Before I going into this one, let me first share a little recap about my background with Apple. A number of years back, I was in love with the iPhone 4S. I felt it was a phone made for photographers and supported it wholeheartedly, going so far as doing speeches at Apple stores about how their products catered to my workflow.
If you're an underwater photography enthusiast—or simply a diver who would like to take more photos—there's a new product you should probably check out. It's called 'Diveroid,' and it's an all-in-one housing, dive computer and logbook for underwater smartphone photographers.
Meyer Optik Görlitz is coming back from the dead... again. After an embarrassing and very public fall-from grace in 2018, the lens manufacturer, now owned by OPC Optics, is ready to begin re-releasing lenses that it promises are not just re-branded Chinese knockoffs at astronomic markups.
This beautifully-shot film from 2017 has been making the rounds again this morning, showing the making/assembly of the Leica M10. And like all "making of" videos that take us inside a camera or lens factory, it offers a mesmerizing look at the attention to detail that goes into assembling each digital rangefinder that Leica makes.
Last Wednesday, Apple announced the new MacBook Pro with a 16-inch Retina display. I have been testing this new laptop computer (locked behind closed doors) for the last couple of weeks and am excited to share my findings with all of you.
So far, Canon has released only two ultra-fast primes for the full-frame mirrorless RF-mount system: the 50mm f/1.2 and two versions of the 85mm f/1.2. But judging by a recent patent filing, Canon has at least a couple more f/1.2 lenses in the works, and is even toying with the idea of a 18mm f/1.0.
One of Sigma's most anticipated lenses for the full-frame Sony E-Mount cameras has an official price tag, and it's shockingly affordable. The recently announced Sigma 24-70mm f/2.8 Art lens—a direct competitor to Sony's expensive 24-70mm f/2.8 G Master—will begin shipping in early December for just $1,100.
I’ve been shooting with the Ricoh GR III for the past few months and I can tell you it definitley lives up to the hype. It’s small, stealthy and produces amazing images but is this the ultimate street photography camera? My Ricoh GR III street photography review has the answer.
The Sony RX10 IV is one of (if not the) most popular bridge/superzoom cameras on the market, and it just got better. As promised in an earlier announcement, Sony has released a free firmware update that improves the RX10's autofocus by adding Real-Time Animal Eye AF.
Sony Japan has issued a service advisory for a limited number of 16-35mm f/2.8 G Master lenses, which are apparently causing cameras to malfunction when attached. If your lens is affected, Sony will inspect and repair it free of charge.
Following hot on the heels of yesterday's leak, Tokina has officially revealed its redesigned full-frame 100mm f/2.8 macro lens for the Canon EF and Nikon F mounts: the Tokina ATX-i 100mm f/2.8 Macro FF.
According to the most recent leaks, Tokina is preparing to reveal a redesigned 100mm f/2.8 Macro lens for Canon and Nikon full-frame DSLRs very soon. The lens will allegedly replace the brand's current 100mm f/2.8 AT-X M100 AF Pro D seen above.
The long-awaited, long-rumored 16-inch MacBook Pro has officially landed, and it promises to fix all of the gripes that users had with the previous flagship 15-inch MacBook Pros while increasing performance by "up to 80%" for designers, photographers, video editors, and everyone in between.
Fujifilm killed off its beloved ACROS 100 black-and-white film last year and then surprised photographers earlier this year by announcing a reboot of the line. Now that return is nigh: NEOPAN 100 ACROS II will be landing on November 22nd in both 35mm and 120 formats.
Polar Pro has just unveiled the new Summit filter system for landscape photographers: a re-design of the standard filter holder that features several innovative design elements, prompting Polar Pro to call it "the industry's most refined landscape filter system."
The D750 is a favorite among Nikon DSLR shooters, but in 2019 it's really starting to show its age. Thankfully, the latest reports hint at a replacement coming sooner rather than later, and as of this morning, we have our first set of rumored specs for the unconfirmed DSLR.
Portrait photographer Manny Ortiz recently got the chance to try out Canon's recent autofocus update for the EOS R, and the news is good: according to Ortiz, the update has "dramatically improved" Eye AF performance and totally changed the usability of the EOS R for portraiture.
Back in July, Sigma announced the fp, the world's smallest full-frame mirrorless camera. With the camera on store shelves now, Johnnie Behiri of cinema5D took a trip to Japan and got a behind-the-scenes look at the fp production line in Sigma's Aizu factory.
Zeiss has unveiled a new set of Supreme Prime Radiance cinema lenses, which feature a pretty interesting trick. Thanks to a new coating, they're able to create "controlled flares" without compromising contrast or light transmission.
Our friend Roger Cicala over at LensRentals recently decided to take on a few optical "platitudes" that he's always hearing, and see if the data can back them up. So, are "all lenses the same at f/8"? And is it true that you "don’t need primes because I shoot everything stopped down"? Let's find out.
The trinity is now complete. Since the release of the Canon EOS R about a year ago, the mirrorless camera is my go-to tool for shoots. Not least because of its size and weight, as well as the amazing lenses (RF 28-70mm f/2, RF 50mm f/1.2, and my RF 24-240mm f/4-6.3 expedition lens) the EOS R has benefits over its DSLR counterpart.
Panasonic has added two much-anticipated lenses to its "S Pro" lineup of L-Mount lenses for the full-frame mirrorless Lumix S1, S1R and S1H cameras: The Lumix S Pro 70-200mm f/2.8 O.I.S. and the Lumix S Pro 16-35mm f/4.
Up until a few weeks ago, I had never used a Leica. I don't think I'd ever even held one or knew much about them other than the occasional story of an outlandishly expensive iteration on a camera previously on the market. I had preconceived notions about the kind of company Leica was, about their goals, and about their strategy. I expected very little, regardless of what they were going to show me.
Sigma has announced the new 24-70mm f/2.8 DG DN Art lens for full-frame mirrorless cameras. It'll be available at launch for the E-mount by Sony and the L-mount by the Leica/Panasonic/Sigma L-Mount Alliance.
Leica has announced the SL2, a full-frame mirrorless camera that replaces the SL that was announced back in 2015. Leica says the new "all-purpose" camera "resets the tone for the mirrorless market."
Ever since Google debuted Night Sight, people have marveled at how capable the computational photo technology has proven to be. But how does it compare to good old fashion sensor size? Andrew of the YouTube channel Denae & Andrew decided to find out.
Without fanfare or so much as a press release (yet), the Canon EOS Ra camera has officially been released. The specially-designed astrophotography camera is Canon's first full-frame mirrorless camera "dedicated to deep sky and night sky photography."
Xiaomi has officially revealed the Xiaomi CC9 Pro, the company's first full-production smartphone that features Samsung's crazy 108MP image sensor and a ridiculous penta-camera array on the rear of the phone.
We're not sure if adding airflow to various photography gear counts as "innovation," but yet another Canon patent has been unearthed that shows just that. This time it's not a DSLR or a lens, but a hybrid speedlight that Canon is planning to upgrade with on-board cooling.
Dell just announced a new monitor built specifically for creative professionals who demand accurate color reproduction. The 27-inch UP2720Q joins the big boys from companies like HP and Eizo by integrating 4K resolution, 100% Adobe RGB coverage, and a built-in color calibrator—a first for Dell.