Sirui has announced the expansion of two new autofocus lenses for its budget-friendly f/1.2 Sniper series. The addition of the $399 16mm wide-angle and 75mm telephoto lenses for the APS-C system complements existing 23mm, 33mm, and 56mm lenses, offering creatives a much more comprehensive set of tools to capture whatever life throws at them.
As hinted at earlier this year in Tokyo, Fujifilm is moving on from the 18-55mm f/2.8-4 lens -- which has achieved legendary status among kit lenses -- in favor of the new, sharper 16-50mm f/2.8-4.8 R LM WR. Fujifilm promises the new 16-50mm is better for its high-resolution cameras.
Fujifilm is joining the Content Authenticity Initiative and following the path already walked by Canon, Nikon, Leica, and Sony. It will bring C2PA support in some capacity to both its X and GFX cameras.
Chinese lens company Viltrox, known for its impressive and affordable lenses, has unveiled the 56mm f/1.7 compact prime for APS-C mirrorless cameras.
Zhongyi Optic's latest lens is the Chuichi Kogaku Speedmaster 20mm f/0.95, an ultra-fast, manual focus, mirrorless lens designed for Nikon, Canon, Sony, and Fujifilm APS-C cameras that suspiciously shares a lot in common with its 20mm T1.0 Mitakon lens.
We've seen the 100-400mm f/5-6.3 DG DN OS Contemporary before because it's the current full-frame super-telephoto option from Sigma for mirrorless cameras. What we haven't seen before is a full-frame Sigma that has been specifically adapted for the APS-C-sized Fujifilm lens mount -- until now.
Sigma has announced that it is bringing the 100-400mm f/5-6.3 DG DN OS and 23mm f/1.4 DC DN Contemporary lenses to Fujifilm X-mount, bringing the total number of Sigma optics for the format to six.
Venus Optics had a big hit with the original Laowa 24mm f/14 probe lens. What first garnered snickers and jokes, proved to be a unique video lens and the peri-probe lens with a 90-degree rotating end soon followed. Now Laowa has some serious competition from a company with a name I struggle to pronounce.
7Artisans has announced a new 24mm f/1.4 wide-angle prime lens for six APS-C camera mounts that is extremely cheap, but it doesn't have autofocus.
Following up on its 28mm f/13 macro probe lens from 2022, AstrHori has announced a new 18mm f/8 2x Macro Probe Lens designed for APS-C cameras and available in Sony E, Nikon Z, Fujifilm X, Canon RF, Canon EF, and Micro Four Thirds.
Meike has that its autofocus-equipped 85mm f/1.8 lens that it launched last year for Sony E-mount is now available for Fujifilm X and Nikon Z-mount.
TTArtisan has announced that its 50mm f/1.4 Tilt lens which was originally released for Sony E and Leica L-mounts two months ago is now available for Fujifilm X, Canon RF, and Nikon Z mounts.
Meike has announced a new 25mm f/0.95 manual focus lens for multiple APS-C camera mounts. The $370 optic is currently available for Sony E mount, with the promise of Fujifilm X, Canon EOS M and RF, and Micro Four Thirds coming next month.
Fotodiox has released the first commercially available lens adapter for Fujica GL69 bayonet lenses for just about every current mirrorless camera mount on the market.
Fujifilm has announced the X-T5 camera which utilizes the company’s fifth-generation 40.2-megapixel X-Trans CMOS HR sensor in a body that the company says is smaller than each of the three previous X-T cameras.
Meike has announced a new 35mm f/0.95 large aperture lens for six different camera mounts: five APS-C and Micro Four Thirds. While fully manual, it boasts solid image quality and a relatively affordable price.
TTArtisan has announced a new 50mm f/2 full-frame manual focus lens. Though not the fastest “nifty fifty” in the company arsenal, the standard focal length lens has a natural viewing angle and the company says it has a fast enough aperture to provide high performance in low light.
Meike is making a name for itself as the king of low-cost lenses. Its new 50mm f/0.95 lens is fast, comes in five camera mount options, and costs only $250.
Sigma has announced that three of its APS-C lenses are being made available for Fujifilm X-mount: the 16mm f/1.4 DC DN Contemporary, the 30mm f/1.4 DC DN Contemporary, and the 56mm f/1.4 DC DN Contemporary.
Kenko Tokina has announced that the 500mm f/8 mirror lens that it teased last year is finally available and will be available for Canon EF, Sony E, Nikon F, Nikon Z, Fujifilm X, T-mount, and Micro Four Thirds.
Kenko has announced an updated 400mm f/8 N II S mirror lens that changes the optical design and integrates a T-mount system that the company says improves performance. It will be available in eight camera mount configurations.
TTArtisan has released the TTAritsan 40mm Macro f/2.8 APS-C lens which is compatible with Fujifilm X, Sony E, and Micro Four Thirds cameras. It costs just $100.
Fujifilm has been rumored to be working on an X-H series camera for almost three years, but according to a new report, that wait may soon be over. Additionally, the successor to the X-H1 won't be alone and will feature two different models.
Until recently, if you were a Fujifilm X-Series camera owner, your options for fast prime lenses (f/1.4 or wider) were limited to (relatively) expensive options from Fujinon, or less expensive third-party manual focus lenses.
A content creator for Moment -- an online marketplace for photo and video gear -- has shared why he ditched shooting in RAW and more often than not will shoot with his Fujifilm JPEG files, making most of the different ways to post-process in the camera, instead.
Cosina has launched the Voigtlander Nokton 35mm f/1.2 for Fujifilm X-mount that it describes as a double-Gauss type configuration with a symmetrical optical arrangement that provides smooth, large bokeh.
Meyer Optik Görlitz has announced the 58mm f/1.9 II for multiple camera mounts and promises a lens that shares the characteristics of the original but manufactured with modern production processes and high-quality materials.
Kenko Tokina has announced two new lenses for the Fujifilm X system: the atx-m 23mm f/1.4 X and the atx-m 33mm f/1.4 X. The 23mm has an approximate field of view of 35mm on a full-frame sensor, while likewise, the 33mm translates approximately to 50mm.
Over the weekend, Fujifilm added a special "Webcam Mode" to two of its most popular entry-level mirrorless cameras: the X-A7 and the X-T200. Both cameras can now be used as a webcam on both Mac and PC, with no additional software required.
During a recent Fujifilm India livestream, a member of the product team revealed that the company is actively developing a firmware update that would allow you to use your Fuji X camera as a 'plug and play' webcam, ostensibly over USB.