Sony doesn't appear to be out of the woods when it comes to supply chain struggles as the company has delayed the 16-35mm f/4 PZ G Series power zoom lens from its planned April release until an unspecified time later this summer.
The updated mirrorless version of the legendary ultra-wide 14-24mm f/2.8 lens lives up to its F-mount predecessor and then some. It offers incredible performance, a sturdy and stylish build, impressive image quality, and it comes with its own screw-in filter attachment lens hood.
Tamron has filed a patent for a pair of zoom lenses designed for use on gimbals and drones: a 28-75mm f/4 and 28-80mm f/4.5. Both lenses are described as compact and with little change to their center of gravity across the zoom range.
Sony has announced the 16-35mm f/4 Power Zoom (PZ) lens, a G Series (not G Master) zoom that promises highly responsive and comfortable operability with the zoom ring and can be controlled by the lens, by the camera, or by a remote.
Currently, the longest-reaching telephoto zoom lens in the Nikon Z-mount system, the Nikkor 100-400mm f/4.5-5.6 VR S faces a lot of eager potential customers who are going to balance its longer focal length with overall size and cost. I can’t say it will disappoint.
Last year, Ricoh Imaging released the Pentax K-3 Mark III, which proved to be an excellent (yet expensive) DSLR. Ricoh says the Pentax-DA* 16-50mm f/2.8 ED PLM AW is the "ultimate general professional-grade zoom lens" for APS-C DSLR systems like the K-3 Mark III, and I have to say it lives up to that.
In photography, the “cutting edge” doesn’t always happen with the most expensive gear; the ability to produce a quality lens at a price lower than ever is just as innovative. Canon’s RF 100-400mm f/5.6-8 IS USM is my case in point.
Nikon has announced the 28-75mm f/2.8 for full-frame Z-mount cameras, what it claims is a lightweight and versatile optic for all types of photographers. The company also announced it is developing an 800mm f/6.3 VR S super-telephoto prime lens.
The new Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD for E-mount and X-mount is an all-in-one APS-C lens with the power of 16.6x zoom. These types of do-everything lenses have a tradition of being subpar, but Tamron may actually have what it takes to pull off a winner.
Sigma today announced its new 18-50mm /f2.8 DC DN lens -- a small zoom lens for mirrorless cameras with APS-C sensors -- and photographer Gordon Laing decided to see how it compared to Sony's 16-50 f/3.5-5.6 kit lens.
With Sigma's latest release, the company is going back to basics to deliver a standard wide-to-telephoto zoom lens for Sony E-mount and Leica L-mount crop-sensor cameras. Does it have any flash or is it nothing more than a simple kit lens?
Sony has built up its G Master series of premium lenses as being the pinnacle of lens design for their customers. So what happens when that lens design begins falling behind after five years on the market? Hit refresh.
Sony has announced the second-generation 70-200mm f/2.8 G Master lens that it says has excellent performance packed into the world's lightest large-aperture telephoto zoom lens.
Nikon has announced the Nikkor Z-mount DX 18-140mm f/3.5-6.3 VR zoom lens for APS-C mirrorless cameras. Nikon positions it as a high-power zoom lens that is extremely compact and easy to carry, making it an ideal travel or everyday lens.
Previously revealed as a development announcement in July, Tamron has announced final details and availability for its 18-300mm f/3.5-6.3 Di III-A VC VXD for Fujifilm X-mount and Sony E-Mount.
Fujifilm has announced the new 35-70mm f/4.5-5.6 lens for the GFX medium format camera system. Touted as compact and lightweight, the company says it will broaden the scope of applications for GFX cameras.
Tamron has revealed that the previously-announced 18-300mm f/3.5-6.3 Di III-A VC VXD for Sony E-mount will be available this September for $699.
Chinese smartphone manufacturer Vivo has recently published schematics for a pyramid-like smartphone camera design that stacks multiple lenses on top of each other in a unique telescoping camera mechanism.
Tamron has announced that it is developing its first Fujifilm X-mount lens: the all-in-one 18-300mm f/3.5-6.3 Di III-A VC VXD. The lens will also be available in Sony E-mount.
How does the legendarily heavy-duty Sigma 200-500mm f/2.8 EX DG lens translate to use for portraits today? What about when combined with teleconverters on a Sony Alpha 7 Mark III?
Ricoh has announced a new wide-angle zoom lens that is classified under its "Star" series optics: the HD Pentax-DA 16-50mm f/2.8ED PLM AW lens. Ricoh says it promises the highest imaging performance available and is designed for use on K-mount DSLRs.
