We heard how dangerous it could get outdoors with all of the traffic-crossings, pollen, UV rays and so on, and so we decided to stay inside and paint our walls with a live stream of the outside world...
This story is not going to be a technical how to. It's not about lighting gear, cameras or lenses. It's not about technique in camera or post production. It's about the unexpected things that can happen, the people you can meet and the work you can make when you travel.
At first glance, this little black camera looks like a tiny, worn-out shooter from a hundred years ago. But upon closer examination, the camera’s black paint coating contains scribbles and etchings, with cities and locations and dates, similar to location decals on an old steamer trunk. Bordeaux, France. Liverpool, England. Camp Custer. Camp Genicart. Camp Merritt. S.S. Ascania. S.S. Chicago.
Here’s what I know.
In March of 2013, I found myself back at Carnegie Mellon University in Pittsburgh. I had been invited there by Illah Nourbakhsh and a couple of their Directors to assist in teaching a group of educators about our EPIC Pro, as well as the benefits of what high-res imaging offered to classrooms.
Editor's Note: This is the second of two articles written by Mr. Hoenk about the Boston Marathon. The first was written a week after he photographed the 2013 Marathon; in it he details the difficulty he had dealing with the situation, and shares some photos from that day. It is a much more difficult read, and shouldn't be taken on by the faint of heart. You can find the first article here. This second article is uplifting. It shows how far he has come since then, and how this marathon was such …
Editor's Note: This is first of two articles written by Mr. Hoenk about the Boston Marathon. This post was written one week after last year's marathon, while the other was written yesterday after he photographed this year's marathon, and describes how much of a healing experience this year has been. If you would like to read only the uplifting post, we completely understand. You can find that one at this link. If you do read on, be warned: some of the images in this post are graphic in nature.
Dean J. Tatooles specializes in fine art panoramic landscape photography, wildlife photography, and indigenous portraiture from remote locations around the world. He also works with top-rated travel companies and fellow professional photographers to lead photographic safaris in Iceland, India, Kenya, and more. Fresh off a trip in Iceland, Tatooles and colleague Tim Vollmer answer some common questions about the eerie natural anomaly known as the Aurora Borealis. If shooting the Northern Lights …
As photojournalists, we live the good life, getting the rare chance to make pictures for a living. While that is all fine and good, being a human first is always most important. There is no exception -- especially in the case of spot news.
It’s probably every photographer’s worst nightmare. You’ve shot gigabytes worth of images, ready to be imported for post-processing, when suddenly: card is unreadable. Your captures are all gone. All that time and effort lost to a corrupted card. It happened to me, and this is how I got them back.
“The avant-garde of 1967 repeats the deeds and gestures of those in 1917. We are experiencing the end of the idea of modern art.” - Octavio Paz (1981), Nobel Laureate …
There's no way of knowing when you'll wake up in life, or if you ever will. Only after getting down the track a ways do you realize you were in fact asleep when you thought you had things figured out. And this thought scares the shit out of you.
For the purposes of this question, I'm going to assume that "truly transparent" means that air and its constituents are no longer able to absorb and re-radiate incident radiation, which in visible light seems to be our definition of transparency. To make things much more fun, let's make this true over all wavelengths.
Anti-Massacree -- A humorous anti-war movement from the 1960s, suggested in the Arlo Guthrie song Alice’s Restaurant. The song, like many of my posts, was criticized for being overly long.
When a lot of the really big life moments are happening, we’re often too busy living them to find a way to document them for later. Who wants to be fumbling with a camera when you’re trying to say something important? But maybe there is an option that lets you capture the precious moments without having to worry about manning your camera at the same time...
This is a long article, meant to be read at your leisure.
In the picture above, taken on January 30th 2014, you see more than 315,000 Euro worth of Canon camera gear or 425,659.59 US dollars! That’s the value of a house and more than a Lamborghini Aventador!!! Now pick up your jaw, put it back into place, wipe away the drool and read about how the pictured gear wasn’t even around seven years ago.
The first time that I had worked with Disney ABC TV as their official stills photographer was a couple years back when they came to Japan to film for the reality show I Survived a Japanese Game Show. It was a super big production and I'm grateful I got to be a part of that. Although the working hours were somewhere between 12-14+ moving around on foot each day, I couldn’t complain because the entire crew were all fun to work with.
