI) into its photography products, including AI Lab, a dedicated AI-based editing platform inside the VSCO app on iOS. To better understand how photographers feel about AI and how they want to use it in their photography workflow, VSCO conducted a survey of photographers across the U.S. and Canada in December, and the results are quite interesting. The company published its report today.

Caira Camera Review: A Real Head Scratcher

A smartphone with a camera attachment labeled "MICRO" lies on a circular measurement chart. The image includes "PetaPixel" and "Reviews" logos in the bottom left corner.

There has long been a grand concept in the digital camera world to have a device that takes great photos and is constantly connected to the internet. This would allow for powerful on-device editing and the convenience of sharing your content immediately. Many attempts have been made to bring the creativity that a larger sensor and interchangeable lenses offer, but have it connected to your favorite apps and social media outlets. These have all failed.

Architectural Photographer Captures the Machines Behind Artemis II

Left: A yellow spacecraft module sits on a platform inside a large industrial facility. Right: Interior view looking up into a cylindrical structure with a circular pattern and metallic panels.

Professional architectural photographer Mike Kelley has achieved extensive commercial success but has remained dedicated to personal artistic projects as well. These personal projects have often been the ones to lead to Kelley's "craziest opportunities," including one that took him to NASA's Michoud Assembly Facility to photograph the Orion crew capsule and SLS rocket that just last week carried four brave Artemis II astronauts into space to orbit the Moon.

Split image: On the left, a close-up of a digital camera with a large lens resting on sand; on the right, a woman poses energetically on a staircase, smiling and making hand gestures.

Brightin Star Announces Updated MF 11mm f/2.8 II Full Frame Fisheye Lens

Brightin Star has introduced the MF 11mm f/2.8 II, a next-generation update to its ultra-wide prime lens that brings a refreshed design and optical improvements to its existing lineup. The new version maintains its predecessor's distinctive field of view while refining handling and image performance for full-frame photographers.

A pair of compact black binoculars with silver accents, viewed at an angle from above, against a white background.

Cosina’s Voigtländer Binoculars Borrow Tech, Style From Photo Lenses

Like numerous other lens makers, Cosina Voigtländer makes binoculars. Cosina brought its brand new Voigtländer Mod. Vienna binoculars to CP+ 2026, but they were lost in the shuffle of new photo gear and are only just now starting to launch in global markets. The new binoculars are very stylish, featuring some of the style and charm of Voigtländer's beloved photo lenses.

A person in a plaid shirt and cap stands outdoors in a field taking a photo with a camera, wearing a crossbody camera bag. Trees and hills are visible in the background under a clear sky.

Think Tank PhotoCross V2 Sling Has One Strap and Side Camera Access

Think Tank Photo has announced a pair of new sling bags for adventurous photographers, the PhotoCross V2 Sling. Available in 11- and 14-liter versions, the bag features a single shoulder strap and is designed to offer photographers quick, comfortable access to their gear without removing the bag.

The 10-Year-Old Nikon D5 DSLR Really Is the Best Camera for Artemis II

On the left, a view of Earth from space shows continents, oceans, and clouds. On the right, a black Nikon D5 DSLR camera is shown facing forward against a white background.

While much of the discussion surrounding the Artemis II crew's beautiful photos from their Orion spacecraft has focused on the images themselves, and they are fantastic shots, some of the discussion has surrounded the cameras used to capture the photos. Photographers love chatting gear, after all. While the Nikon D5 DSLR may seem like a puzzling choice as the primary camera on a prestigious space mission in 2026, it's the best tool for the job.

A man holding a camera with a large lens stands outdoors. Beside him, a green sign reads "Photographer No. 24 Masters" with the Masters golf tournament logo.

New Doc Follows Ken Griffey Jr.’s Photography Journey at The Masters

Hall of Fame baseball player Ken Griffey Jr.'s passion for photography is well known. The slugger-turned-photographer is a mainstay at major sporting events, including NFL games, soccer matches, and last year's Masters Tournament at the iconic Augusta National Golf Club. Griffey's experience behind the camera at The Masters is the focus of a new documentary, "Photographer No. 24."

A collage of three black-and-white photos shows circus performers practicing: a woman juggling with shadows behind her, three men preparing backstage, and a man juggling pins in front of a patterned curtain.

Making Peace With the Brutal Math of Photography

A camera projects an illusion of authority. It is easy to mistake the act of framing for the act of creation. We expect the lens to function as a paintbrush, assuming that technical mastery guarantees dominion over a scene. The prevailing mythology insists that vision alone bends reality, and that a trained eye can summon permanent order from spontaneous chaos. The vagaries of the environment dictate otherwise.