zoomlens

A black Fujifilm XF 16-50mm camera lens is shown against a white background. The lens features a zoom ring with focal length markings and a textured focus ring, designed for use with Fujifilm X-Mount mirrorless cameras.

The XF 16-50mm f/2.8-4.8 R LM WR is Fujifilm’s New Kit Lens

As hinted at earlier this year in Tokyo, Fujifilm is moving on from the 18-55mm f/2.8-4 lens -- which has achieved legendary status among kit lenses -- in favor of the new, sharper 16-50mm f/2.8-4.8 R LM WR. Fujifilm promises the new 16-50mm is better for its high-resolution cameras.

OM System Telephoto lens review

OM System 150-600mm f/5-6.3 IS Review: Can’t Argue With a 1200mm Equivalent

An OM System 150-600mm f/5-6.3 has been sitting in the office for months and I haven't touched it since I tested the OM-1 Mark II. Finally, the cold weather had given way and I had no excuse to ignore it anymore. A trip to the Calgary Zoo would let me test out not only the wildlife capabilities of this lens but also the excellent macro versatility that the lens offers.

Sony 16-35mm f/2.8 G Master II

Sony 16-35mm f/2.8 G Master II Review: Easy to Recommend

The classic professional photographer's kit has for decades consisted of the holy trinity of f/2.8 zoom lenses: a 16-35mm, 24-70mm, and 70-200mm. Armed with these, a photographer can cover almost any shooting situation. When Sony first started its full-frame mirrorless camera line, it quickly made these professional zoom lenses under the G Master moniker. Unfortunately, these lenses were not able to deliver the high-grade results that many of the other brands could.