Dickey Chapelle was a pioneering female American war photographer who brought her camera to combat fields from World War II through the Vietnam War. The 3-minute video above by PBS NewsHour is a look at the life and work of the legendary photojournalist.
Don McCullin, one of the world's great war photographers, believes that digital photography can be "a totally lying experience" and is something that can't be trusted.
Want to see what it’s like to work as a conflict photojournalist at the front lines of a war? …
Want to see how a New York Times war photographer transmitted photos from Afghanistan back in 2008? Here's an interesting 14-minute documentary that shows the workflow photojournalist Tyler Hicks used while covering the war in Afghanistan, where he had to prepare and transmit digital photos from one of the most unforgiving places on Earth to a Times photo desk in New York.
Hicks is a senior photographer for the Times who went on to win the Pulitzer Prize in breaking news photography in 2014.
Peter van Agtmael is a New York-based conflict photographer and a member of Magnum Photos. Since 2006, he has photographed wars in Iraq and Afghanistan, as well as the effect of the wars in the US.
Recently, Agtmael was asked to turn his lens on a different subject: science. Stanford University reached out to Van Agtmael and invited the photographer to use his skills to document basic science research happening on campus.
If you want to experience what it's like to shoot as a combat photographer, but don't want to actually risk getting shot at, you can look into photographing war reenactments. Lucas Ryan is a photographer who shoots reenactments, and last year he covered D-Day Conneaut, one of the world's premier D-Day reenactment events.
Here’s a 3.5-minute video by Seeker Stories that explores how photography has affected …
If you're a fan of both photography and major Hollywood movies, there's an upcoming film to add to your "must watch" list. Steven Spielberg has signed on to direct a war photographer biopic with actress Jennifer Lawrence as photojournalist Lynsey Addario.
The film will be based on Addario's new memoir It's What I Do: A Photographer's Life of Love and War.
Japan has confiscated the passport of a photographer who was planning to travel to Syria, saying that the move was necessary to protect the man's life. It is reportedly the first time the country's government has ever taken such action.
Photojournalist and war photographer James Nachtwey received a Lifetime Achievement Award this past Monday from the American Society of Magazine Editors. The 3.5-minute video above is his acceptance speech in which he talks about the power of photojournalists to create positive change in the world.
Conflict photographer Ashley Gilbertson was recently sent into a very different war zone by TIME. Instead of capturing images of human versus human conflict in real life, Gilbertson was told to document the main characters in the video game The Last of Us Remastered.
Conflict photography is typically a dangerous, traumatizing and, at least in part, heroic profession that puts you in the line of fire with only a camera as a weapon.
But as Penn State grad and former Onward State photographer Mitchell Wilston recently demonstrated to great effect, you don't need to put yourself in harm's way to capture the kinds of gritty, black-and-white conflict photography that has become iconic through the ages.
It’s cold. The air is stinging my ears and my hands are numb. I pull back on my gloves and resume huddling in the conner of the courtyard. It’s December in Aleppo and the air is bitter, but the overwhelming sense of dread comes not from the cold, but from overhead. Early morning, midday, through the night; the aerial bombardment doesn’t stop. The sound of a jet buzzing overhead and those terrible trails of white streaming from the underbelly as missiles launch. Distant blasts and then closer ones. Mortar strikes as well. Silence and then an explosion.
Photojournalism can be a dangerous profession, especially for those photojournalists who are drawn to conflict photography. Once such photojournalist is Reuters photographer Goran Tomasevic, who has been putting his life on the line in war zones for over 20 years.
Conflict photographers like Michael Kamber and Louie Palu have spent years covering the conflicts in Iraq and Afghanistan. They've lost friends, been very nearly killed themselves, and come back with incredible (and sometimes hard to stomach) photos.
Both of their work is currently on display alongside many of their peers' at the Corcoran Gallery of Art in Washington DC, and in the short video above, they share the stories behind some of their most moving imagery. (Note: the above video contains some strong imagery)
While on assignment in the Middle East, war photographer Tracey Shelton had her gear stolen during an attempted kidnapping back in August 2011. As a freelance photojournalist, she didn't have a newspaper's funding to lean back on, and found herself out of several thousand dollars worth of camera gear.
Her work in the Middle East has been nothing short of an inspiration to photojournalists everywhere, but since the theft she's had to borrow gear and use sub par equipment to do her job. And so two recent journalism school graduates have decided to turn to crowdfunding to try and get her properly equipped to do what she does best.
NPR has published a fascinating piece about 25-year-old young Syrian woman named Noor Kelze who has been working the front lines of the Syrian conflict as a conflict photographer for Reuters.
Behold, the coolest photography-related toy we've seen so far this year: War Journalist: Battlefield Hero. It's a 1/6-scale Toymaster-brand action figure that lets kids play make believe with their very own conflict photographer!
What's it like to shoot on the front lines of battle as a military photojournalist? This 15-minute documentary by filmmaker Hannah Hill will tell you. Here's the video's description:
This is a documentary about Staff Sgt. Ryan Crane, a United States Air Force photojournalist, who has deployed to Afghanistan twice. He shares his experiences as a photojournalist in a combat environment as well as the mental and physical toll it takes on him.
Crane is based out of O’Fallon, Illinois, and has served as a combat cameraman for a Special Forces, photographing the war with a DSLR and an M4.
There’s a new organization called Reporters Instructed in Saving Colleagues (RISC) that’s training …
Here’s an inspiring video in which we hear war photographer Joao Silva discuss the biggest fight of his life: …
What would you pack if you were assigned to cover a war from the inside? The photo above shows what photographer Umit Bektas decided to pack in his camera bag for his embed with a US military unit in Afghanistan.
Update on 12/18/21: This video has been removed by its creator. This weekend, CNN is featuring this video showing renowned …
Here’s a fascinating video in which Italian photographer Ruben Salvadori demonstrates how dishonest …
The Guardian compiled a powerful collection of vignettes by war photographers recounting times …
Zoriah Miller, commonly known as Zoriah, is an award-winning photojournalist and war photographer whose work has been featured in some of the world's most prestigious galleries, museums, and publications. Check out his website, blog, one-on-one photojournalism workshops, and Wikipedia article.
PetaPixel: Can you tell us a little about yourself and your background?
Zoriah Miller: I began photography when I was 15 years old and within the first year of shooting I won a national award and was pretty into the idea of becoming a photojournalist. Three years later I was shooting abroad and had all of my equipment stolen...well, actually I had everything stolen and ended up having to spend some time in a homeless shelter until I could get money and documents to get out of the country...but that is another story. The point was that my camera and lenses were gone and I pretty much gave up. I graduated college, moved to New York, was in the music industry for six years, gave that up to go abroad and study disaster management and humanitarian aid to developing countries, hated that and then picked up a used camera and a plane ticket and have been shooting ever since then.