Panasonic has announced the Leica DG Vario-Summilux 25-50mm f/1.7 ASPH lens for Micro Four Thirds cameras that is able to boast a wide-open f/1.7 aperture through the entire zoom range and is designed to pair with the popular Vario-Summilux 10-25mm f/1.7 ASPH.
Canon has announced the RF 14-35mm f/4L IS USM lens, a slower but lighter, more compact, and more affordable version of the f/2.8 iteration of the lens it launched in 2019.
Leica recently introduced its $2,795 Vario-Elmarti-SL 24-70mm f/2.8 ASPH lens, the latest zoom lens for L-Mount systems. It's not what most would call "cheap," but it certainly is inexpensive compared to the rest of Leica's lineup. But does that mean a dip in performance?
When taking a look at Sigma's newest zoom in its Contemporary lineup, one can't help but draw comparisons to the myriad of other standard-range zoom lenses available. Let's be honest -- it doesn't break any new ground.
The Sigma 28-70mm f/2.8 DG DN is a compacted take on the popular "desert island" 24-70mm f/2.8 lens that makes a slight concession in focal range at the wide end in order to make itself smaller, lighter, and cheaper: just $900.
The StarScope Monocular is advertised as both a hand-held scope and incredible zoom lens for smartphones accompanied by some rather unbelievable performance claims. Krazy Ken of YouTube Channel Computer Clan first looks at the ads and dissects the promises before putting the scope to the test himself.
Sigma has announced the 28-70mm f/2.8 DG DN zoom lens for Sony E-Mount and L-Mount. In contrast to what is commonly associated with Sigma lenses, the company says this new lens is the smallest and lightest full-frame f/2.8 standard zoom for mirrorless systems currently available.
Ken Rockwell has announced that he has patented a software addition that would leverage the ability for full-frame cameras to shoot in crop modes and automatically apply that feature when a lens is zoomed for extra optical throw in situations like bird photography.
Canon's "big white" zoom lenses are among the company's most popular offerings, but the only lens released for the RF mount so far has been the RF 70-200mm f/2.8 L IS USM. But the company reportedly has two "big whites" up its sleeve for 2021.
After months of rumors and speculation, Sony has officially unveiled the FE 12-24mm f/2.8 G Master lens, styled as the "world's widest full-frame zoom with a constant f/2.8 aperture"... with a price tag worthy of the name.
Panasonic has just unveiled a versatile new zoom lens for the L-mount system. The Lumix S 20-60mm f/3.5-5.6 is a standard zoom lens for full-frame cameras that combines the variable aperture found in more affordable glass with some professional-grade features like weather sealing and specialized lens elements.
After teasing an “in development” announcement late last year, Tamron’s all new 70-180mm f/2.8 for Sony E-mount is finally about to hit store shelves. With the release of this lens, Tamron will complete their “holy trinity” for Sony mirrorless.
First, a little backstory. For much of my young career, I shot Canon. Be it the 1D, 1D2, 1DS, 1D3, 1DS2 and 1DS3, let’s just say I had a thing for the ergonomics of that chassis. In every camera I would replace the focusing screen with the cross-style manual focusing option and would never use AF. To make things even more difficult, I only shot primes.
In addition to unveiling the flagship Nikon D6 DSLR, Nikon also released two new Z-mount lenses for its mirrorless system tonight: the NIKKOR Z 20mm f/1.8 S and the NIKKOR Z 24-200mm f/4-6.3 VR.
LensRentals just finished their teardown of the incredibly light and compact new Canon RF 70-200mm f/2.8 lens, and what they found will make Canon users very happy. Not only is this lens a beautifully engineered marvel--a total redesign of the "typical" 70-200mm f/2.8 formula--it is also, in Roger Cicala's words: strong, like bull.
Are you looking for an affordable but also electronic macro lens? Or maybe you have an old kit lens that's just sitting around, collecting dust since your last upgrade? Well then read on, because in this article I am going to share one cool hack that will allow you to transform almost any kit or standard zoom lens into a capable macro lens!
Scientists have revealed a new futuristic robotic contact lens that's essentially an advanced zoom lens for the human eye. It can be zoomed and controlled by blinking and looking around.
Panasonic has announced the development of the Leica DG 10-25mm f/1.7 for Micro Four Thirds cameras. It's the world's first wide-angle zoom lens with a constant f/1.7 aperture.
Superzoom cameras are getting crazier and crazier in their reach. If you thought the 83x zoom on the Nikon P900 was impressive, watch this video demonstrating the power of the 125x zoom on the new Nikon P1000.