theslantedlens

5 Window Light Portrait Positions

I'm Jay P. Morgan from The Slanted Lens. In this article, we’re going to show you how to set up the five lighting portrait positions using the window and how to control the light.

Pentax vs Contax: Testing 2 Go-To Film Cameras for Wedding Photography

Today we’re going to take a look at two film cameras. We have the Pentax 645nII and the Contax 645: two of the last medium format film bodies ever produced, and the two most popular go-to cameras for wedding shooters who are still shooting film.

4 Steps Every Photographer Should Know To Balance Strobes and Sunlight

In this video and article, Chanda AM is going to help me illustrate how to balance ambient light with strobes. I love shooting in this situation with ambient light and strobe light. I want to be able to combine the ambient light here in this beautiful area with strobes.

A Comparison of Variable ND Filters

Is there a good variable ND filter out there? Today, we’re going to take a look at variable ND filters. We compare Peter McKinnon’s Polar Pro, B&W, Syrp, and Tiffen variable ND Filters. Let’s see if those pricey Peter McKinnon filters are worth it compared to some of the less expensive options.

Why to Shoot 2,300 Photos Even if You Only Need 3

What's the point in shooting thousands of frames when your client only wants a few? In this 10-minute video from The Slanted Lens, Jay P Morgan shares his entire process during a shoot and why he takes thousands of different shots.

Comparing Canon and Sony Full Frame Cameras That Cost Under $2,000

Photographers now have a number of options for full-frame camera bodies that can be had for less than $2,000, but how do they stack up? This video from The Slanted Lens compares three of them: the Sony a7 II, the Canon 6D Mark II, and a used Canon 5D Mark III. They’re all brilliant cameras, but which comes out on top in terms of quality?

How to Shoot Corporate Headshots: 3 Looks in 30 Minutes

When you’re taking corporate headshots, you often have a tight window in which to fit everything in. But usually you're also going to be expected to create more than one look. Jay P. Morgan of The Slanted Lens runs through his simple setup in this 5 minute video.

10 Positive Ways to Handle Rejection as a Photographer

If you can't handle rejection, you will never make it as a creative professional. It's as simple as that. Rejection is part and parcel of a career in photography, so here are 10 healthy, positive ways to deal with rejection as a photographer.

7 Easy Ways to Lose Your Photography Clients

Photographer Jay P. Morgan of The Slanted Lens made this short 8-minute video with 7 easy ways you can lose your photography clients.

"If you do these seven things, you’re going to lose your photo and video clients. I guarantee it," says Morgan. "That's right, I'm going to teach you the 7 best ways to keep your clients from ever hiring you again."

How to Make Cheap DIY Reflectors From Silver Bead Foam Boards

Whether you are shooting outside or in a studio, reflectors help you make sure that light is hitting your subject exactly how you want it. Typically, reflectors will have a silver side and a white side for varying intensities of light -- they can also cost quite a bit of money. This short video by photographer JP Morgan of The Slanted Lens shows how you can go with a cheaper DIY solution.

Tutorial: How to Batch Process Your RAW Time-Lapse Photography

Time-lapse photography seems pretty straightforward, right? You just capture a stream of images over a designated time frame and put them together in post-production to create your video. But as simple as that may sound, there are a few basic elements to the post-processing of your images that can greatly alter what the final product will look like.

Here to go over just a few of those basics, including batch-editing for color correction, de-flickering images and more, is J.P. Morgan of The Slanted Lens.

The ‘Lost Wallet’ Technique and 10 Other Great Tips for Photographing Wildlife

So you just got yourself a great telephoto lens and you're aching to go shoot some wildlife (with a camera), but you have no idea what you're doing. You shoot landscapes, or street photography, or sports, but wildlife is a mystery.

Have no fear, because Jay P. Morgan of The Slanted Lens is here with some solid tips from none other than his father, a seasoned wildlife photographer who shot for the likes of National Geographic and the Audubon Society for many years.

BTS: Using Four 400W Strobes to Outshine the Sun and Properly Light a Fighter Jet

Jay P. Morgan of The Slanted Lens was recently invited to shoot at Luke Air Force Base (again) and he didn't want to miss turning this into an educational opportunity. And so, in the behind the scenes video above, he shows you how he was able to dynamically light up a portrait that involved a fighter pilot and an entire fight jet using only four 400 Watt strobes.

Video: 6 Tips on Creating a Great Contact Page for Your Photography Website

They say the devil is in the details, and boy is that ever true when it comes to creating an easy-to-navigate photography website. In the video above, The Slanted Lens' Jay P Morgan and Adelaide Lawren sit down and talk you through 6 tips that will help you get one of the most important parts of that site squared away: the contact page.

Walkthrough: How to Create a DIY Studio On a Budget

In a perfect world, we'd all have the studio of our dreams, and it would be filled with all of the best of gear. Unfortunately, we don't live in such a world, and more often than not we're constrained by a (sometimes very tight) budget.

Here to help overcome that challenge is Jay P. Morgan of The Slanted Lens, who has put together a video that shows just how easy it can be to build a very viable studio out of fairly cheap materials/products in a spare bedroom.

The Slanted Lens Explores Why Pulling Stills From Video is a Zero-Sum Game

In game theory, a zero-sum game is one in which one side's gain is exactly balanced out by the other side's loss. Regarding photography, the term works well to describe one problem with the ever-more-popular art of motion image photography, or pulling stills from very high-definition video. And in the video above, The Slanted Lens makes this point very well by testing the concept in a photo shoot using Canon's 1D C.