Editorial

A black Pentax K-1 Mark II DSLR camera with a large lens is displayed on a plain white background. The camera features a textured grip and several control buttons and dials.

What the Curious Case of the Pentax K-1 Tells Us About Photography (and Photographers)

Despite being ahead of its time, the Pentax K-1 (and its Mark II upgrade) was a camera system that promised so much yet appears to have run out of road. Born seemingly from an R&D department whose chains had been freed, the engineers went wild, strayed off-script, and produced a camera full of innovation. Fast forward to 2024, and a lack of lens support paired with no upgraded models in over six years leaves Pentax owners in an unwanted state of limbo where even the most loyal customers are now compelled to look elsewhere.

Gold laurel wreath encircling the letters "PP" on a black background with gold sparkles. Text below reads "2024 Nominees.

The PetaPixel Awards Nominees: The Top Photo Gear of 2024

Every year, PetaPixel recognizes the top cameras, lenses, and photography accessories in The PetaPixel Awards. Selections are voted on by the PetaPixel staff and while final awards will be announced next week, we are happy to share our nominees in each of the categories today.

A Canon EOS 5D Mark IV DSLR camera with a 24-105mm lens. The camera is angled slightly to the right, showcasing the lens and body with visible brand and model markings. The background is white.

The Venerable Canon 5D Mark IV Shows That DSLRs Are Far From Dead

Black Friday and Cyber Monday offered many deals for photographers looking to upgrade their equipment while saving a few dollars in the process. Typically, this online promotion on steroids allows brands and camera store chains to push stock that has been on the shelves for a couple of years and is likely to be superseded by newer models over the coming months. However, there are a few models that buck typical trends.

An abstract image depicting a red and white letter "A" logo partially submerged in the ocean, surrounded by several shark fins with Apple logos. The sky is cloudy, creating a dramatic atmosphere.

Apple Smells Blood in the Water

In just the last year and a half, Apple launched Final Cut on iPad and Final Cut Camera, updated Final Cut Pro to a new version for the first time in 13 years, and moved to purchase Pixelmator. As Adobe's public perception continues to struggle, Apple is making moves to take advantage.

The image shows two logos: Adobe Photoshop (Ps) on the left and Adobe Illustrator (AI) on the right, with a "not equal" symbol (≠) between them. The background is a swirling, abstract design with shades of green, blue, and black.

AI Empowers Fake Photos and Disinformation in Ways Photoshop Never Could

Since digital image editing tools like Adobe Photoshop hit the scene in the late 1980s, there have been heightened concerns about whether photos can be trusted. This long-time worry has become an increasingly common refrain among artificial intelligence's most ardent defenders, but it doesn't serve as a sound defense against criticisms of AI.

A sleek smartphone with a dual-lens rear camera and a display featuring abstract colorful shapes. The phone has a metallic finish and is set against a background of black hexagonal shapes. The Google logo is visible on the back of the device.

The ‘Team Pixel’ Drama Exposed a Disconnect Between Creators and Brands

Last week, Google updated its agreement with "Team Pixel" members to stipulate that they weren't allowed to support any other smartphone brand or else risk ejection from the platform. Because many in that program considered themselves reviewers, it exposed a major disconnect between how many perceived themselves versus how Google perceived them.

Black and white photo of a modern building with the Adobe logo prominently displayed on its facade. The building has large, square windows and the sleek design typical of corporate architecture. The Adobe logo consists of a stylized 'A' and the word "Adobe".

I Hope Adobe Can Overcome Some Photographers’ Vitriol

This week, PetaPixel published a podcast where the entire premise was simply posing questions provided by photographers to Adobe. But just the act of publicizing those answers immediately turned some viewers off, showing a huge number need to see action, not words -- if anything at all will work at this point.