wetplate

Photographer Corrine Gretton-West booked a wet plate workshop with me before the COVID-19 pandemic began. Two years later we were finally able to do it.

Wet plate photographer Markus Hofstätter took it upon himself to bring a giant 73-kilogram (160-pounds) ultra-large format flatbed scanner back to life, a process that took three full months.

National Geographic has published an unprecedented look at the Notre Dame cathedral reconstruction two years after the fire that devastated the historic building.

The Accademia del Disegno (“Academy of Design”), which opened in 1563 Florence, Italy was the world’s first academy of art. Prior to that time, to succeed with a career in the arts, a would-be artist either apprenticed in a respected Master’s atelier or was self-educated.

Wet plate photographer Markus Hofstätter recently acquired a Zeiss 300mm f/4.5 lens, and although it produced beautiful results, the process of getting to a finished image was filled with numerous obstacles along the way.

Photographer Markus Hofstätter -- known for his collodion wet-plate photography expertise -- decided to try something different and used the 170-year old shooting process to capture incredibly detailed high-end food photos.

Although large-format photography may be an intricate and slow process often shot in a studio, it doesn't mean that it can't be taken outdoors with a little ingenuity.

Well-known wet plate photographer Markus Hofstätter recently purchased an old wet-plate camera, repaired it to a working condition, and added two lenses to it with the help of his 3D printer.

For the past five years, I have organized an annual photographic Tableaux Vivant based on classic paintings. I have included anywhere from 15, or in the instance of my 2021 construction, No Vaccine for Death, 90 collaborators.

Photographer Markus Hofstaetter has been looking for what he calls his "dream lens" for some time, visiting flea markets and using his contacts to try and locate the Dallmeyer 3B Petzval lens, circa 1876. Thanks to one of his friends, he finally found one in shockingly-good condition.

Photographer Markus Hofstätter had been designing parts for his cameras and 3D printing them at home when the idea to try something new struck him: 3D printing photographs. After a lot of trial and error, he successfully found a way to translate wet plate photos into 3D printed pieces.

It hasn’t been easy being a portrait photographer during a pandemic. I opened my tintype portrait studio in February of 2020 with visions of goofy vintage photo remakes and smiling families gracing my lens. By the end of March, it was only still lifes full of skulls and dead flowers, dark and stale tones oddly appropriate for the time.

With the current state of affairs, photographers have been coming up with unique ways to exercise their craft remotely. Photographer Markus Hofstaetter decided he wanted to make a portrait with a friend and came up with a way to do it despite the vast distance between them.

Photographer Markus Hofstätter is known for pushing the art of wet plate photography in new and exciting ways, but... of course... it doesn't always work out. That's what happened in this video, where Hofstätter tries (and fails) to shoot wet plate photography with autofocus by putting a plate inside a Mamiya 645 AF AFD Polaroid Film Back.

Italian photographer Ursula Ferrara's Lomography Lomo'Instant Wide camera is a bit different than others you'll find. Instead of shooting Instax Wide instant photos, it's used for capturing tiny wet plate collodion photos.

Photographers around the world have been getting creative to keep their skills sharp during the ongoing coronavirus pandemic and widespread home quarantine. While many photographers are experimenting with doing remote photo shoots over video chat, Shane Balkowitsch took it to a new level by capturing a wet plate portrait.

Wet plate photographer Markus Hofstätter wanted to use his art to encourage people to #stayathome during the coronavirus pandemic, so he took a series of self-portraits that are meant to drive home a simple message: don't be like Bob.

Photographer Markus Hofstätter has made a name for himself by pushing wet plate photography to new heights, trying things others have never even thought to do. Today brings yet another example of his creativity, as he sets out to create an animation using, not digital files, but wet plate collodion tintypes.

Wet plate photography master Markus Hofstaetter—a frequent guest author on PetaPixel—recently embarked on another photography experiment. Using pebbles of sandarac resin, he made his own Renaissance-era varnish for his finished wet plates.