Posts Tagged ‘wetplate’

Enchanting and Surreal Wet Plate Collodion Photography by Alex Timmermans

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From portraits to surreal scenes that feel as if they were pulled out of some long-lost storybook, the wet plate collodion photography of Alex Timmermans is unlike any we’ve seen or featured before. Read more…

Modern-Day Street Photographs of England Captured with a 130-Year-Old Camera

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What’s a photographer to do when they’re in possession of a 130-year-old wooden camera and a 100-year-old lens, capable of capturing images using the wet plate collodion process?

Well, if you’re Jonathan Keys, you set out on a mission to document the modern world around you using tools that are all but ancient in the world of photography… and you get spectacular results for your effort. Read more…

Interview: Conversation with Tintype Artist Keliy Anderson-Staley

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Kevin, 10×8″ wet-plate collodion tintype, 2010.

Keliy Anderson-Staley is an assistant professor of photography at the University of Houston. Her work has been exhibited at the National Portrait Gallery of the Smithsonian, the California Museum of Photography and the Portland Museum of Art, and is currently on view at the Houston Center for Photography.

Her book of portraits, On a Wet Bough, is forthcoming from Waltz Books. She is represented by Catherine Edelman Gallery. Read more…

Capturing Yosemite Valley with the World’s Largest Wet Plate Collodion Camera

Two years after photographer Ian Ruhter tried to capture photographs of the Yosemite Valley using the world’s largest wet plate collodion camera and suffered a “devastating failure,” he decided to chase this seemingly impossible dream again. Read more…

The Living Tin: Making Movies Using Only Collodion Tintype Photography

If you don’t really think about it, it’s easy to take video for granted. After all, you can pull out your cell phone and be recording video in a few seconds flat (even fewer if you have Pressy). But what if you were limited to older photographic techniques? No, we don’t mean film, we mean wet plate photography.

Capturing even a 12fps animation for only a few seconds would seem an enormous task, and yet, that’s exactly what director Kellam Clark and his 40-person crew — altogether The Living Tin — are doing. They’re shooting video made entirely of collodion tintypes. Read more…

Shooting Portraits of Civil War Reenactors Using the Age-Old Wet Collodion Process

Wet plate photographer Rob Gibson believes that there are those among us who are “flame-keepers of the past,” and if such people exist, he is certainly one of them. Like the others out there who continue to practice age-old photographic techniques such as the daguerreotype or wet collodion process, his passion harkens back to a simpler time — a time he does his best to recreate with 100% accuracy through his lens. Read more…

Wedding Tintype Portraits with a Massive 20×24 1800′s Camera

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When my wife Sara and I finally decided to start planning our wedding (after a crazy Muppet Proposal proposal that seemed to tickle quite a few people’s fancy) one thing that became very important to us was what to do with our wedding portraits/photography.

We are both photographers. Sara and I have experience in handmade processes (Sara is heavily into large format pinhole photography and albumen printing), and after the proposal thing went viral we had all kinds of photographers contacting us pushing their services in our face.
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This Gigantic Tintype Camera Shoots the Analog Equivalent of Gigapixel Photos

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Gigapixel photography is all the rage these days, as photographers all over the world compete to hold the record for “world’s largest photo,” but one photographer in San Francisco is participating in a very different way.

Michael Shindler, a photographer at the tintype studio Photobooth, has built a custom giant tintype camera that shoots portraits that are the analog equivalent of a gigapixel photo.
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Photographer David Emitt Adams Creates Tintype Photos Using Rusty Old Cans

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Using discarded tin cans found on the hot Arizona desert ground, David Emitt Adams has created timeless pieces he calls Conversations with History. The cans are branded with tintype pictures, reflecting ties to the very locations the cans — some of which have been sitting out in the sun for over forty years — were found.

In the words of Adams, “The deserts of the West also have special significance in the history of photography. I have explored this landscape with an awareness of the photographers who have come before me, and this awareness has led me to pay close attention to the traces left behind by others.” Read more…

Collaborative Project Using Gas Masks to Draw Attention to Wet Plate Photography

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The Mask Series is a collaboration between wet plate photographers around the world who are trying to raise public awareness of the historical photographic process that they’re so passionate about. The whole thing is centered around a specific prop: a vintage Czech M10 gas mask. Basically, every photograph contributed to the project must somehow incorporate one of these gas masks in one way or another.
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