Sony has been working hard to re-release new iterations of its existing lenses because although many of the early lenses were decent, they still left much to be desired. The original G Master zooms, for example, were priced like high-grade professional lenses, but came up short optically.
When Sony and Sigma released lenses with nearly identical specifications (or at least nearly identical target customers), photographic gear scheduling marked a rare alignment. Photographically speaking, the concurrent launch of these two similar lenses is the equivalent of a full solar eclipse—incredibly rare and also amazing to see.
A class action lawsuit has been filed in the state of California that alleges the serial number stickers on Sony lenses too easily fall off and therefore prevent owners from getting free repairs or taking part in product recalls.
The year is 2022 and it’s apparently APS-C’s time to shine. With Canon showing off what they’ve cooked up and Fujifilm making a big announcement of their own, today Sony is bringing out three more wide-angle APS-C lens options: 10-20mm f/4 PZ, 15mm f/1.4, and 11mm f/1.8.
Now 66 E-mount lenses in, Sony is reworking more of its popular focal lengths and modernizing them with the latest standards. The new Sony PZ 16-35mm f/4 G takes a classic and gives it new life.
Sony has announced the second-generation 70-200mm f/2.8 G Master lens that it says has excellent performance packed into the world's lightest large-aperture telephoto zoom lens.
Tamron has announced final pricing and availability details for the 35-150mm f/2-2.8 Di III VXD and the 28-75mm f/2.8 Di III VXD G2. Both lenses are coming this fall for Sony E-mount.
Tamron has published development announcements for a duo of upcoming lenses. The first is the 28-75mm f/2.8 Di III VXD G2, and the second is the 35-150mm f/2-2.8 Di III VXD. Both will be released for Sony E-mount cameras.
Sigma has announced the 150-600mm f/5-6.3 DG DN OS Sport lens for Sony E-mount and Leica L-mount. It is the company's first ultra-telephoto zoom lens that Sigma says has been developed from the ground up specifically for full-frame mirrorless cameras.
A decade into the E-mount camera system and Sony has become well-versed at making 50mm lenses for mirrorless bodies. The company's latest effort, the 50mm f/1.2 G Master, is the most ambitious as well as the most satisfying.
Sony appears to have underestimated the demand for one of its new products again, as the company has announced a shipping delay out of Japan due to a number of orders that "greatly exceeded" expectations despite initial statements to the contrary.
Super-wide-angle lenses made for full-frame cameras are usually some combination of big, heavy, slow, or riddled with image quality problems. Usually.
Rokinon has announced the AF 24mm f/1.8 Compact, a wide-angle, fast prime that has a specific astrophotography mode to assist with star photography. This is Rokinon's eleventh autofocus lens specifically engineered for Sony cameras.
Sony has announced its 60th E-mount lens -- the 50mm f/1.2 G-Master -- that it hopes will prove that not only can it continue to make compact, lightweight primes but also can also do so while competing with the fast aperture lenses of both Canon and Nikon.
Sony Japan has announced that the 35mm f/1.4 G-Master which was slated to start releasing this week is delayed for an unspecified amount of time due to "production reasons."
Sony has announced the 59th addition to the E-Mount lens lineup, the 35mm f/1.4 GM. Built "in the same spirit" as the 24mm f/1.4 GM, Sony claims this lens is capable of being a do-it-all lens, from portraiture to landscapes.
Yongnuo is no stranger to affordable alternatives to first-party products. What started with its cheap speedlight alternatives shifted to remarkably affordable mostly-plastic lenses, and the latest full-frame 35mm f/2 lens for Sony E-Mount is the latest in the company's large library of options.
Sony has just released the brand new FE 20mm f/1.8 G: a lightweight, high-performance, ultra-wide prime lens for full-frame Sony mirrorless cameras that the company has dubbed "the widest full-frame prime lens in E-mount lineup."
Sony Japan has issued a service advisory for a limited number of 16-35mm f/2.8 G Master lenses, which are apparently causing cameras to malfunction when attached. If your lens is affected, Sony will inspect and repair it free of charge.
Amazon sparked a frenzy on Prime Day back in July after it accidentally listed a wide range of cameras and lenses -- some worth over $13,000 apiece -- for $94.48 each. While we've heard of strange pricing errors before, what's crazy is that Amazon honored the orders and buyers actually received tens of thousands of gear for hundreds of dollars. But it seems Amazon's generosity (or oversight) was limited to its Prime Day festivities...
Sony just debuted two new full-frame E-mount zoom lenses—one ultra lightweight, one premium. The 12-24mm f/4 G ultra-wide angle zoom falls into the former category, while the fast 16-35mm f/2.8 GM joins Sony's line of high-end G-Master lenses for pixel peeping sharpness fiends.
One of the main complaints when Sony releases a high-powered new full-frame E-Mount camera is, "Okay, but where's the glass!?" The release of the impressive Sony a9 'sports camera' was no different, but a new report claims Sony is working on at least one long, fast prime to silence the critics.
In addition to the impressive new a9 mirrorless camera, Sony also debuted a new lens today. Meet the brand-new 100-400mm f/4.5-5.6 OSS G Master super telephoto zoom lens—the longest E-mount lens Sony has ever manufactured.
It's not one of Canon or Nikon's 800mm behemoths, but Sony's 500mm f/4G comes close... if not in focal length, then at least in price. At $13,000 it is the most expensive and longest prime Sony makes, and photographer John Sison got his hands on one to review.
The next lens in Sony's high-end G Master line has been revealed, and it promises the "highest ever quality bokeh for an alpha lens." Say hello to the FE 100mm f/2.8 STF GM OSS.
A highly reliable source revealed something exciting for Sony full-frame E-Mount shooters. Apparently, the company is planning to debut an affordable 85mm FE lens, very likely f/1.8, for all of you portrait shooters on a budget.