If there is only one way for me to describe Iceland, it would be “Monumental Scale Shock”. The country really borders on the extreme. The entire country’s population of 320,137 (as of 2012) is less than one half of Boston’s and two-thirds of everyone lives in the capital, Reykjavik. It's north of NYC by almost all of Canada, but it is warmer by about ten degrees in the winter. And 85% of the country is on renewable energy (Volcanic and Water) as compared to the 13.2% for the US.
Life as a race photographer can be a tough and risky one. Add in a little eastern spice and it has a whole different taste. Steve Thomas takes us on a back seat ride through the pelotons of Asia.
In the last days I received multiple requests to translate my posts for foreign readers, as they have very limited information about the happenings in Ukraine. This material describes events which took place in Kiev on January 22nd and 23rd.
Just over a year ago, photography was my most precious hobby. I really enjoyed it and took photos fairly often, but I felt that if I wanted to take this thing to the next level, I had to do something extraordinary. A couple of days before New Year's Eve I decided to start a "365 days 365 photos" project like so many other photographers before me. It felt like a great idea, and so I just went for it. What could possibly happen?
A big thank you to Mosaic for sending us this article! We hope you enjoy this amazing story! …
Hello photographer, the report of my death was an exaggeration.
A few months back I got to see the mighty, ever-reigning dinosaur kings of rock, the Rolling Stones. I had a general admission ticket and a small pocket camera, and arrived many hours early so as to worm my way clear up to the front.
A Little Background...
It’s that time of the year when we all take a moment to reflect back on the major events that will forever be remembered, the trends that changed our zeitgeist, and the pop culture phenomena that will soon be forgotten.
Here is a good example why it is so important to work the scene to get the best results from a shoot. We were camped on a 3000m ridge while photographing the majestic peaks of Trishul (7120m) and Nanda Ghunti (6309m) from Brahm Tal in the Garhwal Himalaya. I had just finished a sunrise shoot of the sweeping panorama before us. We spent two night on this ridge. I wrote more about this experience here.
Every year, I can’t think of anything I want for Christmas. So this year, I was pretty excited to come home and tell my wife, “I know exactly what I want for Christmas. A nice big piece of Iceland spar.” I even sent her a link to make it easy. (It’s certainly a comment on our times that I sent a text link across the room to my wife.) …
On Sunday I covered what was easily the hardest football game I’ve ever been asked to shoot. In turn it was the most fun I’ve ever had on an assignment.
Take a deep breath. Picture it in your mind. The world’s largest gathering of camels. Taking place at a tiny Rajasthani town filled with temples, narrow streets and a picturesque lake. Men in brightly coloured turbans as far as the eye can see. Enough dust and sand to make your nostril hairs work overtime. And hundreds of photographers in every nook and cranny, taking thousands of photographs of this annual event.
I’m not going to say that we flew down to Florida to get a picture, because we didn’t. We flew down to Florida to see my grandfather, who is 94-years-old and my son’s only living great-grandparent. All my own great-grandparents passed away long before I was born, as did my husband’s great-grandparents.
One commonly asked (and commonly mis-answered) question on the Internet these days is around the definition of what constitutes a ‘professional photographer.’ The usual definition is that it is somebody who is shooting for pay, and deriving the majority of his or her income entirely from photography or photography related activities. I suppose in the strictest sense of the definition, that is true. However, it says nothing about professional conduct or skill.
A while ago, we read an article about how gear doesn’t matter on PetaPixel, while at the same time planning a shoot that would involve a Hot Rod. Inspired by the post, we said, "Let’s do it with a Canon 550D and a cheap lens instead of the Nikon D800," because we really believe that all the latest cameras are quite good, and gear doesn't always matter anyway.
It’s not uncommon to hear someone say that they were haunted by an image, often an old photograph. It is a figurative and evocative expression. To say that an image is haunting is to say that the image has lodged itself in the mind like a ghost might stubbornly take up residence in a house, or that it has somehow gotten a hold of the imagination and in the imagination lives on as a spectral after-image.
In my last article, I wrote about the fact that every copy of a given lens has some bit of sample variation. This affects lens reviews, whether lab-based or photography-based, because the copy they tested will be just a bit different from the copy you buy. I suggested, that if you want to get a feel for what the lens you purchase is likely to be like, you had best compare several different reviews. That should give you an idea of the variation that exists.
