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Two brothers have been arrested and charged with assaulting a New York Times photographer and stealing her equipment during the attack on the U.S. Capitol January 6, 2021.

A bill introduced in the California state senate aims to prevent the dangers of artificial intelligence. Critics, including Google and Meta, say the bill could stifle innovation and even kill California's significant tech industry.

Ormond Gigli (1925-2019) is an American photojournalist with a career spanning over forty years. But today, he is mainly known for one photo – Girls in the Windows – that he created in 1960. It shows forty models and women posing in the window frames of a brownstone about to be demolished on East 58th Street in Manhattan's Upper East Side, an affluent New York neighborhood.

OpenAI, the creator of ChatGPT and DALL-E, is fighting a major legal battle against New York Times for what The Times alleges was "unlawful use" of its content during OpenAI's extensive AI training process.

As part of the ongoing efforts of the Content Authenticity Initiative, Adobe has announced "Content Credentials," a new feature that enables creators to attach attribution data to images before sharing them online.

Twitter is the latest tech and media giant to join The Coalition for Content Provenance and Authenticity (C2PA), which focuses on combating misleading and fraudulent online content.

The Reporters Committee for Freedom of the Press (RCFP), National Press Photographers Association (NPPA), New York Times, and Washington Post are urging the Secret Service to allow credentialed journalists covering the 2021 inauguration to carry protective equipment.

At its core, photography allows us to tell the story of our history. Years from now, when we look back at images from 2020, our thoughts and feelings on how this year unfolded will be, undoubtedly, extremely complex.

On September 5, 2020, The New York Times published “The Great Divide” – the latest entry in their “The America We Need” Times Opinion series – which examined neighborhoods on Chicago’s North Side and South Side and the enormous disparities in wealth and health that have emerged between them as a result of racist policies like redlining that began in the early 20th century.

At Adobe MAX 2019, Chief Product Officer Scott Belsky announced the Content Authenticity Initiative – a nascent and ambiguously defined way for attribution to travel with an image and allow consumers to know, in the words of Adobe VP Dana Rao, that “the content they’re seeing is authentic.”

Unlike most types of photography, photojournalism abides a more stringent set of ethical guidelines because truth is paramount to accurate reporting. Many newspapers enforce their own ethical journalism guidelines, which tend to focus on retouching and the use of photo illustration techniques (e.g. compositing, timelapse, panoramic, etc).

The New York Times launched its Lens blog a decade ago to showcase the best of photojournalism across the industry. Fans of the publication will be sad to hear that it's now coming to an end -- in it's current form, at least.

What is it like to shoot a travel assignment for a major publication? What’s the process from start to finish? Every publication is a little different but I’ll speak from my experience shooting dozens of assignments for The New York Times travel section throughout Southeast Asia for over a decade.

Earlier this year, the New York Times began searching for a new Director of Photography to replace Michele McNally, who announced her retirement in February after 14 years in that role. After considering both external and internal candidates, the Times has selected Meaghan Looram, who served as one of McNally's top deputies for 8 years.

Want to hold one of the "one of the most important and high-profile jobs in visual journalism"? The New York Times has an opening for you: The Gray Lady is looking for a Photo Director.

Diane Arbus was honored with an obituary by the New York Times today, 46 years after the renowned American portrait photographer died. It was one of 15 obituaries published today as part of a project titled Overlooked.

Want to be a White House news photographer for the New York Times? If that's your dream photojournalism job opportunity, here's some great news: there's a job opening right now just for you.

A New York Times photographer who has vocally protested White House Press Pool blackouts is now saying that photographers get more access to Trump than they did to Obama.

The Internet is becoming a hectic and volatile place for photographers to share their work. Social media enables photos to be put in the hands of tens, thousands, and even millions in a matter of minutes. However, one small break in this sharing frenzy can lead to massive loss and frustration for the creators that dedicate themselves to doing their passion well.

A photographer whose photos have appeared on the front page of the New York Times over 30 times has filed a lawsuit against the newspaper. He accuses the Times of misclassifying his employment status, discriminating against him based on age, denying assignments due to an arrest, and retaliating against him due to making these claims.

Taken in September of 1942, this captivating collection of black and white photographs show the New York Times in production during the height of World War II.

At a large publication like The New York Times, there are a number of photo editors—including those in charge of curating great photography on Instagram. To find out what these photo editors are looking for, PhotoShelter caught up with their Social Photo Editor Kerri MacDonald, who oversees the @nytimes and @nytarchives Instagram accounts.

The winners of the 2017 Pulitzer Prize for Breaking News Photography and Feature Photography were announced last night, and both are prime examples of powerful photojournalism and visual storytelling. Neither photo essay is for the faint of heart.