ethics

Are Your Social Media Photos Ending Up In a Law Enforcement Database?

Facial recognition is an incredibly useful consumer tool for organizing our burgeoning photo albums. Companies like Google and Apple have slowly integrated machine learning algorithms into their consumer photo products, which allow you to search by keywords without the need for manual tagging, or to simply click on a face to see more photos of that person.

How to Photograph Wild Amphibians and Reptiles Safely and Ethically

It frustrates me to see so many fake wildlife photographs of amphibians and reptiles on social media. That's because those staged photos of captive animals in unnatural positions and situations go viral on a regular basis, and this “success” can inspire other people to follow them in their footsteps.

The NYT’s Poor Caption and Dubious Image Selection of Hope Hicks

Unlike most types of photography, photojournalism abides a more stringent set of ethical guidelines because truth is paramount to accurate reporting. Many newspapers enforce their own ethical journalism guidelines, which tend to focus on retouching and the use of photo illustration techniques (e.g. compositing, timelapse, panoramic, etc).

Are You an Ethical Photographer?

A group of boys in Baraboo, WI assembled for a junior prom photo and posed with a Nazi salute. One of the boys posted the image to Twitter with the caption “We even got the black kid to throw it up.” In the midst of public outrage, it was revealed that a professional photographer not only took the image but directed them to “wave goodbye.”

The Model Release in Travel Photography

While most commercial photographers know about copyright laws and the use of a model for their images, it seems the answer isn’t so clear when it comes to travel photography. If you’re traveling the world with your camera, what laws apply for you and for your subject?

To Stage or Not to Stage in Travel Photography

With the recent polemics surrounding a certain image that won a photography competition this week, I feel like we need to talk about travel photography. About people photography, in our case. And to set up boundaries as to what’s acceptable in both cases. Honestly, in my opinion, it’s a matter of common sense – but it seems that’s not enough. We still witness some shocking scenes in the world of travel photography these days.

The New York Times’ Photographic Double Standard

In covering the terrorist attack on a Nairobi hotel that killed at least 21 people by Shahab extremists, The New York Times decided to publish an image of a bullet-riddled body taken by Khalil Senosi. Photo Twitter was outraged, and Poynter wrote about the “hard choice” the NYT made regarding the selection.

Defending ‘Needles in the Sewer’ and Photographing the Disadvantaged

One of my images has been subjected to criticism and scrutiny in a way that none of my other work ever has. The photograph in question is of a scene in London, Chinatown; a man reaches into a sewer while shouting about how someone threw his needles down there.

BBC Wildlife Film Crew Intervenes to Save Trapped Penguins

One of the cardinal rules of documentary wildlife photography and filmmaking is to not interfere with the natural course of events in the scenes and situations you're trying to capture on camera. A BBC wildlife film crew decided to break that rule by coming to the rescue of trapped penguins.

What if He Falls? Shooting the First Free Solo of El Capitan

How do you go about shooting a subject when you know they could die in a split second while your camera is pointed at them? That's the reality filmmakers Jimmy Chin and Elizabeth Chai Vasarhelyi faced while creating their documentary Free Solo. The duo followed climber Alex Honnold during his attempt to be the first human to ever climb the 3,000ft El Capitan in Yosemite without safety equipment.

Ethical Exif (EE) for Wildlife Photos

One of my least favorite shots from Sani lodge now serves as a constant reminder of poor practice to me. This subject was one of many subjects collected by Tropical Herping working on a photographic field manual of Herps in Ecuador. This parrot snake (Leptophis ahaetulla) was played with.

Licensed or Not? A Closer Look at the Fox News Flood Imagery Fiasco

In the face of breaking news, smartphones have made everyone a frontline reporter, and social media has allowed users to become self-publishers. However, with rare exceptions, most news content still relies on traditional media for mass distribution. Junior producers at large news-gathering organizations often attempt to obtain licensing rights directly from individuals via social media for photo and video that might not be available through wire services like AP, Reuters, and AFP.

The Ethics of Photographing Slums

My eyes are filled with tears because of the smoke. The plastic particles in the air are irritating my lungs. I'm climbing this mountain with my two friends.

Do Photojournalism Contests Glamorize Pain and Suffering?

In a break from the past, World Press Photo (WPP) released the short list of finalists in advance of naming the winners to their annual contest – arguably the most prestigious in all of photojournalism. The photos are remarkable for their composition, exposure, and intimacy. But judging by the subject matter one might surmise that we’re living in a hellish dystopia, or that the jury believes pain and suffering is the most valid form of photojournalism.

The Ethics of Landscape Photography

I’ve wondered for a long time what it means to be an ethical landscape photographer. Sure, this field isn’t known for its wide-reaching moral dilemmas or particularly sticky situations, but the question still deserves attention.

Is This Eclipse Photo #FakeNews?

Much ado about nothing or a serious ethical breach of photojournalistic norms? A debate emerged on Facebook when freelancer and Pulitzer Prize winner Ken Geiger’s image appeared in the National Geographic Instagram feed and in a slideshow on the NatGeo website. The image was a composite of multiple images created in-camera that resulted in an photo that never existed because the eclipse was never positioned against the Tetons as depicted.

NPPA Adds Anti-Harassment Standard to Code of Ethics

The National Press Photographers Association (NPPA) has added an anti-harassment standard to its code of ethics, addressing not just photographic practice but the behavior of photographers in dealing with people beyond with the camera.

Instagram to Clearly Label Sponsored Photos with Product Placements

When Facebook took over Instagram, it was clear it would adopt the same changes seen in Facebook news feeds that are known so well. Algorithms push certain stories higher in feeds, rather than displaying them in chronological order. Now, sponsored posts will be clearly labelled in a bid to out paid product placement on the platform.

The Ambiguity of Pressing the Shutter – Ethics in Photojournalism

The myth goes that Crazy Horse refused to be photographed, believing the image would steal his soul. In truth, the apocryphal tale has no historical evidence. But taking photos is intrusive, and most people would agree upon some near universal norms regarding photography (e.g. taking photos of children in public).

Souvid Datta Admits to Doctoring and Appropriating Photos

Yesterday, we revealed that award-winning photographer Souvid Datta had published a photo back in 2014 in which a woman had been copied-and-pasted from a 1978 photo by renowned documentary photographer Mary Ellen Mark. Datta today admitted that he had indeed doctored that photo, as well as "appropriating" other photographers' work as his own.

Photographer Souvid Datta Appears to Have Plagiarized Mary Ellen Mark

The award-winning photographer Souvid Datta found himself in the middle of a controversy this week when his photo of a young sex trafficking victim was used to promote a photo contest. But now a serious new accusation has emerged that threatens Datta's credibility as a photojournalist: one of plagiarism.

Every Photo Comes with Built-In Debt, or: The Ethics of Photography

We tend to treat the ethics of taking photographs in a very much black and white fashion. We judge "He should never have shot that" or alternatively "She is on firm ground shooting that, it is OK" and then arguments revolve around that, never resolving anything.