I grew up in a sleepy New England colonial town turned commuter-suburb. The town's rich history as one of the first settled towns of the “new world” and later, a major stop on the Underground Railroad, makes it a verdant setting for historic homes and appreciators of historic rarities. George Washington once referred to my birthplace as "the village of pretty houses."
What if I told that you could get wedding photos at a fraction of the cost that professionals will charge you, would you be interested in that? I bet you would because there are a heck of a lot of people out there that think wedding photographers are way too expensive, charging you thousands of dollars just for a few pictures.
It has been over half a century since Swiss photo historian Helmut Gernsheim donated the world’s earliest permanent photograph* to the University of Texas for public display in 1963. This article is a look at the story behind Nicéphore Niépce's View from the Window at Le Gras, the world's oldest known photograph captured with a camera.
“Ya wanna see Edgerton’s lab?” …
“Don’t forget, Eric: there is a story in your backyard.” This is the advice David Alan Harvey gave me while reviewing my portfolio of travel images during a 2011 Magnum Photos Workshop I attended in Toronto.
As a photographer, you will sooner or later bump into the phrase "the decisive moment". The decisive moment is a concept made popular by the street photographer, photojournalist, and Magnum co-founder Henri Cartier-Bresson. The decisive moment refers to capturing an event that is ephemeral and spontaneous, where the image represents the essence of the event itself.
Imagine, if you will, a secret week-long conclave held in a trendy Northwestern city renowned for its adherence to a strict social order. The walls of the luxuriously appointed host establishment are covered with hundreds of photographs immortalizing moments in the glorious lives of supreme leaders and other luminaries past and present.
You do not have to be a professional photographer to profit from selling your photos for use online, on mobile devices, and traditional publications. Just ask Google. Starting with the big names like APImages, Reuters, Sipa Images, Getty Images, Corbis, Fine Art American, Wireimage, Jupitermedia, Shutterstock, Depositphotos, Istockphotos, Veer, Dreamstime, and seemingly not finding a final search result -- the market has ballooned. Or you can also ask Corbis.
People will do just about anything to alleviate their anxiety. During the last year of writing my doctoral thesis, the worry about being able to finish grew increasingly heavy. The relentless grind of research, constantly being told that your work is inadequate, and believing that 80-hour workweeks are average has its tolls on all students. Once you reach the edge of this process and are pulverized into oblivion, you get a nice, shiny PhD.
My first African experience began at age 17 when I won the 1974 Kodak/Scholastic National Photography scholarship which included a studies program to Kenya and Tanzania. For a teenager, it was an eye-opening revelation. Back then I was working an illegible night shift cooking burgers at Jack in the Box while going to high school. It was a tough gig but it made a new Nikon lens possible every couple of weeks.
In 2003, my first "Mastering Digital Printing" book came out. My goal was to create an in-depth reference to the new world of digital printing for photography and fine art. I had a sense that there was a need, especially by photographers, for good information about "this new way to print" images (digitally). I guess I was right because the book was an instant success; it was actually in the Top 5 on Amazon Books jockeying with John Grisham and Michael Crichton in sales ranks for a short while.
Recently, I was looking through a photo gallery of a potential new hire and was a bit dismayed by her use of a particular photo enhancement editing choice. All of her photos were very overly processed with multiple styles, much like the photo below. She did have a wonderful eye, and her composition and posing were really lovely. But her processing choices really distracted from the beauty of her work. The people in her photos didn’t look real.
Let me say this right at the outset. This is not another high and mighty rant against cell phone cameras, Instagram, "art" filters, Lightroom presets, etc. You’re not about to read another gripe about everything that photography has become in the twenty-first century, even though I was afraid that’s what it would sound like when I started writing this.
Thank God, I am now a gear minimalist focused on photography and a big fan of "limitation creativity" (i.e. you are more creative with less)... But here’s the truth, I used to be a huge gear junkie, basically having Gear Acquisition Syndrome (G.A.S.) as soon as I got a new camera. I had this problem since the very beginning, but now I am cured. In one sense I am trying to help those who know they have G.A.S. to stop having it and trying to prevent others from having it.
